Daily Dose Of Jazz…
Ernest James Watts was born October 23, 1945 in Norfolk, Virginia. He began playing saxophone at thirteen. After a brief period at West Chester University, he attended Berklee College of Music on a Downbeat scholarship. He toured with Buddy Rich in the mid-1960s, occupying one of the alto saxophone chairs, with Lou Marini sitting the other.
He traveled to Africa on a US State Department tour with Oliver Nelson’s group and played tenor saxophone with The Tonight Show Band under Doc Severinsen for 20 years. During the Seventies he was a featured soloist on many of Marvin Gaye’s Motown albums, as well as on countless other pop and R&B sessions during 25 years as a first-call musician in the studios of Los Angeles, California.
In the mid-1980s Watts decided to rededicate himself to jazz, recording and touring with German guitarist and composer Torsten de Winkel, drummer Steve Smith and keyboardist Tom Coster. He joined bassist Charlie Haden’s Quartet West, played the saxophone on the Grease soundtrack, clarinet on The Color Purple soundtrack and performed on the opening theme song of the popular 80s sitcom Night Court.
Ernie founded Flying Dolphin Records and in early 2008, his Analog Man won the award in the 7th Annual Independent Music Awards for Best Jazz Album, worked with vocalist Kurt Elling, won a Grammy in 2010 for Best Jazz Vocal Album. He tours Europe twice a year with his own Ernie Watts Quartet, as well as Asia and summer jazz festivals the world over.
He has toured with the Rolling Stones, played the mystery horn on Frank Zappa’s album The Grand Wazoo, and has performed and recorded with Richard Groove Holmes, Alphonse Mouzon, Billy Alessi, Bobby Alessi, Gene Ammons, Paul Anka, Eric Martin, Willie Bobo, Brass Fever, Kenny Burrell, Lee Ritenour, David Axelrod, Donald Byrd, Stanley Clarke, Billy Cobham, Gino Vannelli, Randy Crawford, Kurt Elling, Torsten de Winkel, Hellmut Hattler, Dizzy Gillespie, Bobby Hutcherson, Milt Jackson, J. J. Johnson, Carole King, Charles Kynard, John Mayall, Carmen McRae, Blue Mitchell, Helen Reddy, New Stories, Moacir Santos, Lalo Schifrin, Bud Shank, Gábor Szabó, Gerald Wilson, Ndugu Chancler, Alphonso Johnson, Patrice Rushen, Joe Louis Walker, Barry Goldberg, Paul Jones, Chubby Tavares, T. Bone Walker, Big Joe Turner and Otis Span among others.
Tenor, alto and soprano saxophonist and flautist Ernie Watts has won two Grammy Awards as an instrumentalist and continues to perform, record and tour.
Inspire A Young Mind
Daily Dose Of Jazz…
Raymond Kenneth Warleigh was born on September 28, 1938 in Sydney, New South Wales, Australia. He migrated to England in 1960, where he quickly established himself as an in-demand session player.
He played and recorded with many major figures and bands of the UK jazz and blues scene, including Alexis Korner, Tubby Hayes, Humphrey Lyttelton, Terry Smith, Ronnie Scott, Long John Baldry, John Mayall, Allan Holdsworth, Soft Machine, Georgie Fame, Mike Westbrook, Dick Morrissey and Kenny Wheeler, as well as Mike Oldfield, Nick Drake, and Charlie Watts. He accompanied visiting artists such as Champion Jack Dupree and his successful 30-year career partnered him with Dusty Springfield, Marianne Faithfull, Scott Walker and Stevie Wonder, among others.
Warleigh’s First Album was released in 1968 and in 1971 he played saxophone and clarinet with the loosely connected UK folk group P. C. Kent. In 1973 he joined Latin fusion band Paz, led by vibist and composer Dick Crouch. He featured with the band for 8 years playing a weekly Sunday residency at the Kensington, a pub in Holland Park.
He recorded seven albums as a leader as well as his sideman sessions with for Spotlite, Magnus and Paladin Record labels producing Kandeen Love Song, Paz Are Back , Paz Live at Chichester Festival and Look Inside. Members of the band were Dick Crouch leader and vibes, guitarist Ed Speight, Geoff Castle on keyboards, bass guitarist Ron Mathewson, drummer Dave Sheen and percussionist Chris Fletcher. His critically acclaimed last album Rue Victor Massé was issued in 2009 and is an improvisation with free-jazz drummer Tony Marsh.
In his leisure time he was an accomplished yachtsman before serious illness struck in 2011. Alto saxophonist and flautist Ray Warleigh passed away of cancer on September 21, 2015.
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Voices From The Community
Daily Dose Of Jazz…
John Wallace Carter was born on September 24, 1929 in Fort Worth, Texas and attended I.M. Terrell High School. He played music with schoolmates Ornette Coleman and Charles Moffett in the 1940s.
From 1961, he was based mainly on the West Coast, where he met Bobby Bradford in 1965 and went on to work together on a number of projects, most notably the New Jazz Art Ensemble. He also played with Hampton Hawes and Harold Land. In the Seventies he became well known for his extraordinary solo concerts.
At New Jazz Festival Moers 1979 he and the German clarinetist Theo Jörgensmann performed for three days. This catapulted him to garnering wide recognition from around the world. He and Jörgensmann met again in 1984. The program of the Berlin Jazz Fest was built around the clarinet and after Carter’s solo performance, he and Jörgensmann also played together.
Between 1982 and 1990 Carter composed and recorded Roots and Folklore: Episodes in the Development of American Folk Music, five albums focused on African Americans and their history. The complete set was acclaimed by jazz critics as containing some of the best releases of the 1980s.
A clarinet quartet with Perry Robinson, Jörgensmann and Eckard Koltermann was planned for 1991, but Carter did not recover from a nonmalignant tumor. Later that same year he was inducted into the Down Beat Jazz Hall of Fame.
He recorded fourteen albums as a leader on the Black Saint, Flying Dutchman, Revelation, Dark Tree, Emanem, and Gramavision record labels. As a sideman he recorded with Horace Tapscott, Vinny Golia, and the Clarinet Summit. Clarinetist, saxophonist and flutist John Carter passed away on March 31, 1991.
Dose A Day-Blues Away
Daily Dose Of Jazz…
Norris Turney was born on September 8, 1921 in Wilmington, Ohio. He began his career in the Midwest, playing in territory bands such as the Jeter-Pillars Orchestra. He played with Tiny Bradshaw in Chicago, Illinois before moving to New York City, where he played with the Billy Eckstine Orchestra from 1945 to 1946.
Turney had little luck in New York and returned to Ohio to play in local ensembles through the 1950s. He toured with Ray Charles in 1967, then was hired by Duke Ellington, staying from 1969 to 1973. He was hired to play alto saxophone as an “insurance policy” due to the failing health of Johnny Hodges. He also played tenor saxophone and was the first flute soloist to ever play in Ellington’s orchestra.
Following his tenure with Ellington, he joined the Savoy Sultans, the Newport All-Stars and played in several pit orchestras. By the 1980s, he toured and recorded as a member of the Oliver Jackson Quintet, with Ali Jackson, Irvin Stokes, and Claude Black.
He recorded as a leader between 1975 and 1978, with I Let A Song with Booty Wood, Aaron Bell, Sam Woodyard and Raymond Fol. He released Big, Sweet ‘n Blue in 1993 with Larry Willis, Walter Booker and Jimmy Cobb. As a sideman he recorded with Randy Weston, Oliver Jackson and Red Richards. Flautist and saxophonist Norris Turney passed away of kidney failure on January 17, 2001, Kettering, Ohio.
Put A Dose In Your Pocket
Review: Morgan Guerin | The Saga
There is a reason for cover art. It speaks in silence for the artist. Thus, the listener should take a moment to immerse him/herself to visually understand the message the artist is attempting to convey. What I found in the artwork was a mini story of the instrumental journey from boyhood to arrive with a full arsenal by manhood. I realized I was viewing the preface of what was to come. Aptly titled The Saga, I knew a journey had taken place to get to this point as I inserted the disc into my computer. What I heard was an unexpected voice of a young man who had traveled far beyond his musical prowess. I was immediately reminded of Herman Hesse and Siddhartha’s sojourn, who left home to discover life through the lens of the world, only to return with greater self-awareness and peace.
To say he is compelling storyteller falls short of the message his music delivers. He is a messenger, come from a long line of griots who has given voice to a generation that unwillingly is forced to take the baton as have generations before him. From deep in the Louisiana culture you will hear the Second Line and rhythm and blues influences in his music. The very first drumbeat of Parallel sets the tone for his acknowledgement of the turbulent ecological and racial times the country is in. I am hearing the protest songs of the Sixties expressed in a rap delivered by Dashill Smith.
Blueprint delivers another message and eases us into a zone where discomfort is our journey foretelling, through the voice of Allana Hudson, the lies to humanity that contradict our ancestor’s wisdom. A fusion of sound that is ethereal beckons us forward in Tabula Rava, reminiscent of Mahavishnu, Santana, Zawinul and Return to Forever. Beginning with an Eastern calling and announcement of something majestic approaching, it builds to a cacophonous revelry in the spirit. It’s like witnessing something for the very first time that takes your breathe away or gives you pause. That tingly feeling of excitement that leaves you fulfilled for that brief moment in time. In The Saga is the journey of ups and downs, loves and loss, in the varied experiences that greet us along the way.
In Madeira there is settledness I hear when one finds a space that is easy and comfortable. This is where find solace With A Peace Of Mind that remains constant throughout our lives if we only allow it. Sharynwood Drive is my return home with all that has been discovered and learned, to be passed on to a new generation of explorers.
The Saga is a simple story told through the complexities of the music. The voices used to tell his story vary in emotion but the message is consistent. Listen carefully and you will see he has taken on a journey through the history of jazz, incorporating his youthful sensibilities within the standard language of jazz. One can feel the pulse of the music and there is beauty in the nuances throughout with the able assistance of his 11 accomplices. This was my musical journey with this young man of infinite wisdom, yet to be fully unleashed upon the world.
For those legions of jazz enthusiasts following the music trends, we await patiently for each decade to spew forth those chosen few who will humbly add their talent to the lexicon of the music. We guard the bastion for the rise of the exceptional to step forth onto the global stage. To our delight, our stalwart diligence has revealed just such a young man from amongst his peers. Hailing out of the birthplace of jazz, the name is familiar to us. It is Guerin… Morgan Guerin.
His Instruments: Drums, Alto & Tenor Saxophones, Piano, Fender Rhodes, EWI, EWI Vocoder, Organ, Flute, Moog Bass and Percussion.
The Band: Curtis Olawumi/flugelhorn, Daniel Wytanis/Trombone, Grace Sommer/violin, Julius Rodriguez/organ, Roland Guerin/electric bass, Paul “PapaBear” Johnson/electric bass, Risa Pearl/vocal, Dashill Smith/rap, Allana Hudson/spoken word, Patrick Arthur/electric & acoustic guitar, Brandon Boone/electric & upright bass.
Impressive!
carl anthony | notorious jazz | september 7, 2016
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