Daily Dose Of Jazz…

Aki Takase (高瀬 アキ) was born January 26, 1948 in Osaka, Japan and started to play piano at age 3. Raised in Tokyo, she studied classical piano at Toho Gakuen School of Music. Starting in 1978, he began performing and recording in the United States.

She has collaborated with Lester Bowie, Sheila Jordan, David Liebman, and John Zorn. Her first European appearance was in 1981 at the Berlin Jazz Festival in Germany. For many years, she has worked with her husband Alexander von Schlippenbach, as well as with Eugene Chadbourne, Han Bennink, Evan Parker, Paul Lovens, Fred Frith and many others, and in duets with Maria João, Louis Sclavis, David Murray and Rudi Mahall.

Through her constant touring and appearances at international jazz festivals, Takase quickly became one of the most sought-after musicians for recording and collaboration. In various projects, Takase has dealt with the respective oeuvres of numerous famous jazz musicians, including the works of Duke Ellington, Thelonious Monk, Eric Dolphy, W.C. Handy, Fats Waller, and Ornette Coleman.

Pianist and composer Aki Takase, who lives in Berlin, Germany and fuses rap, jazz and improvisation, landing between contemporary and jazz, continues to push the boundaries of her music.

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Daily Dose Of Jazz…

James Avery Parrish was born on January 24, 1917 in Birmingham, Alabama. Graduating from Parker High School he went on to matriculate Alabama State Teachers College, where he played in the Bama State Collegians, an ensemble led by Erskine Hawkins. He remained in Hawkins’s employ performing and arranging until 1942 and recorded with him extensively. Composing the music to After Hours, a 1940 recording of the tune with Hawkins’s orchestra resulted in its becoming a jazz standard.

Driving to gigs between Pittsburgh and Chattanooga in 1942 he was injured in an overturned car crash that killed Hawkin’s trumpeter Marcellus Green, one of the five men in the vehicle. Avery left Hawkins later that year and moved to California, where hebecame a commercially successful solo pianist.  Hit in the head by a bar stool during a bar fight in 1943l put him in hospital for a few months. His injuries left him partly paralyzed, thus ending his career and ability  to play music for the rest of his life.

Pianist, composer and arranger Avery Parrish transitioned of unknown causes on December 10, 1959. He was posthumously inducted twenty years later into the Alabama Jazz Hall of Fame.

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Daily Dose Of Jazz…

George Handy, born George Joseph Hendleman on January 17, 1920 in New York City, where his musical beginnings were fostered under the tutelage of composer Aaron Copland.

He first worked professionally as a swing pianist for Michael Loring in 1938. Soon afterward George was drafted into the United States Army in 1940. Post WWII, from 1944 to 1946 he became a member of the Boyd Raeburn Orchestra, composing and performing on piano. This was during a time when many big bands were transforming their musical tendencies toward bebop. Leaving the orchestra briefly to work for Paramount Studios, he returned to Raeburn quickly. During this period he entered one of his most creative periods, doing arrangements of older standards with a distinctly bebop quality.

A rift between him and Raeburn, just as he was entering his prime, forced him to depart the group. Handy continued to arrange for other musicians in his later career.

Pianist, arranger and composer George Handy, best remembered in retrospect for his bebop arrangements, transitioned in Harris, New York, on January 8, 1997 at the age of 76, from heart disease.

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Daily Dose Of Jazz…

Alain Mion was born of French extraction on January 14, 1947 in Casablanca, Morocco but was raised in Paris, France.Influenced by Bobby Timmons, Ray Charles and Les McCann, his style varies between jazz, soul jazz and funky music. By the time he was 19 he formed his own trio and performed at the Blue Note. This subsequently led to him gigging at various festivals with Hank Mobley and Philly Joe Jones.

1974 Alain created the jazz funk group Cortex and recorded a dozen albums before embarking upon a career under his own name in 1982, recording to date eleven albums, such as Pheno-Men, Alain Mion in New York recorded with David Binney and Marc Johnson, and Some Soul Food recorded in Stockholm, Sweden with Patrik Boman and Ronnie Gardiner.

In 2008, he emerged with a new group, Alain Mion FunKey Combo with drums, bass and a saxophone section consisting of Italian and French musicians. He reinvented his new group Alain Mion & The New Cortex with the singer Adeline de Lépinay reprising the role originally performed by Mireille Dalbray on the Troupeau Bleu album.

In the United States, Alain Mion and Cortex’s songs have been sampled by several hip-hop artists including but not limited to Madlib, Fat Joe, DJ Day, MF DOOM, Wiz Khalifa, Curren$y, Mellowhype, Tyler The Creator, Rick Ross, and Lupe Fiasco.

Pianist, composer, arranger, and vocalist Alain Mion continues his exploration of the jazz idiom.

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Daily Dose Of Jazz…

Georg Riedel was born January 8, 1934 in Karlovy Vary, Czechoslovakia, and in 1938, when he was four years old, the family fled to Sweden following the German annexation of the Sudetenland. He attended school in Stockholm, Sweden and at the Adolf Fredrik’s Music School.

The best known recording featuring Riedel is probably Jan Johansson’s Jazz på svenska (Jazz in Swedish), a minimalist-jazz compilation of folk songs recorded between 1962–1963. He recorded with other leading Swedish musicians including trumpeter Jan Allan and Arne Domnérus.

As a composer, George worked almost exclusively writing music for Astrid Lindgren movies, including the main theme from the Emil i Lönneberga (Emil of Maple Hills) movies. He also composed the music for several films by Arne Mattsson in the 1960s as well as for film adaptations of novels by Stig Dagerman.

Double bassist and composer George Riedel, played on Jazz at the Pawnshop in 1977, at 87 continues his involvement with jazz.

Bestow upon an inquiring mind a dose of a Karlovy Vary double bassist to motivate the perusal of the genius of jazz musicians worldwide whose gifts contribute to the canon…

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