Daily Dose Of Jazz…
Cat Anderson was born William Alonzo Anderson on September 12, 1916 in Greenville, South Carolina. Losing both parents when he was four years old, he was sent to live at the Jenkins Orphanage in Charleston, South Carolina where he learned to play the trumpet. It was his classmates that gave him the nickname “Cat” based on his fighting style.
He toured and made his first recording with the Carolina Cotton Pickers, a small group based at the orphanage. After leaving the Cotton Pickers, Anderson played with guitarist Hartley Toots, the Claude Hopkins Big Band, Lucky Millinder, the Erskine Hawkins Orchestra, the Sabby Lewis Orchestra, the Lionel Hampton Orchestra, with whom he recorded the classic Flying Home No. 2, and the Doc Wheeler Sunset Orchestra with whom he also recorded from 1938–1942.
His career took off in 1944 when he joined Duke Ellington’s orchestra at the Earle Theater in Philadelphia, Pennsylvania. He quickly became a central part of Ellington’s sound. Although Anderson was a very versatile musician, capable of playing in a number of jazz styles, he is most renowned for his abilities in the extreme high or “altissimo” range. He had a big sound in all registers but could play up to a “triple C” with great power, able to perform his high-note solos without a microphone.
A master of half valve and plunger mute playing, Cat was capable of filling in for anyone else who was not there. He led and fronted his own big band and in addition, he was a very skilled arranger and composer. He performed his own compositions El Gato and Bluejean Beguine with Ellington, and others of his compositions and arrangements with his own band, for example on his 1959 Mercury recording, Cat on a Hot Tin Horn.
After 1971, he settled in the Los Angeles, California area, where he continued to play studio sessions, perform with local small and big bands, and to tour Europe. He recorded seven albums as a leader, and as a sideman recorded sixty-four with Johnny Hodges, Quincy Jones, Rosemary Clooney, Frances Faye, Mel Torme, Earl Hines, Bell Berry, Benny Carter, Claude Bolling, Gene Ammons, Louis Bellson, Duke Ellington, Ella Fitzgerald, and Lionel Hampton. Trumpeter Cat Anderson passed away from cancer on April 29, 1981.
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Daily Dose Of Jazz…
Harry Percy South was born on September 7, 1929 in Fulham, London, England. Coming into prominence in the 1950s, he subsequently performed with Joe Harriott, Dizzy Reece, Tony Crombie, and Tubby Hayes. In 1954, he was in the Tony Crombie Orchestra, together with Dizzy Reece, Les Condon, Joe Temperley, Sammy Walker, Lennie Dawes, and Ashley Kozak.
After returning from a nine-month stint in Calcutta, India, with the Ashley Kozak Quartet, he spent four years with the Dick Morrissey Quartet, where he both wrote and arranged material for their subsequent four albums.
Forming his own jazz big band in 1966, featuring UK musicians Hayes, Dick Morrissey, Phil Seamen, Keith Christie, Ronnie Scott, and Ian Carr, and recorded an album for Mercury Records. In the mid-1960s, he began working with British rhythm & blues singer and organist Georgie Fame, with whom he recorded the album Sound Venture. At that time he was also composing and arranging for Humphrey Lyttelton, Buddy Rich, Sarah Vaughan, and Jimmy Witherspoon.
Working for a time as the musical director to Annie Ross, Harry later branched out into session work, writing themes for television and music libraries, and having written the scores for the Pete Walker films, he is also credited with the arrangements for Emerson, Lake & Palmer, again arranged for Annie Ross and Georgie Fame in collaboration on what was to be Hoagy Carmichael’s last recording, In Hoagland.
Pianist, composer, and arranger Harry South, who was honored with the CD Portraits ~ The Music of Harry South released by the National Youth Jazz Orchestra, passed away on March 12, 1990 in Lambeth, London at age 60.
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Daily Dose Of Jazz…
Tony Crombie was born Anthony John Kronenberg on August 27, 1925 in Bishopsgate, London, England. He was a self-taught musician who began playing the drums at the age of fourteen. He was one of a group of young men from the East End of London who ultimately formed the co-operative Club Eleven, bringing modern jazz to Britain.
In 1947 traveling to New York City with his friend Ronnie Scott, he witnessed the playing of Charlie Parker and Dizzy Gillespie, then took it back to the UK along with Scott, Johnny Dankworth, and Dennis Rose. 1948 saw Crombie touring Britain and Europe with Duke Ellington, who only brought Ray Nance and Kay Davis with him. Picking up a rhythm section in London, Ellington chose him on the recommendation of Lena Horne, with whom he had worked when she appeared at the Palladium.
Tony would go on to depart from jazz and set up a rock and roll band in 1956 he called The Rockets. Modelled after Bill Haley’s Comets and Freddie Bell & the Bellboys, he released several singles for Decca and Columbia record labels. By 1958 the Rockets had become a jazz group with Scott and Tubby Hayes. During the following year Crombie started Jazz Inc. with pianist Stan Tracey.
In 1960, he composed the score for the film The Tell-Tale Heart and established residency at a hotel in Monte Carlo. In May 1960 he toured the UK with Conway Twitty, Freddy Cannon, Johnny Preston, and Wee Willie Harris.
During the next thirty years he performed with Ben Webster, Coleman Hawkins, Illinois Jacquet, Joe Pass, Mark Murphy and Eddie “Lockjaw” Davis. In the mid-1990s, after breaking his arm in a fall, he stopped playing the drums but continued composing until his death in 1999. Drummer, pianist, vibraphonist bandleader, and composer Tony Crombie, who was an energizing influence on the British jazz scene for over six decades, passed away on October 18, 1999 in Hampsead, London at the age of 74.
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Daily Dose Of Jazz…
Charles Fambrough was born on August 25, 1950 in Philadelphia, Pennsylvania. He originally studied classical piano but switched to bass when he was 13. In 1968, he began playing with local pit bands for musicals and after some freelancing in 1970, he joined Grover Washington, Jr.’s band, staying with him until 1974.
Moving on he worked with Airto from 1975 to 1977), followed by McCoy Tyner for two years in 1978 and then on to be a part of the Jazz Messengers under Art Blakey from 1980 to 1982. Leaving the Messengers Charles freelanced as a sideman and led three CTI recordings with Wynton and Branford Marsalis, Roy Hargrove, Kenny Kirkland, Jerry Gonzalez, Steve Turre, Donald Harrison, Kenny Garrett, Abdullah Ibrahim, Grover Washington, Jr., Jeff “Tain” Watts, Stephen Scott, Billy Drummond, Bobby Broom, and Steve Berrios.
As a sideman, he worked and recorded sixteen albums with Kei Akagi, Craig Handy, Eric Mintel, and Roland Kirk among others. Reportedly been suffering from a number of serious ailments including end-stage renal disease and congestive heart failure, and benefit concerts had been held over the preceding several years in the Philadelphia area to help the bassist and his family defray the costs of his mounting medical bills.
Bassist, composer, and bandleader Charles Fambrough passed away at the age of 60 of a heart attack at his home in Allentown, Pennsylvania on January 1, 2011.
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Daily Dose Of Jazz…
Marlon Jordan was born August 21, 1970 in New Orleans, Louisiana, one of six performers of a prominent family of New Orleans musicians. He is the son of saxophonist Edward “Kidd” Jordan and classical pianist Edvidge Jordan, and his brother Kent is a flutist, his sister Rachel is a violinist, and sister Stephanie is a jazz singer.
Starting on playing trumpet in the fourth grade, he graduated from the famed New Orleans Center for the Creative Arts. A major influence was Wynton Marsalis and Terence Blanchard who he knew when he was a child. Marlon recorded as a sideman with his brother Kent in 1987 and Dennis González in 1988.
In 1988 at age 18 he recorded his debut album as a leader, For You Only, with Branford Marsalis, brother Kent, and Elton Heron. Taking his quintet on the road, with Wynton Marsalis, Miles Davis and George Benson, he was billed as one of the headlining act in a series of JVC Jazz Festival dates. They would go on to play some of the country’s top jazz clubs, as well as in concerts.
He has recorded with his immediate family, Stephanie, Edward, Rachel, Kent, along with uncle Alvin Batiste, cousin Jonathan Bloom, uncle Maynard Chatters, and Chatters’ son, Mark.
In 2005, Marlon and sister Stephanie toured Bucharest, Germany, Lithuania and Ukraine as Jazz Ambassadors on a European Tour as part of the Higher Ground Relief effort sponsored by the U.S. Department of State, and Jazz at Lincoln Center to thank the people of Europe for their support of New Orleans and the Gulf region following Hurricane Katrina. Trumpeter, composer and bandleader Marlon Jordan continues to perform, record, and tour.
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