Daily Dose Of Jazz…
Wellman Braud was born on January 25, 1891 in St. James Parish, Louisiana and settled in New Orleans, Louisiana. In his early teens he was playing the violin and the upright bass and leading a trio in venues in the Storyville District before 1910.
Moving to Chicago, Illinois in 1917 by 1923 he was performing in London, England with the Plantation Orchestra, doubling on bass and trombone. His next move was to New York City, where he played with Wilber Sweatman’s band before joining Duke Ellington.
Braud was the first to utilize the walking bass style that has been a mainstay in modern jazz. His vigorous melodic bass playing, alternately plucking, slapping, and bowing, was an important feature of the early Ellington Orchestra in the 1920s and 1930s. In 1936 he co-managed a short-lived Harlem club with Jimmie Noone, and recorded with the group Spirits of Rhythm from 1935 to 1937.
He would go on to play with the bands of Kaiser Marshall, Hot Lips Page, and Sidney Bechet and returned for a while to Ellington in 1944. In 1956 Wellman joined the Kid Ory Band and in the late 1950s, he joined the Barbara Dane Trio. Doing so he turned down opportunities to return to Duke Ellington’s band and tour with Louis Armstrong.
Upright bassist Wellman Braud, who is a distant relative of the Marsalis brothers on their mother’s side, died on October 29, 1966 in Los Angeles, California, at the age of 76.
Duke Ellington postumously paid tribute to Braud, with the composition Portrait of Wellman Braud on his 1970 album New Orleans Suite.
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Daily Dose Of Jazz…
Alan Lee da Silva was born on January 22, 1939, in Bermuda, British Empire to an Azorean/Portuguese mother, Irene da Silva, and a black Bermudian father known only as Ruby. Emigrating to the United States at the age of five with his mother, he was raised in Harlem, New York City. Here he first began studying the trumpet, and moved on to study the upright bass. He eventually acquired U.S. citizenship by the age of 18 or 19 and in his twentieshe adopted the stage name of Alan Silva.
As one of the most inventive bass players in jazz, Silva has performed with avant-garde jazz musicians Cecil Taylor, Sun Ra, Albert Ayler, Sunny Murray, and Archie Shepp. He performed in 1964’s October Revolution in Jazz as a pioneer in the free jazz movement, and for the 1967 live album Albert Ayler in Greenwich Village.
Since the early 1970s, Alan has lived mainly in Paris, France where he formed the Celestrial Communication Orchestra, dedicated to the performance of free jazz with various instrumental combinations. In the 1980s, Silva opened a music school, Institute for Art, Culture and Perception (I.A.C.P.) in Central Paris, together with François Cotinaud and Denis Colin.
In the 1990s he picked up the electronic keyboard, the electric violin and electric sarangi on his recordings. Since around 2000, he has continmued to perform more frequently as a bassist and bandleader, notably at New York City’s annual Vision Festivals.
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Daily Dose Of Jazz..
Bernard Cash was born in Scarborough, North Yorkshire, England on January 18, 1935. Music became his religion and he began his musical career as a trumpet player, gaining a reputation playing with different bands around the United Kingdom. At 25 he took up the double bass under the tutelage of Peter Ind. To earn a living he moved to London, England in 1961 with his wife, where he became involved in the jazz scene, and played with many musicians of note.
Returning to Yorkshire he founded the Light Music Course at Leeds College of Music. Recruiting his friend and mentor Ind, the two went about establishing the first real jazz course in the UK of which jazz guitarist Dave Cliff was an alumni. Leaving the academia of college he moved his family to Bridlington, on the East Yorkshire Coast, and worked as a peripatetic instrumental teacher. He continued to make regular trips to London to play jazz and organized jazz gigs in the North of England with many of the great players he had met.
He studied music at Hull University from 1974 to 1977 and while there Bernie organized numerous jazz gigs that included Lee Konitz and Warne Marsh. He continued to work in music education and maintained his own career. He held the position of Deputy Music Advisor for the Hull area, created the big band Great Jazz Solos Revisited, and scored some of his favourite artists’ solos, including Lester Young, Charlie Parker and Charlie Christian.
The big band enlisted the heavyweights of British jazz, Peter Ind, Peter King, Bob Burns, Art Morgan, Jim Livesey, Kathy Stobart, John Holbrooke, and Dave Cliff. He went on to create in conjunction with English playwright Alan Plater the jazz opera “Prez” based on the life of Lester Young. With the education system losing its luster he returned to London in 1986, playing jazz and being a traveling instrumental teacher.
He joined the BBC Northern Symphony Orchestra, Yorkshire Opera and the Royal Philharmonic Orchestra and toured with them. While on tour with the Royal Philharmonic in Germany, bassist Bernie Cash, who was an accomplished flautist, saxophonist and trumpeter, collapsed and died of a heart attack on October 7th, 1988.
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Daily Dose Of Jazz…
Simon H. Fell was born on January 13, 1959 in Dewsbury, Yorkshire, England. He began playing double bass in 1973 and from 1978 to 1981 he read English Literature at Fitzwilliam College, Cambridge, England. His early group was a free-jazz trio with drummer Paul Hession and saxophonist Alan Wilkinson. They recorded and released their music on his label Bruce’s Fingers.
During this period Fell was significantly connected with The Termite Club in Leeds. He was a member of the free jazz trio Badland, the improvising string and percussion ensemble ZFP with Carlos Zingaro, Marcio Mattos and Mark Sanders, and SFQ, a quartet/quintet with clarinettist Alex Ward and a changing membership. He also performed in many other ensembles, including the London Improvisers Orchestra and Derek Bailey’s Company Week.
Simon wrote a major sequence of four new large-scale compositions titled Compilation. Free improvisation, rock and jazz all form key parts of the musical language. Noise guitarist Stefan Jaworzyn, Evan Parker and John Butcher were essential musicians to the projects, but he often deliberately made use of amateur or student musicians.
Bassist and composer Simon Fell, who is primarily known for his work as a free improviser and the composer of post-serialist compositions, died on June 28, 2020
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SULLIVAN FORTNER
For the past decade, Sullivan Fortner has been stretching deep-rooted talents as a pianist, composer, band leader and uncompromising individualist. The Grammy Award-winning artist out of New Orleans received international praise as both key player and producer for his collaborative work on The Window (Mack Avenue, 2018), alongside multi-Grammy winner, vocalist-composer Cecile McLorin Salvant. As a solo leader, he has released Moments Preserved (Decca, 2018) and Aria (Impulse!, 2015) to critical acclaim, and he’s only getting started. Now based in New York, Fortner has earned recognition in multiple DownBeat Critics Poll categories, winning first place in Rising Star Piano and Rising Star Jazz Artist.
In addition to associations with such diverse voices as Wynton Marsalis, Paul Simon, Diane Reeves, Etienne Charles and John Scofield, Fortner’s frequent and longtime collaborators have included Ambrose Akinmusire, Dee Dee Bridgewater, Stefon Harris, Kassa Overall, Tivon Pennicott, Peter Bernstein, Nicholas Payton, Billy Hart, Gary Bartz, Christian Scott aTunde Adjuah, Fred Hersch and the late Roy Hargrove. Recent collaborations include GRAMMY-nominated releases Dear Love (Empress Legacy) and Generations from leaders Jazzmeia Horn and The Baylor Project, respectively.
A highly-sought improviser, Fortner has performed across the country and throughout the world at such cultural institutions as Snug Harbor, New Orleans Center for the Creative Arts, Sweet Lorraine’s and The Jazz Playhouse in New Orleans, and Jazz at Lincoln Center, Jazz Standard and Smalls Jazz Club in New York City. He’s appeared at celebrated festivals, including Newport, Monterey, Discover, Tri-C and Gillmore Keyboard, among others. In 2019, Fortner brought his band to the historic Village Vanguard for a week-long engagement he would reprise in 2020 as a virtual performance during lockdown. His notable studio contributions include work on Etienne Charles’s Kaiso (Culture Shock, 2011), Donald Harrison’s Quantum Leap (FOMP, 2010), and Theo Croker’s The Fundamentals (Left Sided Music, 2007).
The Trio: Sullivan Fortner~Piano, Yasushi Nakamura ~ bass and Kayvon Gordon ~ drums
Tickets: $37.00 fee included
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