Daily Dose Of Jazz…

James Otis Wyble was born on January 25, 1922 in Port Arthur, Texas and in his early years worked for a radio station in Houston. He and guitarist Cameron Hill played Western swing, an outgrowth of jazz, in a band led by Burt “Foreman” Phillips. The sound of two guitars attracted Bob Wills, another fan of Western swing, and he hired both men for his band, the Texas Playboys.

His career interrupted by World War II, he served in the Army from 1942 to 1946, but returned to music after he came home. Jimmy continued to play in Western swing bands, but his interest in jazz surfaced on his 1953 debut album, The Jimmy Wyble Quintet. He would soon work with Barney Kessel and Benny Goodman, and then played with Red Norvo for eight years, including on a tour of Australia accompanying Frank Sinatra.

During the 1960s Wyble took a job as a studio musician in Los Angeles, California working as a guitarist for movies and television, playing on movie soundtracks, including The Wild Bunch, Ocean’s Eleven, Everything You Always Wanted to Know About Sex and Kings Go Forth, and played on TV shows such as The Flip Wilson Show and Kraft Music Hall.

He became an educator after taking classical guitar lessons from Laurindo Almeida, teaching guitar to Larry Koonse, Howard Roberts, Howard Alden and Steve Lukather among others. The 1970s saw Jimmy developing a two-line contrapuntal approach to guitar and composed numerous etudes in this style, publishing Classical/Country, The Art of Two-Line Improvisation, and Concepts for the Classical and Jazz Guitar.

During the 1980s, he left the music business, returning to performance in 2005. Larry Koonse, his former student, issued the album What’s in the Box with compositions by Wyble based on his book of etudes.

Guitarist, composer, and educator Jimmy Wyble continued to perform, record and teach until his death on January 16, 2010.

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Brian Ernest Austin Brown was born on December 29, 1933 in Melbourne, Australia and was a self-taught player and emerged in the 1950s, a leading figure in Australia. He performed as a soloist and with his own ensembles since the mid-1950s throughout Australia and in Scandinavia, United States, Japan, United Kingdom, Italy, Spain, the Netherlands, Brunei and Germany.

In early 1956 Brown returned to Melbourne from Europe and formed the Brian Brown Quintet with drummer Stewie Speer, trumpeter Keith Hounslow, schoolboy pianist Dave Martin and bassist Barry Buckley. The new hard bop band was a regular from 1955 to 1960 at Horst Liepolt’s Jazz Centre 44 in St Kilda, Victoria, Australia. They introduced bop to Melburnians, a musical style largely unheard in Australia.

He made eight albums over an 18-year period heading various groups. Touring Europe with his Australian Jazz Ensemble in 1978, Brian also led groups doing experimental and original classical pieces from 1980 to 1986.

As an educator, he founded the Improvisation Studies course at the Victorian College of the Arts, where he taught from 1978 until his retirement in 1998. He appeared at the World Saxophone Congress in Tokyo in 1988, with Tony Gould. In June 1993 he was awarded the Order of Australia for service to the performing arts.

Soprano and tenor saxophonist, flutist, synthesizer, panpiper, leather bowhorn, composer, and educator Brian Brown passed away on January 28, 2013.

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Ronald Mathews was born on December 2, 1935 in New York City and in his twenties, he toured internationally and recorded with Max Roach, Freddie Hubbard and Roy Haynes. He was a member of Art Blakey’s Jazz Messengers in the late Fifties through the 1960s. By age thirty, he was teaching jazz piano and leading workshops, clinics and master classes at Long Island University in New York City.

During the 1970s Ronnie recorded with Dexter Gordon and Clark Terry, toured and recorded on two Louis Hayes projects, the Louis Hayes~Woody Shaw Quintet and the Louis Hayes~Junior Cook Quintet. One of his longest associations and a highlight of his career was with the Johnny Griffin Quartet. For almost five years, from 1978~1982, he was an integral part of this band, forging lasting relationships with Griffin, drummer Kenny Washington, and bassist Ray Drummond.

The Eighties saw Mathews honing his role as a frontman, performing as a leader in duo, trio, and quartet configurations around the world. He again toured with Freddie Hubbard and Dizzy Gillespie’s United Nations Band, was the pianist for the Tony Award~winning Broadway musical, Black and Blue in 1989, and, in 1990, he was one of the artists who recorded for Spike Lee’s movie, Mo’ Better Blues.

After a stint touring and recording with the Clifford Jordan Big Band in the early 1990s, Mathews joined T.S. Monk for eight years of touring and recording three albums with the band. In 1998, Hal Leonard Books published his collection of student arrangements: Easy Piano of Thelonious Monk.

As both a mentor and musician with Generations, a group of jazz musicians headed by veteran drummer Jimmy Cobb, he contributed two new compositions for the album that was released posthumously to his death by San Francisco State University’s International Center for the Arts on September 15, 2008.

Pianist Ronnie Matthews recorded 14 albums as a leader and more than three dozen as a sideman during his career, passing away on June 28, 2008 in Brooklyn, New York.

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Dick Johnson was born Richard Brown Johnson on December 1, 1925 in Brockton, Massachusetts. His primary instrument was clarinet, however, he also played the alto saxophone and flute.

He began his professional career as a musician while serving in the U.S. Navy in 1944-1946 and played with the navy band on the USS Pasadena during World War II. He often credited his stint in the Navy for kicking off his career in jazz.  After the war, Johnson toured with the big bands of Charlie Spivak and Buddy Morrow.

Eventually, after several years on the road, he settled in his hometown of Brockton, Mass. It was there in Brockton where he and his close friend, Lou Colombo formed a jazz sextet. The group lasted 10 years, but the friendship and musical kinship lasted for the rest of his life. In addition, Dick formed his septet, Swing Shift, which was a staple on the Boston music scene for many years.

Like Herb Pomeroy, Johnson managed a double career as a performer and an educator, teaching jazz at nearby Berklee School of Music, where he mentored many younger jazz musicians.

Between 1956 and 2006 he recorded ten albums as a leader. He worked with Frank Sinatra, the Swing Shift Orchestra, Dizzy Gillespie, and Tony Bennett.

Clarinetist, alto saxophonist, and flutist Dick Johnson, who also played in the free jazz genre, passed away on January 10, 2010 in Boston, Massachusetts after a short illness, aged 84.

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Jothan Callins was born October 29, 1942 in Birmingham, Alabama. The third of nine children he received his childhood education in Ensley at Council Elementary School and Western-Olin High School. Obtaining a Bachelor of Arts degree from Florida A&M University, he subsequently became a member of the Lionel Hampton Orchestra and performed with Max Roach, Milt Jackson, Stevie Wonder, Sun Ra, Cecil McBee, Consuela Lee, George Coleman, Geri Allen, Joseph Jennings, Jeff Watts and many others.

In 1978, Jothan became the first Jazz Artist-In-Residence for the Birmingham Public Schools and helped found the Alabama Jazz Hall of Fame and City Stages. In 1982, after receiving a fellowship at the University of Pittsburgh, he obtained a Masters’ Degree in Ethnomusicology and Jazz Studies and remained there for five years teaching jazz history. As a prolific, creative artist, Jothan was a performer, composer, arranger, educator, consultant, musical director, and cultural catalyst, who earned the respect and admiration of fans, musicians, and critics throughout the world.

With his band, The Sounds of Togetherness, he toured and performed around the United States and the world. He specialized in Jazz performances and workshops for children and adults. In the ‘90s, Callins founded the Birmingham Youth Jazz Ensemble, Inc. (BYJE), serving as Director until his death. Trumpeter, flugelhornist, electric bassist, and composer Jothan Callins, who was inducted into the Alabama Jazz Hall of Fame in 1979, passed away on April 30, 2005 at Baptist-Princeton Medical Center.

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