Daily Dose Of Jazz…
Steven Mark Grossman was born on January 18, 1951 in Brooklyn, New York to Rosalind, an amateur pianist, and Irving, an RCA salesman and later president of KLH Research and Development Corporation. At 18, he went on to replace Wayne Shorter in Miles Davis’ jazz-fusion band. Then, from 1971 to 1973, he was in Elvin Jones’ band.
In the late 1970s, he was part of the Stone Alliance trio with Don Alias and Gene Perla. The group released four albums during this period, including one featuring Brazilian trumpeter Márcio Montarroyos. The albums also feature an array of other musicians. They went on to release three live reunion albums during the 2000s.
Fusion and hard bop saxophonist Steve Grossman passed away of cardiac arrest in Glen Cove, New York, on August 13, 2020, at the age of 69.
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Daily Dose Of Jazz…
Vido William Musso born Vito Gugliermo Musso on January 16, 1913 in Palermo, Sicily. He moved with his family to the U.S. in July 1920, having arrived at the Port of New York on the Italian steamship Patria. They lived in Detroit, where Musso started learning to play clarinet. Ten years later, he went to Los Angeles, California and formed a big band with Stan Kenton in 1935.
Musso dropped out the next year to work with Gus Arnheim, Benny Goodman, and Gene Krupa. He accompanied Billie Holiday and pianist Teddy Wilson on recordings in the late 1930s. He replaced Bunny Berigan as the leader of his band and tried unsuccessfully at other times during the 1930s and 1940s to be a big band leader. However, most of his career was spent as a sideman.
Returning to Goodman, he was a member of big bands led by Harry James, Woody Herman, and Tommy Dorsey. He went back to play with Kenton during the middle 1940s and having moved to California, he retired around 1975.
Saxophonist Vido Musso, who recorded as a leader in the Forties and Fifties for Savoy, Trilon, Arco, Fantasy, RPM, Crown, and Modern record labels, transitioned on January 9, 1982 in Rancho Mirage, California.
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Daily Dose Of Jazz…
Alain Mion was born of French extraction on January 14, 1947 in Casablanca, Morocco but was raised in Paris, France.Influenced by Bobby Timmons, Ray Charles and Les McCann, his style varies between jazz, soul jazz and funky music. By the time he was 19 he formed his own trio and performed at the Blue Note. This subsequently led to him gigging at various festivals with Hank Mobley and Philly Joe Jones.
1974 Alain created the jazz funk group Cortex and recorded a dozen albums before embarking upon a career under his own name in 1982, recording to date eleven albums, such as Pheno-Men, Alain Mion in New York recorded with David Binney and Marc Johnson, and Some Soul Food recorded in Stockholm, Sweden with Patrik Boman and Ronnie Gardiner.
In 2008, he emerged with a new group, Alain Mion FunKey Combo with drums, bass and a saxophone section consisting of Italian and French musicians. He reinvented his new group Alain Mion & The New Cortex with the singer Adeline de Lépinay reprising the role originally performed by Mireille Dalbray on the Troupeau Bleu album.
In the United States, Alain Mion and Cortex’s songs have been sampled by several hip-hop artists including but not limited to Madlib, Fat Joe, DJ Day, MF DOOM, Wiz Khalifa, Curren$y, Mellowhype, Tyler The Creator, Rick Ross, and Lupe Fiasco.
Pianist, composer, arranger, and vocalist Alain Mion continues his exploration of the jazz idiom.
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Daily Dose Of Jazz…
Dannee Fullerton was born January 12, 1944 in Los Angeles, California and at the age of four, moved with his mother to Saudi Arabia, joining his father who worked for the Arabian American Oil Company. By 11, he was enrolled at the Institut Montana Zugerberg, an all boys international school in Switzerland. It was here that drums became a strong influence and his very first drum set was a pair of brushes and a set of bongo drums. Along with singing, Dannee played the guitar and the drums.
At 14, he started a band at the Institut and gave concerts 3 to 4 times a year, something that had never before been accomplished on that campus. By 15 Dannee attended a concert and on the bill was the Gerry Mulligan Quartet and the Benny Goodman Orchestra featuring Gene Krupa playing Sing,Sing,Sing. The effect upon hearing this music caused Fullerton to give away all his rock and roll albums and so he could seriously concentrate on jazz.
During these formative years, he taught himself and others to play Jazz and continued to hold jazz concerts at school. Creating the school’s first jazz club, convincing the Director to allow students to attend jazz concerts, he was able to see concerts by the Oscar Peterson Trio, Ella Fitzgerald, Duke Ellington, Count Basie, Louis Armstrong, J.J. Johnson, Stan Getz, The Modern Jazz Quartet, Ahmed Jamal, Cannonball Adderly, the John Coltrane Quartet and the Dave Brubeck Quartet… Dannee was now hooked on the jazz art form and was intent on learning it.
Graduating from high school, Fullerton attended Berklee College of Music and studied under Alan Dawson, Herb Pomeroy, John La Porta, and Jack Peterson. Later he studied privately with drummer Pete La Roca. He played sessions with Keith Jarrett, Mick Goodrick, Gene Perla, John Abercrombie, Sam Rivers, Sadao Watanabe, Byard Lancaster and other students at the time. He performed with the Keith Jarrett Trio for two years, in his Boston, Massachusetts trio.
Drafted into the US Army during the Vietnam era, he served in various Army bands over the next 24 years, serving in Europe, Korea, Okinawa and many locations within the United States. During his service Dannee performed with Maynard Ferguson, Herb Ellis, The Ink Spots, Bill Watrous, Bill Lohr, “Jazz Express” (Dannee’s own group) John Payne, Don Erdman, Kurt Black, Buddy Tate, Joe Newman, Mike Francis and Curt Warren to name a few.
Retiring from military service in 1989, he settled outside Tacoma, Washington. Drummer Dannee Fullerton, who never recorded professionally, continues to perform locally with Jack Percival, Sid Potter, Tim Eikholt, Tom Russell, Gary Black, Joe Bach, Roger Gard, Pete Lira, Bob McNamara, Ken Upton and Lance Buller, among others.
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Daily Dose Of Jazz…
Willie Dennis wsa born William DeBerardinis on January 10, 1926 in Philadelphia, Pennsylvania. After working with Elliot Lawrence, Claude Thornhill, and Sam Donahue, he went to work with Charles Mingus, appearing on two of Mingus’s albums in 1959, Blues & Roots and Mingus Ah Um. In 1953, due to his relationship with Mingus he recorded Four Trombones (on the bassist’s Debut Records label and was released in 1957. The other three trombones were J. J. Johnson, Kai Winding and Bennie Green.
In 1951, Dennis began studying with Lennie Tristano. To make ends meet, he worked as an attendant at the Museum of Modern Art. The fullest recorded example of Dennis’s solo work is on a little-known 1956 Savoy disc by English pianist Ronnie Ball, who was also a Tristano student. The album was titled All About Ronnie, and included Ted Brown and Kenny Clarke.
He toured with Mingus in 1956, published an essay, The History of the Trombone, in Metronome. By the late 1950s Willie had returned to his big band roots and joined Buddy Rich in 1959 after stints with Benny Goodman and Woody Herman. During the 1960s, he often performed with Gerry Mulligan.
He had an extremely fast articulation on the trombone, which he obtained by means of varying the natural harmonics of the instrument with minimal recourse to the slide, a technique known as crossing the grain. He recorded with Cannonball Adderley, Manny Albam, Al Cohn, Mundell Lowe, Gary McFarland, Gerry Mulligan, Oliver Nelson, Anita O’Day, Shirley Scott, Zoot Sims and Phil Woods.
Known for his big band musicianship but who could also execute as an excellent bebop soloist, trombonist Willie Dennis, who was married to Morgana King in 1961, transitioned due to an automobile accident in Central Park on July 8, 1965 in New York City.
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