Daily Dose Of Jazz…
Terry Vosbein was born in New Orleans, Louisiana on February 8, 1957. He received his Masters in Composition from James Madison University and his Doctorate in Composition from the Cleveland Institute of Music. He has composed works for orchestra, wind ensembles, chamber ensembles and choirs. He has written works for jazz bands of all sizes and his compositions have been performed all over the world.
His latest release with the Knoxville Jazz Orchestra is titled Fleet Street and is infused with a sense of humor, adding a special dimension that is too often missing in contemporary big band writing. His 2009 Progressive Jazz album also with the Knoxville Jazz Orchestra has garnered critical acclaim.
He has been awarded seven residencies and a fellowship at University College in Oxford, where he composed Masque for Cello and Orchestra. Terry also teaches music composition at Washington and Lee University in Lexington, Virginia.
For over twenty-five years Vosbein was an active jazz bassist and arranger, performing and arranging for a variety of ensembles, including the Glenn Miller Orchestra and the Atlanta Pops. He has performed in a wide range of genres from country western twang to big band swing, disco and country club wallpaper, and continues to play a never ending assortment of jazz combos and studio sessions.
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Daily Dose Of Jazz…
Hector Rivera was born on January 26, 1933 in New York, New York. He had been playing for over a decade, beginning in the early 1950s when he joined the band of Elmo Garcia as a teenager. Making his recorded debut as a bandleader in 1957 when Garcia didn’t have enough material prepared, Mercury Records asked if he had any music. Wanting to record a solo album Mercury offered to record him as a solo artist, issuing his debut, Let’s Cha Cha Cha.
Over the next few years, Rivera would be known mostly as a sideman to bandleaders Joe Cuba, Pacheco, and vocalist Vincento Valdez. He made his biggest splash as a bandleader with the 1966 album At the Party, with a large band featuring several trumpet players and percussionists, as well as bassist Cachao.
Dividing his approach between instrumentals and vocals, he employed several singers, including David Coleman who is most heard on the At the Party album. The success of the title cut enabled Hector to cut several more albums, along with continuing to write and arrange. He would go on to participate in projects for Ray Barretto, Machito, and Tito Puente among others.
Pianist, arranger, composer, bandleader and producer Hector Rivera who was one of the more renowned performers of the Latin soul genre, died on January 8, 2006 in his hometown.
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Daily Dose Of jazz…
Larry Sonn was born in Woodmere on Long Island New York City on January 17, 1919. He graduated from the Juilliard School of Music in New York and began his career with the Southern Symphony Orchestra in Columbia, South Carolina. He took the first trumpet position, but later turned to the popular idioms of jazz and the big band sound. He was soon playing trumpet and arranging for the top orchestras in the United States including Glenn Miller, Teddy Powell, Bobby Byrne, Charlie Barnett, and Vincent Lopez.
In the early 1940’s he moved from New York to Philadelphia, Pennsylvania and then to San Antonio, Texas. While performing there an executive from the new Hotel Reforma in Mexico City heard him play. Impressed by Larry’s virtuosity, he offered him a short-term contract at the hotel’s Ciro’s Nightclub that lasted nine years.
Returning to America for a stay late in the1950’s but still Mexico called. Larry came back to form one of the foremost big bands in the country, touring, doing radio shows for XEW, and recording for RCA Victor, CBS, Cisne, Peerless, Sonart and other labels.
Retiring from music in 1972 Sonn relocated forty miles south of Mexico City, opened a popular book store specializing in US editions for English-speaking residents and tourists. After several years he retired completely. Trumpeter, arranger, composer and bandleader Larry Sonn at 91, is alive and well in the City of Eternal Spring, Cuernavaca, Morelos, Mexico.
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Daily Dose Of Jazz…
Werner Dies was born on January 15, 1928 in Frankfurt, Germany. An autodidact on guitar and saxophone, he studied clarinet and composition starting in 1947. From 1947 to 1955 he played guitar in the dance band of Willy Berking, and was a member of the bands Hotclub Combo and Two Beat Stompers.
He led his own ensemble, went on a tour of Yugoslavia in 1955 and from 1955 to 1965 he was a member of Hazy Osterwald’s sextet, and also worked as a session musician and arranger. He toured with Joe Turner and, in 1968, Charly Antolini.
He had a hit in Germany in 1954 with Schuster bleib bei deinen Leisten (The Little Shoemaker) that spent eight weeks at #1 on the German hit parade starting in October 1954. He later worked for Howard Carpendale, Adam & Eve, Graham Bonney, and other singers, and produced easy listening music with his own ensemble, the Werner Dies Sax Band.
He wrote a treatise on clarinet improvisation that was published in 1967. He produced the group Bläck Fööss from 1973 to 2003. Tenor saxophonist, clarinetist, guitarist, composer, and arranger Werner Dies died on February 5, 2003.
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Daily Dose Of Jazz…
Ray Starling was born in London, England on Jauary 4, 1933 and began his musical training on piano. He started playing trumpet when he moved to the United States at age 16. He started his career as a member of the Kai Winding band and played the mellophone on two songs on Kai’s 1960 album The Incredible Kai Winding Trombones.
By the time he joined the Stan Kenton band in 1961, he had made several recordings not only on trumpet but also on flugelhorn and mellophone. He played in, and wrote for, Kenton’s band in 1961 and ’62. He replaced Gene Roland in the mellophone section, while Roland took the arranger position for the band. Starling played on the album Adventures In Blues consisting entirely of original compositions and arrangements by Roland.
After leaving the Kenton outfit, Ray briefly co-led with Joel Kaye the New York Soundstage Orchestra #1 that accompanied vocalists such as Annette Sanders and Tony Bennett. The name changed in the Seventies to the New York Neophonic Orchestra under Kaye’s leadership..
Starling continued to record through the ‘60s, notably in Johnny Richards’ big band and on J.J. Johnson’s 1965 big band album Goodies. He played piano in Buddy Rich’s big band in 1967.
Moving to Phoenix, Arizona is where he spent his remaining years. Trumpeter, mellophonist, pianist and arranger Ray Starling, who also played and recorded with Ray Eberly, Claude Thirnill, Johnny Richards, Sal Salvador, Peter Appleyard and Tony Ortega among others, died on May 15, 1982.
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