Requisites

Another Git Together is a studio album by the Jazztet, led by trumpeter and flugelhorn player Art Farmer and tenor saxophonist Benny Golson. It features performances recorded in 1962 and originally released on the Mercury label. It was the band’s last recording for 20 years. Kay Norton was the producer and Tommy Nola was the recording engineer for the studio session recorded on May 28 (tracks: B2, B3) and June 21, (tracks: A1-A3, B1) 1962 at Nola’s Penthouse Sound Studios, New York City.

Tracks | 34:28

1. Space Station (Grachan Moncur III) ~ 5:10
2. Domino (Don Raye, Jacques Plante, Louis Ferrari) ~ 6:58
3. Another Git Together (Jon Hendricks, Pony Poindexter) ~ 6:12
4. Along Came Betty (Benny Golson) ~ 5:24
5. This Nearly Was Mine (Richard Rodgers, Oscar Hammerstein II) ~ 6:20
6. Reggie (Golson) ~ 4:24

• Art Farmer – trumpet, flugelhorn
• Benny Golson – tenor saxophone
• Grachan Moncur III – trombone
• Harold Mabern – piano
• Herbie Lewis – bass
• Roy McCurdy – drums

Led by two titans of jazz, Another Git Together is their second album for Mercury Records and sixth as a group. The album takes flight with a trip to the Space Station by Grachan Moncur III, an uptempo burner with a scintillating melody by the sextet. The pace slows to mid~tempo for Domino, a French composition which was written in 1950 by Don Raye, Jacques Plante, and Louis Ferrari. The title track, Another Git Together is a soulful midtempo blues by Jon Hendricks and Pony Poindexter which comes to life and ends with a dialogue between the trio which slowly fades into oblivion to end the first side. Along Came Betty opens the second side and is one of Benny Golson’s timeless jazz standards. The Jazztet delivers the melody at a leisurely easy pace (that’s slightly faster than the original recording), stepping aside for the lead solo by Mabern who rolls with relaxing verses that are well matched to the gorgeous groundwork of Lewis and McCurdy. This Nearly Was Mine was written in 1949 by Oscar Hammerstein II and Richard Rodgers, making its debut in their Broadway musical, South Pacific which premiered that year and later reappears in the 1958 film version as well. Farmer is back on flugelhorn and leads the ensemble through the melody of this pretty waltz at a livelier pace than normally heard. The last track is Reggie, a cheerful original by Benny that’s named for his second son and a perfect vehicle for improvisation as the sextet illustrates in unison on the opening chorus.

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Daily Dose Of Jazz…

Walter Page Cavanaugh was born in Cherokee, Kansas on January 26, 1922 who began on piano at age nine and played with Ernie Williamson’s band in 1938–39 before moving to Los Angeles, California and joining the Bobby Sherwood band at age 20.

While serving in the military during World War II, he met guitarist Al Viola and bassist Lloyd Pratt, with whom he formed a trio. After the war’s end they performed together in the style of the Nat King Cole Trio, scoring a number of hits in the late 1940s, including The Three Bears, Walkin’ My Baby Back Home, and All of Me.

The trio appeared in the films A Song Is Born, Big City, Lullaby of Broadway with Doris Day and Romance on the High Seas, Day’s first film, in 1948. He recorded dozens of tracks with Doris Day, Frank Sinatra, Dinah Shore, June Christy, Mel Torme and other legendary singers.

In the early 1950s, Cavanaugh had a program, Page Pages You, on the short-lived Progressive Broadcasting System. Additionally, the trio played on Frank Sinatra’s radio program, Songs by Sinatra, and on The Jack Paar Show.

Cavanaugh played in Los Angeles, California nightclubs through the 1990s, both in a trio setting, with Viola for many years and as a septet, Page 7. He recorded with Bobby Woods & Les Deux Love Orchestra. He recorded for MGM, Capitol, RCA, Star Line, Tiara, and Dobre Records over the course of his career, releasing his final trio album, Return to Elegance, in 2006. Pianist Page Cavanaugh passed away on December 19, 2008 of kidney failure.

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Daily Dose Of Jazz…

Floyd George Smith was born on January 25, 1917 in St. Louis, Missouri and learned to play the ukulele as a child before taking up guitar. As a teenager he studied music theory and spent his early career in territory bands, playing in groups such as Eddie Johnson’s Crackerjacks, the Jeter-Pillars Orchestra, the Sunset Royal Orchestra, the Brown Skin Models, and Andy Kirk’s 12 Clouds Of Joy. His composition Floyd’s Guitar Blues, recorded with Andy Kirk’s orchestra in 1939, has been claimed as the first hit record to feature a blues solo on electric guitar.

Enlisting during World War II, Floyd was stationed in Britain as a sergeant and he had the fortune to meet and play with Django Reinhardt in Paris. Following the war, he rejoined Andy Kirk’s band before forming his own small ensembles. He went on to play with Wild Bill Davis in the 1950s, recorded occasionally with drummer Chris Columbo’s bands during the late 1950s and early 1960s. He would later settle in Indianapolis, Indiana and formed his own jazz trio.

The 1970s, had Smith moving into writing songs and record production, working with Dakar/Brunswick Records in Chicago, for which he recorded a few singles. He produced two albums with R&B star, Loleatta Holloway for Aware Records of Atlanta, as well as two unreleased with John Edwards, who later became the lead singer of the Detroit Spinners. He produced two Top 10 R&B hits on Aware with Edwards and Holloway.

In the late 1970s, he produced tracks on several albums with Loleatta Holloway for Gold Mine/Salsoul Records, managed and later married her. Guitarist Floyd Smith, sometimes credited as Floyd Guitar Smith passed away in Indianapolis, Indiana on March 29, 1982 at the age of 65.

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Daily Dose Of Jazz…

Joe Albany was born Joseph Albani on January 24, 1924 in Atlantic City, New Jersey, Albany studied piano as a child and by 1943 he was working on the West Coast in Benny Carter’s orchestra. In 1946 he played with Charlie Parker and then 20-year-old Miles Davis.

Continuing to play, in 1957 recorded an album for Riverside with an unusual trio line-up with saxophonist Warne Marsh and Bob Whitlock on bass. omitting a drummer. Despite that, most of the 1950s and 1960s saw him battling a heroin addiction, or living in seclusion in Europe. He returned to jazz in the Seventies and played on more than ten albums. Modern and bebop pianist Joe Albany passed away of respiratory failure and cardiac arrest in New York City at the age of 63 on January 12, 1988.

was the focus of a 1980 documentary titled, Joe Albany… A Jazz Life. His daughter Amy-Jo wrote a memoir about her father called Low Down: Junk, Jazz, and Other Fairy Tales from Childhood. The book was adapted for the screen and released in 2014 as the biopic Low Down.

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Daily Dose Of Jazz…

Michel Maurice Armand Warlop came into the world in Douai, France on January 23, 1911.  A child prodigy, he won every award and prize that existed for the violin in France before attaining the age of 18. he started his musical studies with his mother, a music professor, and entered the Conservatory of Douai, the second oldest in France, at age six.

There he studied with Victor Gallois who had won the Prize of Rome for composition in 1905. At age seven, he played his first public concert accompanied by his mother on the piano and by age eight in 1919 he played his first concert in Paris, to benefit victims of WW1. He transferred to the Conservatory of Lille around the age of 10 and started his studies on the university level at the Conservatory of Paris at age 13.

By mid-1939 Warlop began working permanently with the Raymond Legrand Orchestra, then got called up for military service in September 1939 and left Paris. Soon after hostilities started between Germany and France and he became a German prisoner of war but later released because of his tuberculosis. He returned to France late in February 1941.

Back in Paris, he took up his old chair in Legrand’s orchestra, recorded with the Jazz Dixit and his own string septet Septuor a Cordes from time to time. Both of these units were made up of other musicians in the Legrand organization. Warlop wrote and arranged almost all of the Septour’s music which was in a style that blended a classical string setting with Warlop’s jazz abilities. By 1942 he recorded his own Swing Concerto, however, Disques Swing did not issue it and it sat in the vaults until it was finally released on a CD in 1989.

After the war many French musicians, singers and film stars were accused of supporting the enemy for appearing on German-controlled radio, playing for German troops or touring in Germany. Many were banned from working for various periods of time. Warlop had to sit out for two months and Legrand for one year. He never played again in Paris or recorded after this incident in 1945.

His tuberculosis had finally caught up with him along with his heavy consumption of alcohol and cocaine and violinist Michel Warlop, who preferred to tour as a jazz soloist and in small groups in the south of France, passed away at 36 on March 6, 1947 in Bagnères-de-Luchon, France. His last engagement was with Jimmy Réna’s small group at the Grand Hotel Superbagnières above Luchon, France in the Pyrenees Mountains near the border with Spain.

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