Daily Dose Of Jazz…
Eugene Seldon Gammage was born January 30, 1931 in Atlanta, Georgia and his original influences as Max Roach, Kenny Clarke, Philly Joe Jones, Art Blakey, and Elvin Jones. He began his professional career as a drummer in 1952 after serving four years in the Air Force. In 1953 he moved to Los Angeles, California where he found a steady gig with Teddy Charles with Bill Crow on bass. Following this, in 1955 he played with leaders Buddy Collette, Hampton Hawes, and André Previn. In ‘56 he performed with Barney Kessel, Herb Geller and Jack Sheldon
Tenor saxophonist Jack Laird hired him for an engagement at Club El Sereno in East Los Angeles along with pianist Franck Patchen. That November he was in Las Vegas, Nevada with pianist Oscar Peterson. 1957 saw him joining Beverly Kelly and Pat Moran McCoy for a quartet and trio including Scott LaFaro. They recorded and issued two albums in 1958 under the two leaders’ names. From fall 1958 to Spring 1959, he was hired again by Oscar Peterson. The trio, with Ray Brown on bass, recorded a jazz version of My Fair Lady.
Gammage went to St. Louis, Missouri in 1961 and recorded three live dates with Webster Young, Shirley Horn, and Johnny Hartman. By the late Sixties he was residing in New York City and was part of Roswell Rudd’s Primordial group, with Enrico Rava, however, there is no official recording.
The Seventies had him with Gary McFarland and writer, editor David Burnett at Club 55 in New York City, when they were served drinks filled with liquid methadone, provoking a seizure due to overdose. Gary McFarland was pronounced dead in the bar, David Burnett died just a few days later. Fortunately Gene survived after some time in the hospital.
From the mid-seventies to the early eighties, his last known regular gig was with Bobby Short at the Café Carlyle. Never a leader, drummer Gene Gammage has recorded as a sideman on nine albums, been included on seven reissues and been a part of two documentaries covering Gary McFarland and Bobby Short.
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MAKAYA MCCRAVEN
Drummer, producer and sound artist Makaya McCraven is one of the most in-demand artists in Chicago today. His creative inventiveness and intuitive, individual style transcend all categories. Recognized as a true innovator, McCraven brilliantly moves between genres, pushing the boundaries of jazz, electronics, composition and rhythm.
His breakthrough album “In the Moment” was released on the International Anthem label in 2015 and was quickly recognized as one of the best albums of that year. Following his impressive debut, McCraven released a string of incredible albums, including 2018’s widely popular Universal Beings (International Anthem) and We’re New Again, his take on Gil Scott-Heron’s final album on XL Recordings. One of the musician’s latest releases is “Deciphering the Message” – a collection of 13 songs from the extensive Blue Note Records catalog, rearranged and remixed.
“In These Times” is the latest, seventh album (released in 2022) in cooperation with three labels: International Anthem, Nonesuch Records and XL Recordings. In “In These Times” you can hear, among others: Jeff Parker, Brandee Younger and Macie Stewart from the band Ohmme. We invite you to the first concert of Makaya McCraven in Jassmine.
Line-up:
Makaya McCraven – drums
Matt Gold – guitar
Marquis Hill – trumpet
Junius Paul – bass
Tickets In Dollars: $82.23
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Daily Dose Of Jazz…
Robert Stuart Pratt was born on January 24, 1927 in Aberdeen, Scotland and was a professional musician from the age of 16, having mastered trumpet, flugelhorn, piano, drums and vocals. He served in the Royal Corps of Signals leading the Skyliners Army Dance Band.
In 1948 he joined Ken McIntosh’s outfit for a year before joining Ted Heath the following year. Due to his ability to play high and loud brought distinction to the brass section and his high note duets with Bert Ezzard became a highlight of the band’s appearances. Bobby was a mainstay with Heath until 1960.
As one of the busiest session players in Britain, Pratt found himself in high demand not only for jazz big band work but consistent work with top jazz and pop perfprmers in both record, tv and film studios. He played in the big bands of Humphrey Littelton, Eddie Harvey, Tubby Hayes, Tommy Watts, Vic Feldman, Jack Parnell, the Forty Two Big Band and the Downbeat Big Band.
Over the course of his career Bobby also recorded as a member of the Tommy Whittle Septet, The Kirchin Band, the Johnny Keating All Stars, Frank Chacksfield and Kenny Baker’s Dozen.
Trumpeter Bobby Pratt committed suicide on June 5, 1968 at the age of 41.
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E. C. III
Ernest “EC3 Coleman III BIO Ernest, a second generation musician, was born in Naples, Italy to Ernest and Rebecca Coleman. His father, Ernest Jr., was a jazz musician who played tenor sax and was also a great arranger and composer.
Ernest studied at the Naval Conservatory of Music in Norfolk, Virginia and was awarded a special honor for being the youngest student to graduate from this conservatory. After his tour with the Navy Band, Ernest moved to Los Angeles, California and began his true musical quest. He performed for Guys & Dolls, Ain’t Misbehavin, Bourbon Street Review, and A Chorus Line.
Ernest got the call to work with Loretta Holloway in Las Vegas opening for Jay Leno, Bill Cosby, David Brenner, Yakov Smirnoff, Whoopi Goldberg, Don Rickles and many many more. Ernest soon took over as Loretta’s musical director and continued on to travel to places like Russia, Bermuda, Japan, Canada, Virgin Islands, and Brazil, among many places around the world. Ernest worked with Loretta for over twelve years, playing with major symphonies and was responsible for conducting from behind the drums.
The evening is curated by Tyrone Jackson who is the quintessential jazz piano player. His boundless creativity coupled with harmonic mastery, utilizes the piano as a blank canvas. Jackson is nationally recognized and has traveled the world as a solo artist and sideman.
As a composer, Jackson has composed original music for Pulitizer Prize winning author Natasha Tretheway’s book of poems “Native Guard” turned theatrical play, Pearl Clege’s play, “Tell Me My Dream”, “Ethel” and this year’s Alliance Theater production of “Nick’s Flamingo Grill.” Jackson has recorded 4 Albums—“Dedicated”, “Another Voyage”, “Melody In Nede”, and new release “From The Mind Of.”
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Daily Dose Of Jazz…
James Charles Jackson Jr. was born on January 18, 1957 and raised in Kalamazoo, Michigan. Hailing from a musical family, he grew up surrounded by instrumentalists and vocalists. Before reaching high school, he was the drummer in his brother’s band, Ripple, that recorded and played gigs in the area. When it was time to go on the road his mother was adamant that he must finish high school.
Graduating in 1977 he landed a job in Atlanta, Georgia as the drummer for The Counts. Jimmy played with them for a few years until they disbanded, then transitioned to the Mose Davis Trio. Though much younger than his bandmates, he played well beyond his years.
Getting his big break came with meeting jazz organist Jimmy Smith, who had a show in Atlanta and Davis loaned him his Hammond organ for the performance. After moving the instrument, Jackson asked if he could sit in on the sound check. Blowing Smith away with his playing during the sound check landed him a job with the organist. He would tour the world with the band.
While residing in Atlanta, Jimmy played with the Paul Mitchell Trio at Dante’s Down the Hatch, as well as freelancing around town. Leaving Atlanta in 2006 for New York City and then on to the Washington, D.C. area a year or so later. His heart always considered Atlanta as his second home
Drummer and vocalist Jimmy Jackson, who was affectionately known by most as Junebug, died on January 28, 2012 of complications associated with congestive heart failure at the age of 55.
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