Daily Dose Of Jazz…

Dick Lammi was born on January 15, 1909 in Red Lodge, Montana. Early in his career he played violin and banjo, playing as a banjoist in various dance bands and orchestras in the Pacific Northwest in the late 1920s. Settlling in Portland, Oregon in the early Thirties, and played bass in a group there.

After a move to San Francisco, California in 1936 he began playing tuba alongside bass. His best-known work was as a member of Lu Watters’s rehearsal band, which evolved into the Yerba Buena Jazz Band, playing regularly at the Dawn Club.

With World War II interrupting his tenure with the ensemble, after his discharge he rejoined the YBJB and stayed with them until they disbanded in 1950. The Fifties saw Dick working with Bob Scobey, Turk Murphy, Wally Rose, and Clancy Hayes. He recorded little after the early 1960s.

Tubist and bassist Dick Lammi, who was the first tuba player to record during the San Francisco revival, died on November 29, 1969 in San Francisco.

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MIMI JONES & FRIENDS

The Lab Sessions: Jazz & Jazz Party w/ Mimi Jones

For more than two decades she’s been on the scene, bassist/vocalist/producer/label owner and now filmmaker Mimi Jones has reigned supreme, as a side woman to an impressive coterie of musicians and as a leader with three original recording projects on her own Hot Tone Music label.

Born Miriam Sullivan in New York City on March 25, 1972, and was raised in the Bronx. Jones studied Music at the Manhattan School of Music Conservatory, and has also studied with Linda McKnight, Lisle Atkinson, Barry Harris, Milt Hinton, Dr. Billy Taylor, Yusef Lateef. She has toured extensively for over 30 years throughout the seven continents, and has played with such people as Frank Ocean, Kenny Barron, DD Bridgewater, Dianne Reeves, Tia Fuller, Roy Hargrove, Terri Lyne Carrington, Beyonce, Jason Moran, Common, Black Thought and more.

Mimi Jones co-directs a multimedia interdisciplinary production with pianist ArcoIris Sandoval entitled The D.O.M.E. Experience, creating choreography, musical and visual works inspired by social injustices and environmental changes in our world. Voted #1 & #2 rising star by the DownBeat polls for 3 consecutive years, she currently works on a new project called The Black Madonna. The Berklee School of Music professor recently began collaborating with a trio called Nite Bjuti featuring Vocalist Candice Hoyes, and Sound Chemist Val Jeanty. Mimi is a recipient of the Chamber Music America Performance Plus Award 2021.

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Daily Dose Of Jazz…

Charles Pervis Harris was born in Alexandria, Virginia and raised in Baltimore, Maryland on January 9, 1916. He studied violin before switching to bass in high school. He played professional dates while studying education at what is now Coppin State College. He went on to work at the Royal Theater in Baltimore after graduating.

Joining Lionel Hampton in 1941, he played with him for several years and was one of three bassists in Hampton’s ensemble, one of his bandmates being Charles Mingus. Harris did some recording with Dizzy Gillespie in the 1940s as well. Fatigued from touring he returned to Baltimore in 1949.

Soon after he worked in a band called Three Strikes and a Miss, again at the Royal Theater. While working there Nat King Cole heard him and asked him to join his trio. During his tenure with the vocalist, Charlie performed on some of Cole’s best-known tunes, such as Unforgettable, Route 66, It’s Only A Paper Moon, Sweet Lorraine and Mona Lisa. During the 1956-57 season he performed on Nat’s tv show on NBC.

After leaving the band he returned to Baltimore and remained there, playing, teaching, and working as a furniture salesman. Double bassist Charlie Harris died from cancer on September 9, 2003 at Bon Secours Hospital.

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RODNEY WHITAKER

Innovative jazz bassist, Rodney Whitaker, is one of the leading performers of double bass in the world and is joined by a group of unique, soulful, and talented individuals to perform an exhilarating and enlightening program of his and composer’s, Gregg Hill, music. It is guaranteed to inspire, impart, uplift, and quench the thirsty spirits yearning for a delightful evening of majestic melodies, resounding rhythms, and heavenly harmonies. The culminating musical experience will meticulously marinate the minds of the devoted jazz enthusiasts, leaving them in a state of euphoria.

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Daily Dose Of Jazz…

Rupert Theophilus Nurse was born the only child in Port of Spain, Trinidad on December 26, 1910. He spent some of his childhood in Venezuela before returning to the island to complete his education. He absorbed local calypso music traditions, and started working as a teacher in Tobago.

He taught himself piano, and learned arranging skills from a mail order Glenn Miller book, before returning around 1936 to Trinidad where he worked in an electronics business. He also learned to play the tenor saxophone and with Guyanese saxophonist Wally Stewart, formed the Moderneers or Modernaires, the first American-style big band in Trinidad. During the Second World War he played with visiting Americans on the island, and began writing jazz arrangements of calypsos.

Travelling to London, England in 1945, he began playing double bass with guitarist Fitzroy Coleman and pianist Cyril Jones in the Antilles jazz club near Leicester Square. He joined trumpeter Leslie “Jiver” Hutchinson’s mostly-black band, with whom he played on radio and toured in Europe, before working with entertainer Cab Kaye in the Netherlands. He also increasingly worked with musicians newly arriving in Britain from the West Indies, including popular pianist Winifred Atwell, and Lord Kitchener and his band. He began experimenting with electronic instruments along with Lauderic Caton.

By 1953, Nurse was appointed as musical director of the Melodisc record label, which increasingly sought to release records to appeal to Britain’s growing Afro-Caribbean community. He led the label’s house band, arranged and produced Kitchener’s recordings, and recorded many other musicians of Caribbean origin, including jazz saxophonist Joe Harriott. He continued to perform as a pianist, and became bandleader at the Sunset Club in Carnaby Street and then at the more upscale Sugar Hill club in St James’s, where he met and later recorded with pianist Mary Lou Williams.

He increasingly used an electric piano and organ, and worked widely in clubs and restaurants in London as a solo performer and with other musicians including steel pan player Hugo Gunning, bassist Coleridge Goode, and pianists Iggy Quail and Russ Henderson. He taught, devised arrangements for other musicians, and worked as a library cataloguer in London until 1976.

Retiring to Arima, Trinidad he continued to mentor musicians and write arrangements for them. Pianist, tenor saxophonist and double bassist Rupert Nurse, who was influential in developing jazz and Caribbean music in Britain, particularly in the 1950s,  transitioned there on March 18, 2001 at the age of 90.

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