Daily Dose Of Jazz…

George Fierstone was born in London, England on November 14, 1916. He played with a traveling revue in 1931, then played around the city with such bandleaders as Bert Ambrose, Harry Roy, Sid Millward and the Heralds of Swing through the rest of the decade.

The Forties then saw him playing with Frank Weir and Harry Hayes. During this time he also did copious studio work. He worked in an RAF dance band during World War II, and after the war’s end this ensemble performed and recorded as The Skyrockets from 1946 to 1953.

George accompanied Ella Fitzgerald and Frank Sinatra, among others. He continued to work freelance into the 1980s.

Drummer George Fierstone transitioned on April 13, 1984 in his hometown.

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Daily Dose Of Jazz…

David Arthur Carey was born November 8, 1914 in Coulsdon, Surrey, England. His father was a pianist. In the early Thirties he had his own band that performed in the Croydon borough of London. After the start of World War II he opened a music shop in Streatham before being drafted into military service. In 1946 he opened The Swing Shop in Streatham, where he sold musical instruments and records and which he expanded into a mail order business.

He also played in dance and jazz bands in 1947 with Rex Stewart, who was visiting England, with whom he also recorded in London in September 1949, and in 1948 with Graeme Bell’s Australian Jazz Band. In the same year, Carey took part in recordings by Humphrey Lyttelton for Wilco, in 1950 with the boogie-woogie pianist Roy Vaughan. He was in Lyttleton’s band for a year in 1948 until he was replaced by Bernard Saward. The mid-1950s Dave led his own traditional jazz formations and recorded a number of records for Tempo Records and Decca Records.

Carey performed at the Royal Festival Hall in 1957 and contributed to pianist Pat Hawes’ recordings for Tempo. He worked as a music historian, collaborating with Albert McCarthy and the six-volume work Jazz Directory spanning 1949 to 1952. In the Sixties he led his own band in the 1960s.

According to his colleague Pat Hawes, his drumming was influenced by Baby Dodds, but also by drummers of the swing era such as Gene Krupa, Cozy Cole and George Wettling.

Drummer, bandleader and jazz researcher Dave Carey, who also plays vibraphone and washboard, transitioned on July 18 , 1999 in Croydon.

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DUDUKA DA FONSECA

Duduka Da Fonseca & Quarteto Universal with Special Guest Maucha Adnet.

Born in Rio de Janeiro, Brazil – the drummer who is a founding member of Trio da Paz with Romero Lubambo and Nilson Matta. He leads the Duduka da Fonseca Trio, with David Feldman and Guto Wirtti.

In 2020 Duduka was nominated for the American Grammy Award with the album “Sorte!”: Music by John Finbury, Thalma de Freitas with Victor Gonçalves, John Patitucci, Chico Pinheiro, Airto Moreira, Rogério Boccato & Duduka Da Fonseca.

Maucha Adnet was born in Rio de Janeiro, Brazil, and started her professional singing career at the age of 15, as a member of vocal group Céu da Boca. Maucha has toured around Brazil and recorded two albums released by Polygram.

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NATE SMITH QUARTET

Nate Smith [drums]
Christian McBride [bass]
Marquis Hill [trumpet]
Geoffrey Keezer [piano]

Nate Smith is a drummer, composer, & producer from Chesapeake, Virginia. His visceral, instinctive, and deep-rooted style of drumming has led to three GRAMMY® nominations and work with esteemed artists, including: Pat Metheny, Dave Holland, Brittany Howard, Van Hunt, The Fearless Flyers, Norah Jones, and Somi. Smith fuses his original compositions with an eclectic mix of music, including everything from jazz to R&B to hip-hop to pop. In recent years, Smith’s viral videos have been viewed by millions of people, underscoring his popularity as one of the most influential drummers of his generation.

Smith will be joined by GRAMMY®-winning artists such as one of the foremost jazz bassists of his generation, Christian McBride, genre-spanning Chicago trumpeter Marquis Hill, and virtuosic pianist Geoffrey Keezer!

 

 

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TRIBUTE TO PHAROAH SANDERS

Gary Bartz [Saxophone]
Jean Carn [Vocals]
Norman Connors [Vocals & Drums]
Eddie Baccus Jr. [Saxophone]

The Starship Orchestra

Known for his overblowing, harmonic, and multi-phonic techniques on the saxophone, as well as his use of “sheets of sound”, American jazz musician Pharaoh Sanders played a prominent role in the development of free jazz and spiritual jazz through his work as a member of John Coltrane’s groups in the mid-1960s, and later through his solo work. He released over thirty albums as a leader and collaborated extensively with vocalist Leon Thomas and pianist Alice Coltrane, among many others. Fellow saxophonist Ornette Coleman once described him as “probably the best tenor player in the world”. Most of Sanders’ best-selling work was made in the late 1960s and early 1970s for Impulse Records, including the 30-minute wave-on-wave of free jazz “The Creator Has a Master Plan” from the album Karma.

A native of Baltimore, Gary Bartz has been known to many as a trail blazer in the music business from the moment he started playing with Art Blakey at his father’s jazz club in his hometown to his own music throughout the 57 years as a professional musician. As if his Grammy Award with McCoy Tyner in 2005 (‘Illuminations’) wasn’t enough to carve out a place for Bartz in the jazz genre, he has broken the mold with more than 40 solo albums and over 200 as a guest artist.

Drummer and producer Norman Connors’ work has become a main staple of jazz-fusion, with tracks including “Mother Of The Future” from album “Slew Foot” (1974), “Captain Connors” from album “This Is Your Life” (1977), “You Are My Starship” (1976) album, et al. He has lead jazz recordings with Carlos Garnett, Gary Bartz, Dee Dee Bridgewater, and Herbie Hancock.

Jean Carn began her recording career with her then-husband, pianist Doug Carn, founder of Black Jazz Records and had an astounding five octave voice range. She sang background for artists including the likes of Earth, Wind & Fire and Norman Connors, but in 1977, she debuted solo, playing a crucial role in the golden era of Philly soul.

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