Three Wishes

Calvin Newborn acknowledged Nica’s question of three wishes by speaking with these three:

1. 1. “Well, the first would be a new instrument ~ a new guitar.”
   2. “I want to have an estate, some property. You know.”
   3. “A beautiful woman.”

*Excerpt from Three Wishes: An Intimate Look at Jazz Greats ~ Compiled and Photographed by Pannonica de Koenigswarter

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Daily Dose Of Jazz…

Kim Reith was born on February 19, 1954 in San Diego, California. As a child, she was exposed to a large jazz, blues, folk, opera, world and ethnomusicology recording collection belonging to her music-loving mother.

In 1979 Reith made her entrée into music as a backup vocalist in an all-women’s blues and gospel chorale for San Francisco, California blues pianist, singer/songwriter and recording artist Gwen Avery. She began her instrumental career as a guitarist, singer and songwriter for an experimental SF punk-rock trio, the Well Babies. In 1985 she began studying guitar privately with San Francisco jazz guitarists Marlena Teich and Duncan James and with the Los Angeles/San Diego jazz guitarist Art Johnson, and spent many years in independent study.

1987 saw her beginning to focus exclusively on jazz studies, eventually getting her feet wet with various small San Francisco jazz bands. In 1992 she supported herself by playing solo jazz guitar on the streets of Paris, France returning to San Diego in 1993. That year, she joined acclaimed avant-garde Canadian saxophonist Maury Coles for duo explorations and performances. At the opposite end of the jazz spectrum, Kim also performed with the UCSD Big Band under Jimmie Cheatham’s direction. She formed both the duo Groove Yard and the Kim Reith Trio in 1994, performing extensively with both groups throughout San Diego between 1994 and 2000.

Reith has been composing jazz works for small and large ensembles since 1993, formally studying jazz theory, composing and arranging under Rick Helzer at SDSU. Recording her debut album BAIL! In late 1999 she documented her compositions and her ensemble work with San Diego bassist Bruce Grafrath. She has gone on to collaborate with Bronx-born Swiss resident Edmund J. Wood, on a series of experimental open improvisations, featuring Reith on hollow-body electric guitar and Wood on fretless bass and implied-time drum loops.

Guitarist Kim Reith currently composes and performs in Los Angeles, California. Unfortunately she has not posted any of her music on line.

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PAUL BOLLENBACK | HARLEM JAZZ SESSION

Paul Bollenback – guitar, Pat Bianchi – organ, Anthony Pinciotti – drums

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OSCAR PEÑAS

Oscar Peñas
Guitarist/composer Oscar Peñas is a Barcelona, Spain native and a U.S. naturalized citizen. Leader of his ensembles, Peñas first started taking guitar lessons at eight and got acquainted with jazz at seventeen years old. At twenty-one, he left law school for his “mistress,” music, and at twenty-four, he moved to Boston, where he graduated from Berklee College of Music in 1999 and New England Conservatory of Music in 2007. Since then, he has lived in NYC.

Peñas’ innovative compositions, whose training began with classical studies and later progressed to jazz, have won the USA’s press and audiences’ attention, attracting a wide variety of fans through its unique combination of different grooves over the American jazz base. He leads his band with harmonic imagination and authenticity, writing his original compositions with minimalistic and sensitive musical strokes and exchanging spontaneous creativity with his bandmates. Though his early work was rooted in bebop, he later developed a more personal style thanks to a few conversations with the latest pianist Cecil Taylor in 2008, who advised him to embrace his cultural heritage. Subsequently, Peñas’ began crossing jazz with Iberian, South American, and classical strains.

His precise finger-picking technique is not a flashy one. It gives his fellow band members space for improvisations and shows all its artistry work, retaining considerable humility that remains no less impactful.

Frequently, he creates arrangements using the guitar, resulting in a sonic mix that never sacrifices clarity for density or volume despite the added layers of complexity. His compositions are visual with a story tale and improvisation. Oscar’s clever musical experimentation is the essence of his style. His diverse use of different genres to express ideas beyond those in his writings creates extraordinary musical experiences through novelty and particular artistic excellence when performing with his band. Peñas’ intuition and ear drive him into an amalgam of melodies aiming for the innovative unexpected.

Oscar does not look for cohering to a single signature style, sharing his five recordings with renowned American jazz masters Gil Goldstein, Paquito D’Rivera, Esperanza Spalding, and Ron Carter.

He is using his uniqueness in writing his originals for non-traditional instrumentation in jazz. As an independent artist who self-produces all his work it is astonishing to see his access to the best venues in the U.S. to showcase his work.

Oscar’s newly released album, “Almadraba,” features legendary bassist Ron Carter, is available to buy in L.P. and digital formats ONLY at CDBaby. The work is Peñas’ first arranged jazz-classical suite for a jazz quartet and string quartet (eight-piece ensemble). “Almadraba” premiered at BAM Next Wave Festival in 2018.

Sara Caswell
Violinist Sara Caswell is from Bloomington, Indiana, USA. A Grammy Nominee, jazz educator. Rooted in early exposure to various musical genres, Sara’s technical facility intertwined with her gift for lyricism continues to attract growing attention to her artistry as a jazz soloist, sideman, and teacher.

Sara is currently faculty at Berklee College of Music and the Manhattan School of Music. She was raised in a musical family and began playing violin at age 5. A graduate of Indiana University, which she attended under full scholarship as a Wells Scholar, Sara received B.M. Degrees with High Distinction and an Artist Diploma in Violin Performance and Jazz Studies. In 2006 Sara completed her M.M. Degree in Jazz Violin at the Manhattan School of Music.

Sara has been performing with Oscar Peñas at different prestigious venues, and she is part of Peñas’ album “Music of Departures and Returns” 2014.

Motohito Fukushima
Born in Kobe, Japan, based in NYC, six-string bass player, composer, and shamisen player Motohito Fukushima was given the Outstanding Performer Award before graduating Summa Cum Laude from Berklee College of Music. He studies Western Classical music, Japanese traditional music, and the African-inspired musical sensibilities of South American tunes in his jazz improvisations. Moto’s playing is a fantastic combination of finesse, subtlety, and power seen in his performances as a sideman with many other artists.

Motohito has enjoyed playing with Oscar Peñas since 2011 at Peñas’ quartet, and he is part of two of Peñas’ albums recordings, “From Now On,” 2011 and “Music of Departures and Returns,” 2014. Fukushima is an endorsed bass player by: Aguilar Amplification.

Richie Barshay
Richie Barshay began drumming inside kitchen cabinets early and continues banging on things worldwide. Born in Connecticut, he has led outreach projects across five continents as an American Musical Envoy with the U.S. State Department. Richie has recorded over 80 albums as a sideman and his two self-produced albums. Based in New York City and Northampton, MA, he is an AmSAT certified Alexander Technique teacher and maintained a private practice for performing artists and others to regain better mind-body coordination and ease of movement.

Barshay and Oscar have been performing together since 2009. Richie is on both U.S. albums releases, “From No On” and “Music of Departures and Returns.” Also, on the coming out, “Almadraba.”

BAND MEMBERS
Oscar Penas – Leader, Composer, Electric Guitarist
Sara Caswell – Violinist
Motohito Fukushima – Electric Bass
Richie Barshay – Drums

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Daily Dose Of Jazz…

Barry Sweig was born on February 7, 1942 in Detroit, Michigan. His mother loved music and taught her son to clap on the 2 & 4 as a toddler. He received a ukulele for his fifth birthday, played violin from the age of eight until he was eighteen, but bought himself a guitar for ten dollars when he was 15. His first recording session was at age 17, at Capitol Records.

Drafted in the Army in 1964 Sweig was assigned to NORAD Band where he got the opportunity to study with guitarist Johnny Smith. After his discharge he joined Buddy Rich’s band and after recording an album with Sammy Davis Jr. that led to him joining the latter’s band. Touring with Davis ended fourteen months later and he settled in Los Angeles, California and broke into the music scene where he performed and recorded for a host of who’s who vocalists and musicians.

He played his final gig at The Lighthouse Cafe in Hermosa Beach. Guitarist Barry Sweig, who taught at UCLA, USC, and the University of Texas, El Paso, transitioned on March 15, 2020 of complications from Crohn’s disease.

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