Requisites

The year was 1967 when a young lady from Philadelphia recorded the first of two sessions for the album Girl Talk. Her name was Shirley Scott. On January 12th & 13th the organist went into the studio and recorded nine tracks that were released on the Impulse! label.

The cover design was by Robert and Barbara Flynn with photography by Charles “Chuck” Stewart. The sessions were produced by Bob Thiele.

The Trio

  • Shirley Scott — organ
  • George Duvivier – bass
  • Mickey Roker – drums

The Songs | 34:32

  • Girl Talk (Neil Hefti, Bobby Troup)
  • Come Back To Me (Burton Lane, Alan Jay Lerner)
  • We’ll Be Together Again (Carl Fischer, Frankie Laine
  • Love Nest (Louis Hirsch, Otto Harbach)
  • Swingin’ the Blues (Count Basie, Ed Durham)
  • Keep The Faith, Baby (Shirley Scott)
  • Chicago, My Kind of Town (Jimmy Van Heusen, Sammy Cahn
  • On The Trail | From Grand Canyon Suite (Ferde Grofé
  • You’re A Sweetheart (Jimmy McHugh, Harold Adamson)

    Recorded at Capitol Studios in New York City on August 22, 1966 (tracks 1, 4, 6 & 7) and January 12, 1967 (tracks 2, 3, 5 & 8).

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Requisites

In 1975 bassist Larry Ridley went into the Generation Sound Studios and recorded the album Sum Of The Parts between June 9th – June 30th for the Strata-East record label. The little-known Art Krasinky photographed an design the cover for bassist Larry Ridley, with typography by Bexar. The sessions were produced by Elliot Meadow. Tony May was the engineer for the date and the remix.Liner notes were written and arrangements were done by Ridley.

This former sideman for such luminaries as Thelonious Monk, Lee Morgan and Duke Ellington balanced a jazz career with lifelong academic achievement. He gained a doctorate and served as chairman of the Jazz Panel of the National Endowment for the Arts and as Professor of Jazz Bass.

Venturing a little further into the realms of fusion and smooth jazz than most Strata-East titles, Ridley’s level of musicianship remains high throughout, thanks to a strong lineup.

The Band: Larry Ridley – Bass Errol “Crusher” Bennett – Congas, Percussion Sonny Fortune – Saxophone, Flute Cornell Dupree _ Guitar Grady Tate – Drums Onaje Allan Gumbs – Arranger, Piano, Electric Piano, Clavinet, String Synthesizer Tracks | 41:25 1. Chango Chikuyo (Onaje Allan Gumbs) 2. It Was A Very Good Year (Ervin Drake) 3. Well, You Needn’t (Thelonious Monk) 4. Go Down Moses (Public Domain) 5. Feelin’ Blue (Kenny Altman) 6. Indiana Avenue (Larry Ridley) 7. In A Sentimental Mood (Duke Ellington, Manny Kurtz, Irving Mills) 8. Never Can Say Goodbye (Clifton Davis)

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Requisites

Chet Baker Introduces Johnny Pace is an album that was recorded on December 23, 29 & 30, 1958 at the Reeves Sound Studio in New York City. However, it was released in 1959 on the Riverside record label. Orrin Keepnews produced the 36 minute 19 seconds sessions.

The Riverside design team of Paul Bacon, Harris Lewine and Ken Braren joined forces and created a richly colorful strip of type that worked so perfectly with the lush cover portrait of the vocalist. The photograph was taken by Melvin Sokolsky.

Pace was discovered by Chet Baker for this rare and only recording of the singer, who is backed by Baker’s quintet.

Track List: 1. All Or Nothing At All 2. Crazy She Calls Me 3. The Way You Look Tonight 4. This Is Always 5. When The Sun Comes Out 6. What Is There To Say 7. Ev’rything I’ve Got 8. We Could Make Such Beautiful Music Together 9. It Might As Well Be Spring 10. Yesterdays
  • Recorded on December 23rd (tracks 1, 2 & 9), December 29th (tracks 3 & 5-7) and December 30th (tracks 4, 6 & 8)
Personnel:
  • Johnny Pace – vocals
  • Chet Baker – trumpet
  • Herbie Mann – flute
  • Joe Berle – piano
  • Vinnie Burke – bass
  • Philly Joe Jones – drums

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Requisites

George Otsuka gathered his Trio and went into the Columbia Records studio in Japan to lay down the tracks for his Page 1 on October 14, 1967 for the Tact Jazz Series. The session was recorded by Shuji Otsuke.

Songs: A1 Page 1 A2 Bye Bye Blackbird A3 Theme B1 Blues For Alice B2 It Might As Well Be Spring B3 Potato Chips B4 Theme Personnel: Bass – Masaoki Terakawa Drums – George Otsuka Piano – Hideo Ichikawa

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Requisites

The Memorial Album is a 1947 album by Fats Navarro recorded on the Blue Note record label with The Tadd Dameron Sextet, The Howard McGhee Sextet and Bud Powell’s Modernists. The cover was design by noted jazz musician, book and album cover designer Paul Bacon.

This album was part of their Modern Jazz Series and recorded at WOR Studios, NYC on September 26, 1947 (A1, A4, B2, B3), Apex Studios, NYC, September 13, 1948 (A3), Apex Studios, NYC, October 11, 1948 (B1) and WOR Studios, NYC, August 9, 1949 (A2)

Tracklist:

A1 The Squirrel – Composer: Tadd Dameron A2 52nd St. Theme – Composer: Thelonious Monk A3 Lady Bird – Composer: Tadd Dameron A4 The Chase – Composer: Tadd Dameron B1 Double Talk – Composer: Fats Navarro*, Howard McGhee* B2 Dameronia – – Composer: Tadd Dameron B3 Our Delight – Composer: Tadd Dameron

Personnel Credits: Alto Saxophone – Ernie Henry (tracks: A1, A4 to B3) Bass – Curly Russell (tracks: A3, B1), Nelson Boyd (tracks: A1, A4, B2, B3), Tommy Potter (tracks: A2) Drums – Kenny Clarke (tracks: A3, B1), Roy Haynes (tracks: A2), Shadow Wilson(tracks: A1, A4, B2, B3) Piano – Bud Powell (tracks: A2), Milton Jackson* (tracks: B1), Tadd Dameron (tracks: A1, A3, A4, B2, B3) Tenor Saxophone – Charlie Rouse (tracks: A1, A4, B2, B3), Sonny Rollins (tracks: A2), Wardell Gray (tracks: A3) Trumpet – Fats Navarro, Howard McGhee (tracks: B1)

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