NICOLE HENRY, SENEGAL APOSTOLO & JOHN MARQUIS

Esther Mae Armbrister Park welcomes the Nicole Henry Quintet, the Senegal Apostolo Trio and the John Marquis Trio for an evening of jazz celebrating Jazzin’ The Grove Spring Swing! The event is ree and open to the public. Bring your chairs, blankets and coolers for a fantastic evening of live jazz.

World class vocalist Nicole Henry’s versatile and emotionally driven performances have captivated audiences in twenty countries.  She has ensconced herself in the jazz ranks of acclaimed interpreters as she tours with her quartet or performing with orchestras and big bands. Her repertoire comes from the American Songbook, classic and contemporary jazz, popular standards, blues, and originals. Her numerous accolades include Traditional Jazz Performance, Best New Jazz Artist, and Best Solo Musician from Soul Train, HMV Japan Awards and Miami New Times, respectively. She was hailed as One of Eight Black Artists Making Waves in 2024 by Symphonic Distribution and BroadwayWorld Miami named her Vocalist of the Decade

Double bassist Senegal Apostolo is a Miami-based professional musician, bassist, and educator, known for his work with JazzSLAM, and has been featured in performances with the FIU Music Hour. A graduate of the FIU School of Music, he performs in jazz ensembles and provides music programming for children. He co-founded Miami-based music academy, Sol Music Studios, and conducts interactive musical programs for young children. His discography can be found on SoundCloud, Boomplay and Instagram.

Pianist John Marquis began playing at an early age and has been playing through his high school matriculation. Along with his bandmates, bassist Gavin Jules and drummer Dwayne James, they are soon to be graduating seniors from the renowned performing and visual arts Dillard Center for the Arts located within Dillard 6-12 Magnet School, located in Fort Lauderdale. To be accepted into the program each student had to audition and undergo a rigorous years of training that has prepared them for a career in the arts.

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Daily Dose Of Jazz…

Mimi Jones was born Miriam Sullivan in New York City on March 25th and grew up in the Bronx. Influenced by everyone from Sinatra to the Beatles to Earth Wind & Fire, The Doors, Miles Davis, Gene Ammons, Gloria Lynne and John Coltrane, her compositional style is reflective.

By the age of twelve she was studying guitar with her first teacher, Jim Bartow, taking classes in dance, chorus, drums, music theory, piano and composition at the Harlem School of the Arts which all helped her secure a spot at Fiorello La Guardia High School of Music and Performing Arts. Realizing there was no guitar program Jones switched to cello and eventually was given the bass spot in the jazz band. It was during this time she discovered her musical voice.

Mimi began her relationship with the bass by receiving classical lessons, attended the Jazz Mobile Workshop, and studied with bassist Lisle Atkinson who gave her first bass, a Juzak. She went on to receive a full scholarship to the Manhattan School of Music Conservatory where she studied with saxophonist Charles Davis, Barry Harris, Ron Carter, Milt Hinton, Dr. Billy Taylor, Yusef Lateef, Max Roach, and Latin bass techniques with Guillermo Edgehill while matriculating to degree in music.

As a leader her debut “A New Day” is filled with seamless original compositions and as a sideman she has performed and toured with such luminaries as Lionel Hampton, Roy Hargrove, Sean Jones, Kenny Barron, Kevin Mahogany, Onaje Alan Gumbs and Ravi Coltrane among others. The multi-talented bassist, vocalist and composer continues to bring her elegant sound is an eclectic mix of genres based on a strong jazz foundation to the world stage.

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Curley Russell was born Dillon Russell on March 19, 1917 in Trinidad. Learning to play bass in his youth, the double-bassist by 1941 had joined the Don Redman big band and two years later was playing with Benny Carter. During the early bop period of jazz he became extremely busy performing and recording with Dizzy Gillespie and Charlie Parker.

From 1947 – 1949 he was a member of the Tadd Dameron Sextet and became more in demand for his ability to play at rapid tempos typical of the period. During his short career as a sideman he performed and recorded with an impressive list of musicians: Buddy De Franco, Bud Powell, Horace Silver, Thelonious Monk, the Art Blakey Quintet, Clifford Brown, Fats Navarro, Miles Davis, J. J. Johnson, Johnny Griffin, Stan Getz, George Wallington, Milt Jackson, Al Cohn and Zoot Sims.

Seemingly uninterested in the melodic mobility that was expected of bassists, he was never featured as a soloist and by the late Fifties dropped out of the jazz scene and left the music business altogether. Bassist Curley Russell passed away on July 3, 1986.

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Leon Lee Dorsey was born on March 12, 1958 in Pittsburgh, Pennsylvania. The post bop genre bassist began as a child and matriculated through Oberlin College receiving two Bachelor of Music Degrees and the University of Wisconsin and the Manhattan School of Music receiving Maters degrees from both.

Dorsey’s chops for composing and arranging are witnessed on his 1995 debut album on the Landmark label titled The Watcher with Don Braden, Vincent Herring, Lafayette Harris Jr., Cecil Brooks III and Jimmy Madison followed by his 1999 release of Song of Songs that maintains a supreme sense of melody throughout the session.

He has performed and recorded with Lionel Hampton, Art Blakey, John Lewis, Cassandra Wilson, Freddie Hubbard, Dizzy Gillespie, Wynton Marsalis, Kenny Clarke, Jon Hendricks, Gloria Lynn, Harry “Sweets” Edison,  has played with symphonies, orchestras and big bands of Duke Ellington, Benny Carter and Charlie Persip, with opera diva Marilyn Horne and with Frank Sinatra at Carnegie Hall.

Bassist Leon Dorsey completed his doctorate in Classical Double Bass under Ron Carter and is currently Assistant Professor of Jazz Performance at the University of Pittsburgh.

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Wilbur Little was born on March 5, 1928 in Parmele, North Carolina and originally played piano but switched to bass after his military service. Steeped in the hard bop and post bop idioms, he moved to Washington, D.C. in 1949 and played with Sir Charles Thompson, Leo Parker, Margie Day and others. Little was also a member of a trio that supporting visiting jazz musicians like Miles Davis and John Coltrane.

Little’s wider recognition came when he joined J.J. Johnson’s trio from 1955 to 1958 and led to copious freelancing as a sideman with the Tommy Flanagan Trio, Sonny Stitt, Rahsaan Roland Kirk, Kenny Burrell, And Clark Terry.

Never leading his own sessions, Wilbur recorded albums with Elvin Jones, Archie Shepp, Bobby Jaspar, Tommy Flanagan, Randy Weston, Dave McKenna, Horace Parlan and Al Haig. In his latter years he worked with Charles Tolliver, Clifford Jordan and Barry Harris.

By 1976 he was in Japan with Duke Jordan, then moved to the Netherlands in 1977. He lived there for the rest of his life until his passing on May 4, 1987 in Amsterdam, Netherlands.

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