Daily Dose Of Jazz…
Don Grolnick was born on September 23, 1947 in Brooklyn, New York and grew up in Levittown, New York. Musical life for him started on accordion but later he switched to piano. A childhood Count Basie concert sparked his interest in jazz and soon after they also saw Erroll Garner perform at Carnegie Hall. Attending Tufts University he opted for a major in philosophy rather than music.
After he left Tufts, he formed the jazz-rock band Fire & Ice with guitarist Ken Melville and bassist Stuart Schulman, his friend since childhood. They opened for B.B. King, The Jeff Beck Group, and the Velvet Underground at Boston clubs like the Boston Tea Party and The Ark. This was Grolnick’s first foray into rock and blues as a performer, and began writing within the medium.
Moving back to New York City in 1969 he joined Melville in the jazz fusion band “D”. Pianist Don Grolnick passed away at the age of 48 on June 1, 1996 from non-hodgkin lymphoma.
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Daily Dose Of Jazz…
Bill DeArango was born William Louis DeArango on September 20, 1921 in Cleveland, Ohio. A self-taught on guitar, while attending Ohio State University, he played with Dixieland bands at night. After serving in the Army from 1942–44, he moved to New York City and worked first with Don Byas and Ben Webster.
A year later, Bill was playing on an album with Sarah Vaughan, Charlie Parker, and Dizzy Gillespie. Working as a sideman with Eddie “Lockjaw” Davis, Ike Quebec, Slam Stewart, he then led his own band with Terry Gibbs.
In 1947, DeArango returned to Cleveland and performed locally for two decades, recorded an album with pianist John Williams in 1954. By the 1960s had opened up a guitar store, taught guitar lessons, and late in the decade, he managed the rock band Henry Tree. Performing regularly in the Seventies at Cleveland’s Smiling Dog Saloon working with Ernie Krivda and Skip Hadden, mixing hard rock and free jazz.
His next recording was on the album Another Time/Another Place by Barry Altschul, then 298 Bridge Street by Kenny Werner, and Names by Jamey Haddad. In 1993, he released his second solo album, Anything Went, with Joe Lovano.
He entered a nursing home in 1999 and suffered dementia until his death seven years later, although he continued performing locally until late 2001. Guitarist William DeArango passed away on December 26, 2005 in his hometown.
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Daily Dose Of Jazz…
Don D.T. Thompson was born in Drumheller, Alberta on September 19, 1932. He played saxophone and clarinet at twelve and began promoting his own jazz concerts, Jammin’ the Blues, in Edmonton at 17. Moving to Toronto, Canada in 1952, he toured Canada and the United States from 1954 to 1958 with Anne Marie Moss.
Save for a period in 1965 and 1966 with the Lionel Hampton Orchestra in the United States, Thompson was a mainstay of the Toronto jazz scene through the 1960s. During the early 1960s, he led singer Tommy Ambrose in a big band ensemble. He appeared regularly at the First Floor Club with small groups and a big band from 1959 until 1965, and was seen in the NFB’s Toronto Jazz with a quintet.
He performed on many CBC TV pop music shows, Club Six and Music Hop and played in several Toronto studio orchestras. In 1961 he recorded as a member of the Pat Riccio Big Band in Ottawa and 1963 saw him with pianist Wray Downes and trombonist Rob McConnell. He also released a record as part of a quintet that included trumpeter Fred Stone.
After touring for ten years beginning in 1971 and recording with pop singer Anne Murray, he returned to jazz. In 1981 moving away from his early bebop-based style he landed on a simpler, full-toned, melodic approach in the manner of a Stanley Turrentine. D.T. wrote and recorded several jazz themes; his pop-song arrangements appear on albums by Murray, John Allan Cameron and Gordon Lightfoot.
Saxophonist, composer, and arranger Don D.T. Thompson passed away in Vancouver, Canada on March 21, 2004.
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Daily Dose Of Jazz…
Dimitar Bodurov was born on September 17, 1979 in Bulgaria and studied at the Conservatory of Sofia and the Rotterdam Conservatory, where he graduated in 2004 jazz piano and in 2006 jazz composition.
In 2000 Dimitar moved to Amsterdam, Netherlands and began performing throughout the country and Europe. He recorded his debut recording as a leader in 2004 titled Melatonic on the Acoustic Records label followed by his live sophomore release the same year titled Resumption Suite. He would go on to record solo and trio albums on both Dutch and Norwegian labels.
Bodurov ventured into composing for theater, opera, and orchestra. He has received several jazz awards, receiving a mention at the Martial Solal Jazz Solo Piano Competition in Paris. He has released a number of CD and digital albums as a leader, producer, and guest for Dutch and Norwegian labels. In 2012 he founded his own label Optomusic.
As an active event organizer, Dimitar has initiated several events: Jazz and Vino ~ a series of concerts with charity purpose in Varna, Bulgaria; Keys and Stix Festival ~ celebrating duets of piano and drums in collaboration with Bimhuis, Amsterdam & Unterfahrt, Münich; and since 2013, he has been the artistic leader of Radar Festival, Varna, Bulgaria.
Pianist and composer Dimitar Bodurov, who has worked with Randy Brecker, Didier Lockwood, Theodosii Spassov, Claron Mcfadden and Svetlin Rouseev, continues to compose, perform and record.
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Daily Dose Of Jazz…
Israel López Valdés was born into a family of musicians on September 14, 1918 in Havana, Cuba. Better known as Cachao, a nickname and stage name given to him by his grandfather, as an 8-year-old bongo player, he joined a children’s son Cubano septet directed by a 14-year old Roberto Faz. A year later, already on double bass, he provided music for silent movies in his neighborhood theater, in the company of a pianist who would become a true superstar, the great cabaret performer Ignacio Villa, known as Bola de Nieve.
His parents made sure he was classically trained, first at home and then at a conservatory. In his early teens, Lopez was already playing contrabass with the Orquesta Filarmónica de La Habana, of which Orestes was a founding member. Under the baton of guest conductors such as Herbert von Karajan, Igor Stravinsky, and Heitor Villa-Lobos, he played with the orchestra from 1930 to 1960.
He and his older brother Orestes were the driving force behind one of Cuba’s most prolific charangas, Arcaño y sus Maravillas. As members of the Maravillas, Cachao and Orestes pioneered a new form of ballroom music derived from the danzón, the danzón-mambo, which subsequently developed into an international genre, mambo.
In the 1950s, Cachao became famous for popularizing improvised jam sessions known as descargas. In 1961, Cachao went into exile. He crossed the Atlantic by boat, reaching Madrid thanks to Ernesto Duarte, who demanded him to play with his orchestra–Orquesta Sabor Cubano–and where he spent a few years touring the country until the orchestra finally broke up in 1963. Moving to the United States that same year, Cachao became a session musician and was one of the most in-demand bassists in New York City, along with Alfonso “El Panameño” Joseph and Bobby “Big Daddy” Rodríguez.
Joseph and López substituted for each other over a span of five years, performing at New York City clubs and venues such as the Palladium Ballroom, The Roseland, The Birdland, Havana San Juan and Havana Madrid. While Cachao was performing with Machito’s orchestra in New York, Joseph was recording and performing with Cuban conga player Cándido Camero. When Joseph left Cándido’s band to work with Charlie Rodríguez and Johnny Pacheco, it was Cachao who took his place in Cándido’s band. In the 1970s, Cachao fell into obscurity after moving to Las Vegas, Nevada and then later Miami, Florida releasing albums sporadically as a leader.
The 1990s saw his re-discovery by actor Andy García, who brought him back to the forefront of the Latin music scene with the release of a documentary and several albums. Throughout his career, he performed and recorded in a variety of music styles ranging from classical music to salsa.
Double bassist and composer Cachao Lopez, who rose to prominence during the boogaloo years, who recorded sixteen albums as a leader and another twenty as singles, collaborator, and sideman, passed away in Coral Gables, Florida at age 89 on March 22, 2008.
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