Daily Dose Of Jazz…

Eddie Graham was born on November 18, 1937 in New York City. Inspired by his father who played the trombone, he acquired an early interest in rhythm which prompted him to begin the study of drums at age nine. After moving with his family from New York to Miami, Florida at 14, he had a continuing television series on WTVJ with his Swing Kings. During this time his interest in Dixieland jazz was fostered by an acquaintance with drummer “Preacher” Rollo Laylan who frequently imported jazz names to Miami.

Attending the University of Miami he performed for several seasons with the Miami Symphony before migrating to California to accompany such diverse luminaries as Jack Jones, Elvis Presley, and Anita O’Day. He toured as accompanist and conductor for Roberta Sherwood, Vic Dana and Kay Stevens during the Sixties. Eddie settled in Las Vegas, Nevada on a long term contract with Latin concert pianist, Esquivel. He toured Japan with the Village Stompers, and appeared on television with ragtime pianist Big Tiny Little. As a percussionist in the Vegas showrooms, he accompanied Rich Little, Sammy Davis Jr., Presley, Johnny Mathis, and Mack Davis, while hitting the stage with his own jazz group.

The early seventies saw him in Hawaii with trombonist Trummy Young and then hooked up with Earl “Fatha” Hines as a featured artist from 1975 to 1980. On concert tours in Europe, Australia, South America and Japan, Ed has appeared with such artists as Benny Carter, Joe Venuti, Bobby Hackett, Red Norvo, Dorothy Donegan, Barney Bigard, and Stan Getz.

Graham went on to record two albums as a leader, one studio and one live, Hot Stix and S’Wonderful Jazz, respectively. He recorded with Earl Hines on Tony Bennet’s Improv record label, with Marva Josie and a collaboration with trumpeter Billy Butterfield.

In the 80’s, he was a musical director and featured soloist in Las Vegas, and a member of the Peanuts Hucko Quartet in Palm Springs, Califonia. He [layed numerous festivals and clubs around the country during this period, and was a founding member of the 21 piece Monterey Peninsula Jazz Orchestra as percussionist and soloist at Clint Eastwood’s Mission Ranch in Carmel. At eighty-five drummer Eddie Graham still occasionally plays.

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Daily Dose Of Jazz…

Lisle Ellis was born Lyle Steve Lansall on November 17, 1951 in Campbell River, British Columbia. and began playing electric bass in his teens and worked professionally from an early age in numerous environments including studios, radio & TV shows, and strip clubs. He studied at the Vancouver Academy of Music with Walter Robertson and attended Douglas College in Vancouver, Canada. He later studied at the Creative Music Studio in New York City from 1975-1979.

He moved to Toronto, Ontario, Canada where he resided from 1982 until 1983 and then went to Montreal, Quebec, Canada for nearly a decade until 1992. Lisle became the inaugural recipient of Canada’s Fred Stone Award in 1986, given annually to a musician for integrity and innovation. The Eighties saw him as a conspicuous activator of musician alliance organizations, performance venues, and concert series presentations in Vancouver and Montreal. One collective in particular, Vancouver’s New Orchestra Workshop, is still active nearly thirty years later.

After moving to the United States in 1992, he settled in San Francisco, California where he worked with Glenn Spearman for nine years. In 1994, he was a member of the Cecil Taylor band for a brief tour of California. He lived in San Diego, California from 2001–2005 and then crossed the country to New York City where he presently lives.

Since the late 1990s, he primarily focused on developing an electro-acoustic interface he calls “bass & circuitry”. By 2008 he turned his attention back to acoustic music projects with an emphasis on jazz based improvisation and to finding a balance between his electronic and acoustic music interests. Bassist and composer Lisle Ellis, who professionally has used both L. S.  Ellis and L. S. Lansall-Ellis, and is known for his improvisational style and use of electronics, continues to explore the realm of jazz.

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Daily Dose Of Jazz…

Nick Travis was born on November 16, 1925 in Philadelphia, Pennsylvania and  started playing professionally at age 15. In the early Forties he played with Johnny McGhee, Vido Musso, Mitchell Ayres, and Woody Herman.

In 1944 he enlisted, however, after his service he played with Ray McKinley, Benny Goodman, Gene Krupa, Ina Ray Hutton, Tommy Dorsey, and Tex Beneke. By the 1950s he was playing with Herman once more for a short stint, Jerry Gray, Bob Chester, Elliot Lawrence, and Jimmy Dorsey. From 1953-56 he played with Gerry Mulligan, Zoot Sims, Al Cohn, with whom he featured on the one session he led for Victor Records, and was a soloist in the Sauter-Finegan Orchestra.

After this he became a session musician for NBC, Most of his work was in big bands, but he also played in small ensembles. Trumpeter Nick Travis transitioned at age 38 as a result of complications from ulcers on  Oct. 7, 1964 in New York City.

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Three Wishes

Buddy Catlett was able to succinctly sum up his wishes with one answer when Pannonica asked him what his three wishes would be:

  1. “I don’t know if I can word it right… To try and complete myself as a human being! That’s about it. That takes care of all three of them.”
*Excerpt from Three Wishes: An Intimate Look at Jazz Greats ~ Compiled and Photographed by Pannonica de Koenigswarter

SUITE TABU 200

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Daily Dose Of Jazz…

Curtis Sylvester Lowe, Sr. was born on November 15, 1919 in Chicago, Illinois and raised in Oakland, California. He first learned to play soprano saxophone as a youth and studied briefly in Alabama before deciding to take up music full-time. Best known professionally as a tenor and baritone saxophonist, he played in traveling bands before the outbreak of World War II. Enlisting in the United States Navy in 1942, his unit band was full of noteworthy jazz musicians, including Vernon Alley, Wilbert Baranco, Buddy Collette, Jerome Richardson, Ernie Royal, and Marshall Royal.

In the 1950s Curtis worked extensively with Lionel Hampton and also played with Dave Brubeck, Little Esther, Johnny Otis, and Gerald Wilson. He led his own five-piece ensemble in 1952-1953. In 1958 he began a decade-long association with Earl Hines.

He was active locally in San Francisco, California and the Bay Area into the 1980s. Saxophonist Curtis Lowe Sr., who never recorded as a leader, transitioned at the age of 73 on October 29, 1993.

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