Daily Dose Of Jazz…

Alain Mion was born of French extraction on January 14, 1947 in Casablanca, Morocco but was raised in Paris, France.Influenced by Bobby Timmons, Ray Charles and Les McCann, his style varies between jazz, soul jazz and funky music. By the time he was 19 he formed his own trio and performed at the Blue Note. This subsequently led to him gigging at various festivals with Hank Mobley and Philly Joe Jones.

1974 Alain created the jazz funk group Cortex and recorded a dozen albums before embarking upon a career under his own name in 1982, recording to date eleven albums, such as Pheno-Men, Alain Mion in New York recorded with David Binney and Marc Johnson, and Some Soul Food recorded in Stockholm, Sweden with Patrik Boman and Ronnie Gardiner.

In 2008, he emerged with a new group, Alain Mion FunKey Combo with drums, bass and a saxophone section consisting of Italian and French musicians. He reinvented his new group Alain Mion & The New Cortex with the singer Adeline de Lépinay reprising the role originally performed by Mireille Dalbray on the Troupeau Bleu album.

In the United States, Alain Mion and Cortex’s songs have been sampled by several hip-hop artists including but not limited to Madlib, Fat Joe, DJ Day, MF DOOM, Wiz Khalifa, Curren$y, Mellowhype, Tyler The Creator, Rick Ross, and Lupe Fiasco.

Pianist, composer, arranger, and vocalist Alain Mion continues his exploration of the jazz idiom.

CONVERSATIONS

More Posts: ,,,,,,,,

Daily Dose Of Jazz…

Georg Riedel was born January 8, 1934 in Karlovy Vary, Czechoslovakia, and in 1938, when he was four years old, the family fled to Sweden following the German annexation of the Sudetenland. He attended school in Stockholm, Sweden and at the Adolf Fredrik’s Music School.

The best known recording featuring Riedel is probably Jan Johansson’s Jazz på svenska (Jazz in Swedish), a minimalist-jazz compilation of folk songs recorded between 1962–1963. He recorded with other leading Swedish musicians including trumpeter Jan Allan and Arne Domnérus.

As a composer, George worked almost exclusively writing music for Astrid Lindgren movies, including the main theme from the Emil i Lönneberga (Emil of Maple Hills) movies. He also composed the music for several films by Arne Mattsson in the 1960s as well as for film adaptations of novels by Stig Dagerman.

Double bassist and composer George Riedel, played on Jazz at the Pawnshop in 1977, at 87 continues his involvement with jazz.

Bestow upon an inquiring mind a dose of a Karlovy Vary double bassist to motivate the perusal of the genius of jazz musicians worldwide whose gifts contribute to the canon…

CONVERSATIONS

More Posts: ,,,,,,

Daily Dose Of Jazz…

David Lee, Jr. born January 4, 1941 in New Orleans, Louisiana played professionally from his early teens. While serving in the U. S. Army, he was a member in several bands. In 1969, he co-founded the New Orleans Jazz Workshop.

In 1969 Dizzy Gillespie brought Lee into his band and soon after he was working with Roy Ayers in 1971 and Sonny Rollins for three years beginning in 1972. The Rollins recordings were hard swinging but included the plethora of tempos of the Seventies.

Forming a quartet but never recording as a leader, he continued to work as a sideman. On August 4, 2021, drummer and composer David Lee, who recorded Yoshiaki Masuo, Charlie Rouse, Lonnie Liston Smith and Richard Wyands among others, transitioned at 80 years of age.

CONVERSATIONS

More Posts: ,,,,,,

Daily Dose Of Jazz…

Johnny Frigo was born on December 27, 1916 in Chicago, Illinois and studied violin for three years beginning at age seven. In high school he started to play double bass in dance orchestras. In 1942 he played with Chico Marx’s orchestra and performed a comedy routine on violin with Marx on piano.

Entering the United States Coast Guard during World War II, he played in an Ellis Island band with Al Haig and Kai Winding. After his brief turn at active service near the end of the war he moved to New Jersey and from 1945 to 1947 he toured with Jimmy Dorsey’s band. He later formed the Soft Winds trio with Dorsey’s guitarist Herb Ellis and pianist Lou Carter. During this time he wrote the music and lyrics to Detour Ahead and I Told Ya I Love Ya, Now Get Out.

In 1951, returning to Chicago, Johnny primarily worked as a studio bassist and arranger. He also led the band at Mr. Kelly’s, and until 1960 he played fiddle hoedowns and novelties with the Sage Riders, WLS radio house band for the National Barn Dance. Then in 1961 WGN revived the show and he played with the Sage Riders for another fourteen years.

He went on to work with Chicago jazz vocalist Anita O’Day in live and studio recordings. In the mid-1980s Frigo largely abandoned playing bass and concentrated on violin. He performed as a jazz violinist at festivals worldwide. Frigo also was a published poet and artist and played flugelhorn. He wrote and performed the 1969 Chicago Cubs fight song Hey Hey, Holy Mackerel.

Violinist and bassist Johnny Frigo, who was also a composer, lyricist, published poet and artist, passed away of cancer on July 4, 2007 at age 90.

CALIFORNIA JAZZ FOUNDATION

More Posts: ,,,,,,,

Daily Dose Of Jazz…

Sven Arne Domnérus was born on December 20, 1924 in Stockholm, Sweden and began to play the clarinet at the age of 11.  By the time he left school he had taken up the saxophone and turned professional. In 1949 he performed at the Paris Jazz Festival and with Charlie Parker when he was on tour in Sweden in 1950.

A few years later Arne recorded with Clifford Brown, Art Farmer, and James Moody. From the middle 1950s to the middle 1960s he was a featured soloist in the Swedish Radio Big Band. With Bengt-Arne Wallin, Rolf Ericson, and Åke Persson (the latter two were former members of Duke Ellington’s Orchestra), he participated in the Jazz Workshops organised for the Ruhrfest in Recklinghausen by Hans Gertberg from the Hamburg radio station.

He recorded several times with Quincy Jones in Sweden and is featured throughout The Midnight Sun Never Sets, composed and arranged by Jones and recorded under Jones’ direction by Harry Arnold’s orchestra in 1958. Domnérus’ playing in his early career was typical of the cool, sophisticated, technically accomplished and lyrical style of Swedish modern jazz during the 1950s.

As a leader Domnerus recorded forty~four albums and another 104 as a sideman with Alice Babs, Lars Gullin, Bengt Hallberg, Dizzy Gillespie, Thad Jones, George Russell, Toots Thielemans, Red Rodney, James Moody, Leonard Feather and Monica Zetterlund, among others too numerous to mention.

Saxophonist, clarinetist and composer Arne Domnerus, who  wrote for film and television, and retired from playing due to his declining health, passed away on September 2, 2008 in his hometown.

CALIFORNIA JAZZ FOUNDATION

More Posts: ,,,,,,,

« Older Posts       Newer Posts »