Daily Dose Of Jazz…
Red Holloway was born James Wesley Holloway on May 31, 1927 in Helena, Arkansas, and started playing banjo and harmonica before switching to tenor saxophone when he was 12 years old. Graduating from DuSable High School, where he had played in the school big band with Johnny Griffin and Eugene Wright, and attended the Conservatory of Music, Chicago, Illinois.
Joining the Army when he was 19, Red became bandmaster for the U.S. Fifth Army Band, and after completing his military service returned to Chicago and played with Yusef Lateef and Dexter Gordon, among others. In 1948, he joined blues vocalist Roosevelt Sykes, and later played with other rhythm & blues musicians such as Willie Dixon, Junior Parker, and Lloyd Price.
In the 1950s, he played in the Chicago area with Billie Holiday, Muddy Waters, Chuck Berry, Ben Webster, Jimmy Rushing, Arthur Prysock, Dakota Staton, Eddie “Cleanhead” Vinson, Wardell Gray, Sonny Rollins, Red Rodney, Lester Young, Joe Williams, Redd Foxx, B.B. King, Bobby Bland, and Aretha Franklin. During this period, he also toured with Sonny Stitt, Memphis Slim and Lionel Hampton. He became a member of the house band for Chance Records in 1952. He subsequently appeared on many recording sessions for the Chicago-based independents Parrot, United, States, and Vee-Jay.
From 1963 to 1966, he was in organist Brother Jack McDuff’s band, which also featured guitarist George Benson, who was then at the start of his career. In 1974, Holloway recorded The Latest Edition with John Mayall and toured Europe, Japan, Australia and New Zealand. From 1977 to 1982, he worked with Sonny Stitt, recording two albums together. Following Stitt’s death, he played and recorded with Clark Terry.
Tenor saxophonist Red Holloway passed away in Morro Bay, California, aged 84 of a stroke and kidney failure on February 25, 2012, one month after Etta James, with whom he had worked extensively.
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Daily Dose Of Jazz…
Sandy Mosse was born on May 29, 1929 in Detroit, Michigan and learned clarinet and alto saxophone early in life, but switched to tenor saxophone at the beginning of the 1950s. Based out of Chicago, Illinois during the decade, he made several forays abroad, playing in Paris with Wallace Bishop in 1951. On his 1953 tour of Europe he performed with Django Reinhardt and Woody Herman.
Upon returning to Chicago in 1955 he played with Bill Russo, Chubby Jackson, James Moody, and Cy Touff. Mosse and Touff also co-led an octet called Pieces of Eight late in the 1950s into the early 1960s, featuring trumpeter John Howell. He received awards from Down Beat and Playboy late in the 1950s.
The 1960s saw him playing with Buddy Rich, Maynard Ferguson, and Dave Remington. During this time Sandy formed a band with flugelhornist Warren Kime called Pieces of Eight. Unfortunately, that same decade he was diagnosed with cancer.
Marrying a Dutch woman Clara, he moved to Amsterdam in the 1970s, playing on national radio and teaching at the Royal Dutch Conservatory. Recording less, he occasionally toured the U.S. with Zoot Sims and Al Cohn. In the Netherlands, he played with an ensemble called Volume Two, with Irvin Rochlin, Klaus Flenter, Evert Hekkema, Ben Gerritsen, and Lex Cohen.
Tenor saxophonist Sandy Mosse, influenced by Lester Young, passed away on July 1, 1983 in Amsterdam, Netherlands.
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Daily Dose Of Jazz…
Herbert “Kat” Cowans, also spelled Cowens, was born May 24, 1904 in Texas. Working as a shoeshine boy as a child, his first professional engagement as a drummer was with the Satisfied Five, a local Texas ensemble. After moving to Wichita Falls, Texas he played in Frenchy’s New Orleans Jazz Band, then worked with Charlie Dixon. Quitting Dixon’s ensemble to finish high school while still in his teens, he went on to play in theater orchestras early in the 1920s.
Moving to New York City, Cowans played with Cleo Mitchell in the Shake Your Feet revue. Following this, he did work with the Kansas City Blackbirds, Jimmy Cooper’s Black and White Revue, and Eubie Blake in addition to leading his own band.
In the 1930s Herbert played with Fats Waller and Stuff Smith, before joining Eddie Heywood’s band for recordings behind Billie Holiday in 1941. He worked with Garvin Bushell in 1942, then played in the pit orchestra for the Broadway show The Pirate.
Cowans led a USO band in 1943, touring military bases worldwide, then led small ensembles for several decades thereafter. He also worked with Louis Metcalfe in 1963. He worked with USO again in East Asia in the 1970s, then retired to Dallas, Texas. Drummer Herbert Cowans passed away on January 23, 1993.
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Daily Dose Of Jazz…
Donald Moye, Jr., known professionally as Famadou Don Moye, was born May 23, 1946 in Rochester, New York and during his youth performed in various drum and bugle corps including the Rochester Crusaders as well as church choir. He took violin lessons during this time and was exposed to jazz at an early age since his mother worked for a local social club that had a jazz club next door that hosted musicians such as Kenny Burrell and Jimmy McGriff.
He went on to study percussion at Wayne State University in Detroit, Michigan and lived in the same building as trumpeter Charles Moore, who became his mentor. He played in the groups African Cultural Ensemble, and Moore’s group, the Detroit Free Jazz. He first encountered the Association for the Advancement of Creative Musicians (AACM) due to the revolving door of musicians in and out of Moore’s residence. In early 1968, Moore’s band traveled to Europe and Moye decided to live there for the next couple of years, touring and visiting the continent as well as Northern Africa.
By 1969, the AEC had augmented into the percussion-less quartet of Roscoe Mitchell, saxophonist Joseph Jarman, trumpeter Lester Bowie and bassist Malachi Favors Maghostut. The group crossed the Atlantic Ocean and arrived in Europe to perform throughout the continent. Don at the time was rehearsing and performing in Paris, France, at the American Center for Students and Artists. When Mitchell met with Moye again at the Center, he asked Moye to join his group, which was already known as the Art Ensemble of Chicago and had issued several recordings including three releases on the European label BYG Actual.
After returning to the States in the early 1970s, he played with the Black Artists Group in St. Louis, Missouri before settling in the Chicago, Illinois area. He was also in a duo with fellow percussionist Steve McCall who later was a member of Air with Henry Threadgil while still playing with the AEC. In the mid-1980s, Moye joined The Leaders, a jazz group consisting of AEC members Bowie, Chico Freeman, Arthur Blythe, Cecil McBee, and Kirk Lightsey.
Moye has also recorded numerous solo albums as leader of his own band. Moye toured and recorded again with the AEC in the 1990s, which was dealt a blow with the 1999 death of Bowie. Other groups he led in the ’90s include the Joseph Jarman/Famoudou Don Moye Magic Triangle Band and the Sun Percussion Summit. Famadou Don Moye continues to perform and record.
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Daily Dose Of Jazz…
Edward Louis Smith was born on May 20, 1931 in Memphis, Tennessee. After graduating from Tennessee State University he attended graduate school at the University of Michigan. While studying at the University of Michigan, he played with visiting musicians such as Dizzy Gillespie, Miles Davis, Thad Jones and Billy Mitchell.
He went on to play with Sonny Stitt, Count Basie, Al McKibbon, Cannonball Adderley, Percy Heath, Philly Joe Jones, Lou Donaldson, Donald Byrd, Kenny Dorham and Zoot Sims. Deciding to forgo being a full-time musician to take a job as a director of Atlanta’s Booker T. Washington High School, where he recorded two albums for Blue Note.
The first, Here Comes Louis Smith, originally recorded for the Boston-based Transition Records, featured Cannonball Adderley, then under contract to Mercury, played under the pseudonym Buckshot La Funke, Tommy Flanagan, Duke Jordan, Art Taylor and Doug Watkins. Replacing Donald Byrd for Horace Silver’s Live at the Newport 1958 set, and his playing was one of his best efforts and was described by one critic as monstrous.
He was a prolific composer and successful band director leaving Booker T. Washington to become director of the Jazz Ensemble at the University of Michigan and a teacher in Ann Arbor’s public school system. He would later record for the SteepleChase label.
Suffering a stroke in 2006, he enjoyed live jazz around the Detroit/Ann Arbor area, but did not return to performing. Trumpeter Louis Smith passed away on August 20, 2016 at age 85.
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