MOSE DAVIS QUARTET

Because he specializes in creating uplifting music from all genres, Jazz, R&B, Pop, Rock and Gospel, in addition to movie scores and TV themes, Mose Davis has been called “The Music Specialist”. Classically trained at the Detroit Conservatory of Music, Davis is an exceptional jazz artist and prominent fixture on the Atlanta music scene and throughout the region. He moves freely between electric keyboards, acoustic piano, synthesizers, and his all-time love, the organ. Some of his musical influences include jazz greats, Jimmy Smith and Ahmal Jamal. Mose performs with top acts across the country as well as internationally. Such acts as Candi Staton, Marlena Shaw, The Funkadelics and The Fabulous Counts are among his favorites.

His current musical makeup, The Mose Davis Trio has shared the stage with Pieces of A Dream, Michael Franks, Ahmad Jamal, Roy Ayers and Frankie Beverly. He has made numerous appearances at jazz festivals, including The Atlanta Jazz Festival, The Macon Jazz Festival and the world renowned, Spoleto Festival.

Cover: $40.00

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NESTOR TORRES

Néstor Torres’ dynamic, unique sound is a blend of his Caribbean heritage with Classical training and Jazz improvisation. A prolific recording artist with 18 releases, earning him 5 Latin Grammy nominations, 1 Latin Grammy Award (Best Pop Instrumental Album), and a Grammy nomination (Best Latin Jazz Album), Torres has always challenged artistic expectations. The complex artistry of his work has been described as “highly infectious,” “somehow deeper, almost transcendental”.

Towards the celebration of International Day of Jazz on April 30th, Néstor’s performance will pay homage to his Jazz influences and mentors, featuring songs from his Latin Grammy nominated album, Jazz Flute Traditions. And, of course, there will be a healthy dose of Latin Jazz, Nestor Torres style…

Band Members:
Nestor Torres – Vocals
Jorge Luis Sosa – Keyboard
Adolfo Herrera – Drums
Sameul Burgos – Bass
Edwin Bonilla – Percussion

Tickets: $60.50 ~ $65.50

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NICOLE HENRY

Since 2004, Nicole Henry’s versatile and emotionally driven performances have wowed audiences in 20 countries. She has established herself among the jazz world’s most acclaimed performers, possessing a potent combination of dynamic vocal abilities, impeccable phrasing, and powerful emotional resonance.

Heralded by The New York Times, Wall Street Journal, The Japan Times, El Pais, Jazz Times, Essence and more, Ms. Henry tells real stories through peerless interpretations of repertoire from the American Songbook, classic and contemporary jazz, popular standards, blues and originals.

Among her numerous accolades, Henry’s passionate, soulful voice and heartfelt charisma have earned her a Soul Train Award for “Best Traditional Jazz Performance,” “Best New Jazz Artist” by HMV Japan, “Best Solo Musician” by her hometown Miami New Times, and was hailed as “One of Eight Black Artists Making Waves in 2024” by Symphonic Distribution.

She has enjoyed four Top 10 CDs including her latest album “Time to Love Again” which reached #4 on the U.S. jazz radio chart, remaining in the Top 40 for 20 weeks. “Time to Love Again” also reached #6 on UK’s Sweet Rhythms chart and continues to enjoy worldwide play on both Sirius XM’s Real Jazz & Watercolors stations. These successes were supplemented by a 36-city national tour.

Band Members:
Vocals: Nicole Henry
Piano: Pete Wallace
Drums: TBD
Trumpet: Jean Caze
Bass: Jamese McCoy

Tickets: $60.50 ~ $65.50

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Requisites

Mercy, Mercy, Mercy! ~ The Cannonball Adderley Quintet | By Eddie Carter

Have you ever heard a record so good it literally got into your head and stayed there forever? This morning’s album is one of those for me. Mercy, Mercy, Mercy! (Capitol Records T 2663/ST 2663) is a live album by the Cannonball Adderley Quintet. It was initially said to have been recorded in 1966 at The Club in Chicago. But it was actually recorded at the Capitol Records Tower with an invited audience and an open bar. The discrepancy arose because Adderley and the clUB’s new manager were friends, and the saxophonist offered the club free publicity. That aside, it’s a terrific album that’s worth the money if you enjoy live jazz. 

The quintet consists of Nat Adderley on cornet, Cannonball Adderley on alto saxophone, Joe Zawinul on piano (tracks: A2, A3, B1 to B3) and electric piano (A4), Vic Gatsky on bass, and Roy McCurdy on drums. I own the 1967 U.S. Mono release. The announcer’s introduction sets the stage for Fun, the first of two tunes by Nat Adderley that immediately energizes the audience with the quintet’s lively melody. Cannonball’s brisk lines soar effortlessly in the opening statement, Nat’s spirited response adds warmth, and Joe’s vigorous interpretation ties it all together, showcasing their tight musical chemistry and improvisational skill that truly captures the audience’s excitement.

Cannonball announces the song title to the audience, then notes that their next tune is titled Games, which kicks off with the quintet’s upbeat introduction and theme. Cannonball opens with one of his most inventive solos, then Nat settles into an effervescent groove perfect for finger-popping and toe-tapping. Joe responds with a marvelous interpretation that builds to a satisfying finale. Joe switches to the electric piano as the rhythm section provides a warm backdrop for Cannonball’s intro to the album’s defining moment, Joe Zawinul’s Mercy, Mercy, Mercy. The quintet’s memorable theme and Joe’s soulful solo make this track a highlight, inviting listeners to experience the album’s emotional depth firsthand.

Sticks by Julian Adderley shifts the album into a finger-snapping tempo, opening the second side with the quintet’s danceable melody. Nat takes the lead with an energetic reading, leaving room for his brother to soar next. Joe comes in last and adds an indelible contribution before the ensemble’s theme restates and ends firmly. Hipadelphia by JosefZawinul begins with the ensemble’s relaxed melody. Cannonball has the first say and moves comfortably through the rhythm section with an easy-flowing stream of ideas. Nat rocks the second reading with a light, airy sound. Joe wraps up everything smoothly in the closer before the horns return to take the song out.

The set wraps up with Cannonball’s warm introduction to his tune, Sack O’ Woe. The rhythm section softly sets the mood for the quintet’s lively melody, a heartfelt blend of blues and church influences. Cannonball takes the spotlight first with a soulful sermon. Nat brings everyone to their feet with his finger-snapping, toe-tapping performance. Joe adds emotional intensity in his turn, and Vic finishes off ahead of the ensemble, bringing it all together in the closing chorus. David Alexrod produced Mercy, Mercy, Mercy, while the recording engineer remains a mystery. The album’s sound quality is excellent, making you feel like you're right there in the studio audience, sharing in the joy of the music as it happens.

Mercy, Mercy, Mercy truly shines as a jazz album that is both beautifully crafted and immediately captivating. The quintet’s arrangements and performances flow together smoothly, letting each musician shine and filling the album with warmth and vibrant energy. The title track really highlights what makes this album so special, while the other songs show that Cannonball Adderley and his band could groove in many different ways. I’m sure those in attendance walked away feeling like they had experienced something truly memorable. If you’re already a fan of the Cannonball Adderley Quintet or discovering their music for the first time, I encourage you to pick up Mercy, Mercy, Mercy on your next record shopping trip. It’s a lively and cohesive album that’s perfect for focused listening and relaxing enjoyment!

© 2026 by Edward Thomas Carter

CALIFORNIA JAZZ FOUNDATION

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CINDY BLACKMAN SANTANA

Cindy Blackman Santana celebrates the release of her new album Coherence, a once-in-a-lifetime journey combining jazz, rock, fusion, & spirituality. As a virtuoso drummer, bandleader, musician, and the new face of NFL Monday Night Football, Cindy is a sound innovator with a passion for pushing creative boundaries and exploring movement and change. She is as known for the nuances and colors she brings to her beats and fills as she is for the sheer power of her soulful playing. “Some drummers act, some react. Some keep time, others create it. Cindy Blackman Santana is among the few who can,” writes Mike Zwerin of the International Herald Tribune.

Cindy has been creating magnificent musical time and space since the beginning of her career as a busking street performer in New York City in the ’80s through the present day, touring the globe and making albums at the top of her game—including the critically acclaimed Another Lifetime (2010). In addition to collaborating onstage and in-studio with her own group—also known as Another Lifetime—she has toured and recorded with artists including Pharoah Sanders, Cassandra Wilson, Bill Laswell, Joss Stone, Joe Henderson, Buckethead, Don Pullen, Hugh Masakela, and Angela Bofill.

From 1992 to 2007 and again in 2014 & 2015 she was the drummer in Lenny Kravitz’s band, performing through multiple world tours and hit albums. In 2010, she was part of the all-star line-up performing “Bitches Brew,” a tribute to Miles Davis’ seminal album staged at the San Francisco Jazz Festival and NYC Winter JazzFest.

The Band:
Cindy Blackman Santana ~ DrumsK
Aurelien Budynek ~ Guitar
Benny Rietveld ~ Bass
Zaccai Curtis ~ Keyboard
Special Guest Ravi Coltrane ~ Saxophone

Cover: $45.00 ~ $55.00 | $4.16 – $4.86 fees
Streaming: $15.00 + $2.05 fee

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