Daily Dose Of Jazz…
Born May 18, 1894 in North Buxton, Ontario, Canada, Louis Stanley Hooper was raised in Ypsilanti, Michigan. He attended the Detroit Conservatory, where he played locally in dance orchestras in the 1910s. He then moved to New York City around 1920, recorded with Elmer Snowden and Bob Fuller frequently in the middle of the decade, and performed with both of them in Harlem as well as with other ensembles.
Hooper served for some time as the house pianist for Ajax Records and accompanied many blues singers on record, including Martha Copeland, Rosa Henderson, Lizzie Miles, Monette Moore, and Ethel Waters. He participated in the Blackbirds Revue of 1928.
In 1932 returning to Canada he played in Mynie Sutton’s dance band, the Canadian Ambassadors. Lou did local work solo and in ensembles for the next two decades, then was brought back into the limelight by the Montreal Vintage Music Society in 1962. He released an LP of ragtime piano tunes in 1973 entitled Lou Hooper, Piano.
As an educator he taught at the University of Prince Edward Island late in his life and appeared regularly on CBC television in Halifax. His papers, which include unpublished compositions and an autobiography, are now held at the National Library of Canada in Ottawa, Ontario. Pianist Lou Hooper passed away on September 17, 1977, Charlottetown, Prince Edward Island.
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Daily Dose Of Jazz…
Michael Moore was born May 16, 1945 in Glen Este, Ohio and started on bass at age fifteen, at Withrow High School in Cincinnati, Ohio. He performed in ensembles and the Presentation Orchestra in George G. “Smittie” Smith’s Withrow Minstrels and played with his father in Cincinnati nightclubs.
Attending the Cincinnati College Conservatory, he played with Cal Collins and Woody Evans locally. He toured Africa and Europe with Woody Herman in 1966, and recorded with Dusko Goykovich while in Belgrade.
The 1970s saw Michael working with Marian McPartland, Freddie Hubbard, Jim Hall, Jimmy Raney, Bill Evans, Benny Goodman, Jake Hanna, Warren Vache, Herb Ellis, Zoot Sims, Ruby Braff, George Barnes, Chet Baker, and Lee Konitz. In 1978, he auditioned for and was hired by Bill Evans after longtime bassist Eddie Gómez had left the group and Evans was in transition with drummer Philly Joe Jones.
Leaving after five months due to dissatisfaction with the group, late in the decade he began working with Gene Bertoncini, with whom he would play into the 1990s. In the 1980s he worked with Sims again and with Kenny Barron and Michael Urbaniak. A member of the Dave Brubeck Quartet from 2001 until Brubeck’s death in 2012. Bassist Michael Moore continues to pursue his musical career.
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Daily Dose Of Jazz…
Warren Smith was born on May 14, 1934 in Chicago, Illinois, to a musical family. His father played saxophone and clarinet with Noble Sissle and Jimmie Noone, and his mother was a harpist and pianist. At the age of four he studied clarinet with his father. He graduated from the University of Illinois in 1957, then received a master’s degree in percussion from the Manhattan School of Music in 1958.
One of his earliest major recording dates was with Miles Davis as a vibraphonist in 1957. In 1958 Warren found work in Broadway pit bands and also played with Gil Evans. In 1961 he co-founded the Composers Workshop Ensemble. In the 1960s Smith accompanied Aretha Franklin, Nina Simone, Lloyd Price, and Nat King Cole; he worked with Sam Rivers from 1964–76 and with Gil Evans again from 1968 to 1976.
In 1969 he played with Janis Joplin and in 1971 with King Curtis and Tony Williams. He was also a founding member of Max Roach’s percussion ensemble, M’Boom, in 1970.
In the 1970s and 1980s Smith had a loft called Studio Wis that acted as a performing and recording space for many young New York jazz musicians, such as Wadada Leo Smith and Oliver Lake. Through the 1970s Smith played with Andrew White, Julius Hemphill, Muhal Richard Abrams, Nancy Wilson, Quincy Jones, Count Basie, and Carmen McRae. Other credits include extensive work with rock and pop musicians and time spent with Anthony Braxton, Charles Mingus, Henry Threadgill, Van Morrison, and Joe Zawinul.
He continued to work on Broadway well into the 1990s, and has performed with a number of classical ensembles. Smith taught in the New York City public school system from 1958 to 1968, at Third Street Settlement from 1960 to 1967, at Adelphi University in 1970–71, and at SUNY-Old Westbury from 1971. He remains connected to the music at 87.
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Daily Dose Of Jazz…
Billy Munn was born William on May 12, 1911 in Glasgow, Scotland. He studied at the Athenaeum School of Music before moving to London, England and joining the band of Jack Hylton from 1929 to 1936.
During the Thirties he played on recordings with Spike Hughes and Benny Carter. Following these engagements Billy then played with Sydney Lipton from 1936 to 1940, and concomitantly played with Louis Armstrong and Coleman Hawkins on their tours of England, as well as with Wingy Manone in the United States.
He played with Stephane Grappelli in 1943 and George Chisholm in 1944, then led his own ensemble at the Orchid Room in Mayfair from 1945 to 1948. He co-founded the BBC program Jazz Club in the 1940s with producer Mark White and clarinettist Harry Parry.
From 1948 to 1949, Munn directed the Maurice Winnick Orchestra at Ciro’s club in London, England and subsequently led the house band at the Imperial Hotel in the seaside resort town of Torquay, England for three decades, from 1949 to 1979. He recorded several times with this group. After 1979 he played solo, mostly locally in Torquay.
Pianist and arranger Billy Munn passed away on May 2, 2000 in Ayrshire, Scotland, a few days shy of his 89th birthday.
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Daily Dose Of Jazz…
Frederick Roach was born on May 11, 1931 in The Bronx, New York. He made his record debut in 1960 with saxophonist Ike Quebec on the albums Heavy Soul and It Might as Well Be Spring and played with Willis Jackson.
>From 1962-64 he recorded five albums as a leader for the Blue Note Records label. He also recorded with Donald Byrd on the album I’m Tryin’ to Get Home. His original writing, steady basslines, and highly musical fleet-fingered right hand set him apart.
1966-67 saw Freddie recording three more albums as a leader for Prestige Records, which are in a more commercial vein than his Blue Note dates. He left the music business in 1970 and became involved in theater, playwriting and film.
Roach was a soulful organist, certainly influenced by Jimmy Smith, but with a distinct sound and a quite original concept, which was perhaps best heard on “Good Move” for Blue Note. His Blue Note albums are critically acclaimed
Soul jazz Hammond B3 organist Freddie Roach, who moved to California for the film industry, suffered a heart attack and passed away on October 3, 1980.
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