Daily Dose Of Jazz…
David Friedrich Dallwitz was born on October 25, 1914 in Freeling, South Australia. He studied violin as a child and after moving with his family to Adelaide, South Australia in 1930, he developed an aptitude for jazz piano. Beginning in 1933 for two years he studied concurrently at the South Australian School of Art and the North Adelaide School of Fine Art.
He led the Southern Jazz Group, a Dixieland band that performed at the first Australian Jazz Convention. Abandoning jazz for a period, he studied at the Elder Conservatorium of Music, composing symphonic and chamber music and taking up bassoon and cello. He became involved in composing and arranging music for revues, leading to the formation of the Flinders Street Revue Company, for which he also directed and played piano.
Returning to jazz in 1970, he resumed recording. He worked with Australian progressive musicians such as John Sangster, Bob Barnard, and Len Barnard. He led the Dave Dallwitz Ragtime Ensemble.
Pianist, bandleader, composer, and arranger, painter, and art teacher Dave Dallwitz, who led jazz, Dixieland and ragtime bands, passed away on March 24, 2003 in Adelaide after finishing the artwork for his album The Dave Dallwitz Big Band live at Wollongong, December 1984.
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Daily Dose Of Jazz…
Roy Powell was born on October 2, 1965 in Langham, Rutland, England. His mother was a historian, his father a scientist who moved the family to Canada. His father had given him piano lessons and had been playing the piano for five years. Returning to England when he was ten, he attended New Mills Grammar School at the same time as Lloyd Cole.
In the 1970s, Powell was listening to Duke Ellington and Miles Davis and buying albums through the mail from America. He attended the Royal Northern College of Music, studying piano and classical composition during the day and playing in Manchester jazz clubs at night. After departing school, he started a jazz fusion band and choreographed a ballet. In 1992 he was a member of the Creative Jazz Orchestra. Three years later he moved to Norway to teach.
Powell has been a member of the group InterStatic with Jacob Young, and Jarle Vespestad, and the group Naked Truth with Lorenzo Feliciati, Pat Mastelotto, and Graham Haynes. He recorded the album Mumpbeak with Feliciati, Mastelotto, Bill Laswell, Tony Levin, and Shanir Ezra Blumenkranz. Pianist, organist, composer, and educator Roy Powell has recorded fifteen albums as a leader and continues to perform and record.
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Daily Dose Of Jazz…
William Overton Smith was born on September 22, 1926 in Sacramento, California and grew up in Oakland, California where he began playing clarinet at the age of ten. Putting together a jazz group to play for dances at 13, by 15 he joined the Oakland Symphony. Idolizing Benny Goodman, after high school and a brief cross-country tour with a dance band, he ended his romance for the road. Giving notice when the band reached Washington, D.C., he was encouraged by an older band member to get the best education he could, so he headed to New York.
He started his formal music studies at the Juilliard School of Music, playing in New York jazz clubs at night. Uninspired at Juilliard, he returned to California after hearing the music of Darius Milhaud, who was then teaching at Mills College in Oakland. At Mills, Smith met pianist Dave Brubeck, with whom he often played, was a member of the Dave Brubeck Octet, and later occasionally subbed for saxophonist Paul Desmond in the Dave Brubeck Quartet. Brubeck’s 1960 album Brubeck à la mode that featured ten of his own compositions. Rejoining Brubeck’s group in the 1990s.
Bill went on to study composition with Roger Sessions at the University of California, Berkeley, where he was graduated with a bachelor’s and a master’s degree. He won the Prix de Paris, study at the Paris Conservatory, was awarded the prestigious Prix de Rome in 1957, and spent six years in Italy. After a teaching stint at the University of Southern California, he went on to a thirty-year career at the University of Washington School of Music in Seattle, Washington. He co-led the forward-thinking Contemporary Group, first with Robert Suderburg, and then with trombonist Stuart Dempster, from 1966 to 1997.
Clarinetist and composer Bill Smith, who recorded in jazz, classical and third stream genres, passed away at age 93 in his home from complications of prostate cancer on February 29, 2020.
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Daily Dose Of Jazz…
Ayako Shirasaki was born on September 16, 1969 in Tokyo, Japan and started classical piano lessons at age five, and was intrigued by her father’s professional trombone-playing. By age twelve she began her professional career playing gigs at the “J” jazz club in Tokyo.
After attending the Tokyo Metropolitan High School for Arts, Shirasaki majored in classical music at the Tokyo National University of Fine Arts and Music and gave concerts as a classical pianist for several years after graduating before returning to play jazz.
Her 1997 move to New York City saw her pursuing a master’s degree at the Manhattan School of Music, studying with pianist Kenny Barron. Landing in the Park Slope neighborhood of Brooklyn, Ayako operates the Brooklyn location of the Sakura Music School, which specializes in teaching music to small children with an emphasis on those of Japanese ancestry.
Performing regularly in the New York area, she tours internationally, in addition to recording. Her debut trio album Existence brought drummer Lewis Nash and bassist Marco Panascia together in 2003. She has since recorded four addition albums, has been featured on Marian McPartland’s National Public Radio show Piano Jazz, and was a finalist in the Mary Lou Williams Women In Jazz Piano Competition in 2005 and 2006 and the Great American Jazz Piano Competition in 2004, 2005 and 2006. Pianist and educator Ayako Shirasaki continues to perform, tour, record, and teach.
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Daily Dose Of Jazz…
Clifford Edward Thornton III was born on September 6, 1936 in Philadelphia, Pennsylvania into a musical family, his uncle pianist Jimmy Golden and his cousin, drummer J. C. Moses. He began piano lessons when he was seven-years-old, and studied with trumpeter Donald Byrd during 1957 after Byrd had left Art Blakey’s Jazz Messengers, and also that he worked with 17-year-old tuba player Ray Draper and Webster Young. Following a late 1950s stint in the U.S. Army bands, he moved to New York City.
In the early 1960s, Clifford lived in the Williamsburg area of Brooklyn, New York in an apartment building with other young musicians, including Rashied Ali, Marion Brown, and Don Cherry. He performed with numerous avant-garde jazz bands, recording as a sideman with Sun Ra, Archie Shepp, Pharoah Sanders, and Sam Rivers.
During the Seventies, Thornton and others were affected by the compositional ideas of Cecil Taylor, was active in the Black Arts Movement, and associated with Amiri Baraka and Jayne Cortez. This musical and artistic network provided him with a variety of perspectives on ideas such as black self-determination, performance forms, outside playing, and textural rhythm; and giving him access to performers who would provide the abilities some of his later compositions required.
He was included in the dialogue around the developing thought of political artists, including Shepp, Askia M. Touré, and Nathan Hare, as well as the journals Freedomways and Umbra. As an educator, he taught world music at Wesleyan University and created an Artists-in-Residence on campus, giving the academic world-music community exposure to Sam Rivers, Jimmy Garrison, Ed Blackwell, and Marion Brown. He arranged performances by Rashied Ali, Horace Silver, McCoy Tyner, and numerous others
Trumpeter, trombonist, activist, and educator Clifford Thornton, who played free and avant~garde jazz in the 1960 and ‘70s, passed away on November 25, 1989.
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