
Jazz Poems
BIX BEIDERBECKE (1908~1931)
January, 1926
China Boy. Lazy Daddy. Cryin’ All Day.
He dreamed he played the notes so slowly that
they hovered in the air above the crowd
and shimmered like a neon sign. But no,
the club stayed dark, trays clattered in the kitchen,
people drank and kept on talking. He watched
the smoke drift from a woman’s cigarette
and slowly circle up across the room
until the ceiling fan blades chopped it up.
A face, a young girl’s face, looked up at him,
the stupid face of small-town innocence.
He smiled her way and wondered who she was.
He looked again and saw the face was his.
He woke up then. His head still hurt from drinking.
Jimmy ws driving. Tram was still asleep.
Where were they anyway? Near Davenport?
There was no distance in these open fields–
only time, time marked by a farmhouse
or a barn, a tin-topped silo or a tree,
some momentary silhouette against
the endless, empty fields of snow.
He lit a cigarette and closed his eyes.
The best years of his life! The Boring “Twenties.
He watched the morning break across the snow.
Would heaven be as white as Iowa?
DANA GIOIA
from Jazz Poems ~ Selected and Edited by Kevin Young
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Daily Dose Of Jazz…
Terence Michael “Terry” Clarke was born August 20, 1944 in Vancouver, Canada. He studied percussion with Jim Blackley and played with Chris Gage and Dave Robbins early in his career. From 1965 to 1967 he toured in a quintet with John Handy, and joined The Fifth Dimension in 1967, remaining until 1969.
In 1970, he moved to Toronto, Canada where he began a longstanding association with Rob McConnell’s group, Boss Brass. He also played with Ed Bickert, Ruby Braff, Jim Galloway, Sonny Greenwich, Jay McShann, Emily Remler, and Frank Rosolino. In 1976, he toured with Jim Hall for the first time and in 1981 did an international tour with Oscar Peterson.
Relocating to New York City in 1985 he played or recorded with Toshiko Akiyoshi, Eddie Daniels, Oliver Jones, Roger Kellaway, Helen Merrill, Ken Peplowski, and Joe Roccisano, among others. He played with the Free Trade ensemble in 1994, a quintet composed of Clarke, Ralph Bowen, Neil Swainson, Renee Rosnes, and Peter Leitch.
Returning to Toronto in 1999, he joined The Rob McConnell Tentet. His 2009 debut album It’s About Time won a Juno Award for Traditional Jazz Album of the Year. Drummer Terry Clarke, who recorded 29 albums as a sideman and was appointed a Member of the Order of Canada in 2002, continues to perform and record.
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Daily Dose Of Jazz…
Ric Powell was born on August 19, 1942 in New Orleans, Louisiana. He attended and initially studied music at St. Augustine High School in New Orleans, before his family moved to the Bronx, New York where he went to Morris High School. Upon graduating he went on to study at New York School of Music in Manhattan, then in the U.S. Naval School of Music in Washington, D.C. and finally matriculated through Howard University in Washington, D.C.
He beganhis professional life as a member of the youth percussion ensemble Kalypso Kids, then became a member of the Apollo Theatre House Band under the direction of Ruben Philips. He toured with the Jimmy Castor Band before becoming a studio and freelance musician in New York City and Chicago, Illinois.
He formed a trio under his own name featuring Donny Hathaway, became a member of the CBS Staff Orchestra in Chicago, and then a record producer for Atlantic, Atco and Stax. Drummer Ric Powell, who formed Don-Ric Enterprises and is an Adjunct Professor of Percussion at Northwestern University, continues to perform.
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JOE LOVANO & DAVE DOUGLAS QUINTET
Both in sound and improvisational approaches, the two offer fascinating contrasting and complementary sensibilities. Lovano’s cobalt-blue tone on tenor saxophone paired with Douglas’ crimson-tinged trumpet flares create startling timbres when they play in unison or intertwine improvisational lines. — DownBeat
The Band: Joe Lovano – Saxophone | Dave Douglas – Trumpet | Lawrence Fields – Piano | Yasushi Nakamura – Bass | Rudy Royston – Drums
Seating is assigned on a first-come first-served basis.
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MERLON DEVINE
Love and inspiration can come from many places, but Merlon Devine’s love and inspiration to play music came from right inside his childhood home. Growing up in Little Rock, Arkansas with a singing mother and a guitar playing father, Merlon and his nine siblings lived in a home filled with gospel music. Although Merlon did not have the gift to sing as many of his siblings did, he eventually found his voice on the saxophone.
Merlon’s signature sound and gospel tinged expression on the horn has set him apart and propelled him onto various stages to share his musical gift with the world. His music charges the atmosphere, leaving his listeners refreshed and well.
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