Daily Dose Of Jazz…
Rolf Kühn was born on September 29, 1929 in Köln, Germany, the older brother of the pianist Joachim Kühn. He started out playing in dance bands in the late ’40s, then worked with radio orchestras starting in 1952 before moving west across the Atlantic to America.
Living in the United States for three years from 1956 to 1959, subbing for Benny Goodman on a few occasions, played in the Tommy Dorsey ghost band, and worked in a big band led by Urbie Green. Rolf drew favorable reviews, and over the course of his career, he recorded more than two-dozen albums as a leader, ten with his younger brother, and as a sideman, eighteen.
He has recorded with Eddie Costa, Buddy DeFranco,Klaus Doldinger, Tommy Dorsey, European Jazz Ensemble, Urbie Green, Friedrich Gulda, Greetje Kauffeld, Eartha Kitt, Albert Mangelsdorff, Oscar Pettiford, and George Wallington.
In 2008 he founded a band with Christian Lillinger, Ronny Graupe, and Johannes Fink. In 2019, the New York Times Magazine listed him among the hundreds of artists whose material was reportedly destroyed in the 2008 Universal fire. Clarinetist and saxophonist Rolf Kühn at 90 continued to perform and compose for the next two years until his passing on August 18, 2022 in Berlin, Germany.
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Daily Dose Of Jazz…
George Gershwin was born Jacob Bruskin Gershowitz on September 26, 1898 in Brooklyn, New York. When his parents bought his older brother Ira a piano, it was the younger George who spent most of his time playing it. He studied piano under Charles Hambitzer and composition with Rubin Goldmark, Henry Cowell, and Joseph Brody.
He began his career as a song plugger but soon started composing Broadway theater works with his brother Ira Gershwin and with Buddy DeSylva. In 1919 he scored his first big national hit with his song Swanee, with words by Irving Caesar.
In the late 1910s, Gershwin met songwriter and music director William Daly and the two collaborated on the Broadway musicals Piccadilly to Broadway in 1920 and For Goodness’ Sake in 1922, and jointly composed the score for Our Nell the following year. This was the beginning of a long friendship and collaboration as Daly was a frequent arranger, orchestrator, and conductor of Gershwin’s music.
Moving to Paris, France intending to study with Nadia Boulanger. Refusing him, he subsequently composed An American in Paris, before returning to New York City and writing Porgy and Bess with Ira and DuBose Heyward. Unfortunately for them, it was initially a commercial failure, however, years later it came to be one of the most important American classic operas of the twentieth century.
After the commercial failure of Porgy and Bess, George moved to Hollywood, California. In 1936, with a commission from RKO Pictures, he wrote the music for the Fred Astaire/Ginger Rogers film Shall We Dance. His extended score, which would marry ballet with jazz in a new way, runs over an hour in length. It took Gershwin several months to compose and orchestrate.
Gershwin had a ten-year affair with composer Kay Swift, whom he frequently consulted about his music. The two never married, but he titled his 1926 musical Oh, Kay for her. His compositions have been adapted for use in film and television, with several becoming jazz standards recorded and covered in many variations.
Composer and pianist George Gershwin, whose compositions spanned both popular and classical genres, passed away at 38 from a malignant brain tumor on July 11, 1937 in Los Angeles, California.
Daily Dose Of Jazz…
Don Grolnick was born on September 23, 1947 in Brooklyn, New York and grew up in Levittown, New York. Musical life for him started on accordion but later he switched to piano. A childhood Count Basie concert sparked his interest in jazz and soon after they also saw Erroll Garner perform at Carnegie Hall. Attending Tufts University he opted for a major in philosophy rather than music.
After he left Tufts, he formed the jazz-rock band Fire & Ice with guitarist Ken Melville and bassist Stuart Schulman, his friend since childhood. They opened for B.B. King, The Jeff Beck Group, and the Velvet Underground at Boston clubs like the Boston Tea Party and The Ark. This was Grolnick’s first foray into rock and blues as a performer, and began writing within the medium.
Moving back to New York City in 1969 he joined Melville in the jazz fusion band “D”. Pianist Don Grolnick passed away at the age of 48 on June 1, 1996 from non-hodgkin lymphoma.
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Daily Dose Of Jazz…
Bill DeArango was born William Louis DeArango on September 20, 1921 in Cleveland, Ohio. A self-taught on guitar, while attending Ohio State University, he played with Dixieland bands at night. After serving in the Army from 1942–44, he moved to New York City and worked first with Don Byas and Ben Webster.
A year later, Bill was playing on an album with Sarah Vaughan, Charlie Parker, and Dizzy Gillespie. Working as a sideman with Eddie “Lockjaw” Davis, Ike Quebec, Slam Stewart, he then led his own band with Terry Gibbs.
In 1947, DeArango returned to Cleveland and performed locally for two decades, recorded an album with pianist John Williams in 1954. By the 1960s had opened up a guitar store, taught guitar lessons, and late in the decade, he managed the rock band Henry Tree. Performing regularly in the Seventies at Cleveland’s Smiling Dog Saloon working with Ernie Krivda and Skip Hadden, mixing hard rock and free jazz.
His next recording was on the album Another Time/Another Place by Barry Altschul, then 298 Bridge Street by Kenny Werner, and Names by Jamey Haddad. In 1993, he released his second solo album, Anything Went, with Joe Lovano.
He entered a nursing home in 1999 and suffered dementia until his death seven years later, although he continued performing locally until late 2001. Guitarist William DeArango passed away on December 26, 2005 in his hometown.
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Daily Dose Of Jazz…
Don D.T. Thompson was born in Drumheller, Alberta on September 19, 1932. He played saxophone and clarinet at twelve and began promoting his own jazz concerts, Jammin’ the Blues, in Edmonton at 17. Moving to Toronto, Canada in 1952, he toured Canada and the United States from 1954 to 1958 with Anne Marie Moss.
Save for a period in 1965 and 1966 with the Lionel Hampton Orchestra in the United States, Thompson was a mainstay of the Toronto jazz scene through the 1960s. During the early 1960s, he led singer Tommy Ambrose in a big band ensemble. He appeared regularly at the First Floor Club with small groups and a big band from 1959 until 1965, and was seen in the NFB’s Toronto Jazz with a quintet.
He performed on many CBC TV pop music shows, Club Six and Music Hop and played in several Toronto studio orchestras. In 1961 he recorded as a member of the Pat Riccio Big Band in Ottawa and 1963 saw him with pianist Wray Downes and trombonist Rob McConnell. He also released a record as part of a quintet that included trumpeter Fred Stone.
After touring for ten years beginning in 1971 and recording with pop singer Anne Murray, he returned to jazz. In 1981 moving away from his early bebop-based style he landed on a simpler, full-toned, melodic approach in the manner of a Stanley Turrentine. D.T. wrote and recorded several jazz themes; his pop-song arrangements appear on albums by Murray, John Allan Cameron and Gordon Lightfoot.
Saxophonist, composer, and arranger Don D.T. Thompson passed away in Vancouver, Canada on March 21, 2004.
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