Daily Dose Of Jazz…

Betty Bennett was born in Lincoln, Nebraska on October 23, 1921. Her first major signing was with the Claude Thornhill band in 1946 the band in which her husband, bassist Iggy Shevak, was playing. Shortly after her husband left to join Alvino Rey, Bennett followed him there.

In 1949, she joined Charlie Ventura’s band before going on to join Benny Goodman in 1959. Her second album, Nobody Else But Me, featured arrangements by Shorty Rogers and her second husband, AndrĂ© Previn.

She later married guitarist Mundell Lowe in 1975. Vocalist Betty Bennett, who was a big band singer and recorded five albums as a leader, passed away on April 7, 2020 at the age of 98.

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Daily Dose Of Jazz…

Giorgio Gaslini born October 22, 1929 in Milan, Italy. He began performing aged 13 and recorded with his jazz trio at 16. In the 1950s and 1960s, He performed with his own quartet. He was the first Italian musician mentioned as a “new talent” in the Down Beat poll and the first Italian officially invited to a jazz festival in the USA New Orleans 1976-77.

He collaborated with leading American soloists, such as Anthony Braxton, Steve Lacy, Don Cherry, Roswell Rudd, Max Roach, but also with the Argentinian Gato Barbieri and Frenchman Jean-Luc Ponty. He also adapted the compositions of Albert Ayler and Sun Ra for solo piano, which the Soul Note label issued. He also composed the soundtrack of Michelangelo Antonioni’s 1961 La notte (The Night).

From 1991 to 1995, Gaslini composed works for Carlo Actis Dato’s Italian Instabile Orchestra, and was the first to teach jazz courses at the Santa Cecilia Academy of Music in Rome in 1972. In the Seventies he scored ten films between 1970 to 1977.

Pianist, composer and conductor Giorgio Gaslini, who composed symphonic works, operas, and ballets, passed away on July 29, 2014 at 84 in Borgo Val di Taro, Italy in the province of Parma.

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Daily Dose Of Jazz…

Cosimo Di Ceglie was born October 21, 1913 in Andria, Italy and played with local bands in Andria before joining Herb Flemming’s group in the mid-1930s. He recorded with Piero Rizza and the Orchestra del Circolo Jazz Hot di Milano, as well as under his own name, in the period 1936-1938.

He went on to work with Enzo Ceragioli and Gorni Kramer around 1940. Active during World War II on radio, playing with a six-piece ensemble, he made further recordings under his own name in the late 1940s and into the 1950s. He also played with Adriano Celentano, Kai Hyttinen, and others later in his career.

Guitarist Cosimo Di Ceglie passed away in 1980 in Milan, Italy.

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Ray Linn, born in Chicago, Illinois on October 20, 1920 experienced his first major engagements in the late 1930s playing with Tommy Dorsey, from 1938 to 1941 and Woody Herman until the outbreak of World War II. He would return to play with Herman again several times after the war during the Forties and Fifties.

In the 1940s he spent time playing with several big bands led by Jimmy Dorsey, Benny Goodman, Artie Shaw, and Boyd Raeburn. Moving to Los Angeles, California in 1945, he worked extensively as a studio musician, in addition to playing with Bob Crosby in the early 1950s.

The Fifties decade would be his final extended tenure with Herman. He spent much of the 1960s playing music for television, including The Lawrence Welk Show.

He recorded eight tunes as a leader in 1946, and full-length albums in 1978 and 1980, the latter of which are Dixieland jazz. Trumpeter Ray Linn passed away in November 1996 in Columbus, Ohio.

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Lenny Hambro was born on October 16, 1923 in the Bronx, New York, the younger of two children. As a teenager, his brother-in-law introduced the 15 year old to woodwinds, giving him a soprano saxophone and introductory music lessons and taking every music class in which he could enroll. While in high school he took private lessons from Bill Sheiner, one of the leading music teachers and session musicians in New York City. During his later high-school years, Hambro played alto sax, tenor sax, clarinet, and flute in an assortment of teen dance bands, including a summer in the Catskills.

During the Second World War, at just 18, Hambro auditioned and got the empty seat in Gene Krupa’s band in 1942. However, he left the band in December of that year for the Army, there joining Ivan Mogul, Shorty Rogers and approximately 40 other musicians from the Bronx who had agreed to man the 379th Army Service Forces Band in Newport News, Virginia, where he stayed for three years. Post war he worked and recorded with Billy Butterfield and Bobby Byrne, before rejoining Gene Krupa as lead alto sax and featured jazz soloist through 1950.

He would go on to play and /or record with the Latin jazz ensembles of Vincent Lopez, Pupi Campo, Machito and his Afro-Cuban Orchestra, Ray McKinley Band. the Chico O’Farrill Orchestra, tour with The Gene Krupa Orchestra, Charlie Ventura’s Orchestra and Joe Loco’s band. He did studio work, worked as a music copyist, and taught private lessons.

In 1954 he formed the Lenny Hambro Quintet, and in 1955 he again played in and managed the Ray McKinley Band, and toured the United States routinely during this period as well as England, Poland, Iron Curtain Europe, and North Africa in 1957 and 1958. He was a booking agent, opened up an advertising company, then returned to music. He recorded his final tracks at the Clinton Recording Studio at 653 10th Avenue in New York City in February, 1995 for Chico O’Farrill’s album, Pure Emotion for Milestone Records.

Lenny Hambro, who played alto, baritone and tenor saxophone, flute, and clarinet, passed away of a blood clot following open heart surgery on September 26, 1995, at Shore Memorial Hospital, Somers Point, New Jersey, a month shy of his 72nd birthday.

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