AARON GOLDBERG TRIO

The New York Times has called Aaron Goldberg a “post-bop pianist of exemplary taste and range”, and over a career spanning three decades he has more than earned that distinction. Born in Boston, Goldberg discovered jazz in high school under the guidance of bassist Bob Sinicrope, and later studied with saxophonist Jerry Bergonzi before moving to New York at seventeen to attend the New School for Jazz and Contemporary Music. DownBeat magazine has praised his “quick witted harmonic reflexes, fluid command of line, and cut-to-the-chase sense of narrative logic.”

Goldberg’s career has placed him at the center of some of jazz’s most important collaborations. He toured extensively with Joshua Redman, joined the bands of Kurt Rosenwinkel and Wynton Marsalis, and performed worldwide with the Lincoln Center Jazz Orchestra. He has also collaborated with Charles Lloyd, Madeleine Peyroux, Betty Carter, Freddie Hubbard, and Guillermo Klein, among many others, and somehow found time to earn a master’s degree in philosophy from Tufts along the way. He is a Steinway artist and a member of the celebrated collaborative trio Yes! with Omer Avital and Ali Jackson Jr.

Aaron Goldberg – Piano
Matt Brewer – Bass
Kendrick Scott – Drums

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BENNY GREEN

Benny Green – Solo Piano

Benny Green is one of the most exciting, hard-swinging pianists to emerge from the legacy of Art Blakey’s Jazz Messengers. Born in New York and raised in Berkeley, California, Green began classical piano studies at age seven, drawn to jazz through his father’s record collection of Monk and Bird, and his early talent led to a weekly trio gig at Yoshi’s while still in high school.

After moving to New York, Green studied with veteran pianist Walter Bishop Jr., who encouraged him to explore the full scope of jazz piano history to find his own voice. He went on to work with Betty Carter from 1983 to 1987, then realized a lifelong dream by joining Art Blakey’s Jazz Messengers, remaining a member until Blakey’s passing in 1990. He went on to join Freddie Hubbard’s quintet, and in 1993 became the first recipient of the City of Toronto’s Glenn Gould International Protégé Prize in Music, selected personally by Oscar Peterson. That same year he joined Ray Brown’s trio, remaining until 1997.

Green has been hailed as the bearer of a torch handed down to him personally by his mentors, Betty Carter, Art Blakey, Freddie Hubbard, and Ray Brown, a living link to one of the great lineages of jazz piano. With a recording career spanning over one hundred sessions as both leader and sideman, and decades of touring as a soloist and bandleader, Green brings the full weight of that tradition to The Side Door for two nights of solo piano, an intimate format that allows his extraordinary touch, harmonic depth, and hard-swinging spirit to take center stage.

The Side Door Jazz Club is a dedicated jazz listening room located inside the historic Old Lyme Inn, 85 Lyme Street, Old Lyme, CT. Tickets are reserved seating. Guests dining at the Old Lyme Inn prior to the show receive 10% off their dinner bill.

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MIKE STERN BAND

Mike Stern is one of the true guitar greats of his generation. There, he plays with remarkable facility, and his searing lines draw mainly on bebop and the blues. Additionally, he carries a rock-tinged intensity. He uniquely combines the finesse and lyricism of Jim Hall, the driving swing of Wes Montgomery and the turbulent, overdriven attack of Jimi Hendrix.

Stern made his mark with Miles Davis in the early ‘80s before launching his solo career in 1985. Since then, he has released seventeen recordings as a leader, six of which received Grammy nominations. Moreover, his latest recording, 2024’s Echoes and Other Songs, features an all-star cast.

Musicians, critics and fans hail drummer Dennis Chambers for his technique and speed. Furthermore, they particularly praise his ability to play “in the pocket”. Thus, he has worked with John Scofield, George Duke, Brecker Brothers, Steely Dan, Santana, Parliament/Funkadelic, John McLaughlin, and more.

Bassist Noam Tanzer moves among a diverse world of styles. There, these vary from improvised music to hardcore metal, from indie rock in Spanish to the music of Billy Strayhorn. Noam has worked with Paquito D’Rivera, Miguel Zenon, Julieta Rada and others.

Regarded as the First Lady of jazz guitar, Leni Stern has become a respected force on the global music scene. Also, she has led her own groups for over three decades. Additionally, Guitar Player once described her work as “a case study in the interactive properties of composition and improvisation.”

Saxophonist Bob Franceschini ranks among the most in-demand players in New York. There, he has worked with George Benson, Eddie Palmieri, Woody Shaw, Kenny Kirkland, Chris Botti, Chaka Khan and many others.

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DOMINIQUE FILS-AIMÉ

Dominique Fils-Aimé has established herself as one of today’s leading voices in vocal jazz. Also, the Montreal singer-songwriter has won two Juno Awards. Her latest album, Our Roots Run Deep (2023), earned the 2024 JUNO Award for Vocal Jazz Album of the Year. Additionally, it received the 2024 Félix Award for Best Jazz Album at ADISQ. There, this affirms the importance of her artistic vision at the crossroads of jazz, soul, and blues.

In February 2026, she unveiled the second chapter of her sophomore trilogy with new album My World Is The Sun. With this project, Fils-Aimé continues her exploration of sonic, creative, and spiritual freedom.

On stage, she offers an immersive performance that invites audiences to delve into the roots of their soul. Moreover, she is guided by a profound quest for connection. She released her first live album Live at the Montreal International Jazz Festival in 2025. Here, it stands as a testament to the strength of her stage presence and her ability to forge an intimate bond with her audience.

In recent years, she has performed on many prestigious stages. For example, Blue Note New York, Blue Note Los Angeles, Monterey Jazz Festival and North Sea Jazz Festival. Additionally, she has opened for Melody Gardot, Diana Krall, and Jamie Cullum in many European theaters.

In 2026, Dominique Fils-Aimé will bring her new album to the stage on a world tour. Thus, she has announced concerts in Europe at La Maroquinerie (Paris) and Le Botanique (Brussels). Further, dates in Canada at the Montreal International Jazz Festival, and across the United States.

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CÉCILE MCLORIN SALVANT

Cécile McLorin Salvant is a composer, singer, and visual artist. The Late Jessye Norman described Salvant as “a unique voice supported by an intelligence and full-fledged musicality, which light up every note she sings.” Here, Salvant has developed a passion for storytelling. She finds connections between vaudeville, blues, folk traditions from around the world, theater, jazz, and baroque music. Moreover, Salvant is an eclectic curator, unearthing rarely recorded songs with strong narratives, interesting power dynamics, unexpected twists, and humor.

She won the Thelonius Monk competition in 2010. Also, she received Grammy Awards for Best Jazz Vocal Album for three consecutive albums. Here, these include 2018’s The Window, 2017’s Dreams and Daggers, and 2015’s For One To Love. Additionally, she earned a Grammy nomination for 2014’s WomanChild. Then, in 2020 Salvant received the MacArthur fellowship and the Doris Duke Artist Award. Her 2022 recording Ghost Song garnered two more Grammy nominations and wide critical acclaim.

Salvant released her latest album, Oh Snap, in 2025. Here, this album features twelve very personal songs by Salvant. Further, she mostly recorded it outside of a traditional studio environment and it showcases her genre-spanning tastes and influences.

For this album, Cécile wrote these short, intimate songs as part of a creative quest. Here, she sought to place spontaneity and joy at the center of her writing process. She originally recorded them alone, at home, never intending for them to be released. Moreover, the songs reflect Salvant’s wide-ranging musical influences from her 1990s childhood in Miami. There, sounds from boy bands to grunge to classical to folk are present. Additionally, there are party tracks with beats, samba grooves, and quiet folk songs.

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