MONTY ALEXANDER
Grammy nominated pianist Monty Alexander was born on June 6, 1944 (D-Day!) in Kingston, Jamaica and is one of today’s most sought-after pianists, touring the world relentlessly with various projects, delighting a global audience drawn to his vibrant personality and soulful message. He began playing the piano at the age of four. Monty is such a virtuoso on his instrument that he can express each of his improvisational ideas at any time. Swinging style, combined with his vitality and subtlety, is defined by his creativity, rhythmic strength and clearly accentuated sounds. Even Frank Sinatra commented “this guy is like dynamite”. In a career spanning seven decades, he has built a reputation exploring the worlds of American jazz, popular song, and the music of his native Jamaica, finding in each a sincere spirit of musical expression.
His musical collaborations span multiple genres and styles. His projects have been as varied as assisting Natalie Cole in her tribute album to her father, Nat “King” Cole in 1991 (that album, “Unforgettable”, won seven Grammy awards), performing George Gershwin’s “Rhapsody in Blue” under the direction of Bobby McFerrin at the Verbier Festival in Switzerland, and recording the piano track for the film score of Clint Eastwood’s “Bird”, a movie about the life of jazz titan Charlie Parker. Monty has performed and recorded with artists from every corner of the musical universe: Frank Sinatra, Ray Brown, Dizzy Gillespie, Sonny Rollins, Clark Terry, Victor Gaskin, Milt Jackson, Ernie Wilkins, Herb Ellis, Jeff Hamilton, Quincy Jones, Ernest Ranglin, Barbara Hendricks, Sly Dunbar, and Robbie Shakespeare, among many others. In 2000 and 2018 Monty Alexander was awarded the title of Commander in the Order of Distinction by the Jamaican government for outstanding services to Jamaica in his capacity as worldwide music ambassador. Alexander maintains a rigorous touring schedule worldwide, from jazz clubs to concert halls and playing at Jazz Festivals from Switzerland to South Africa, Japan and Australia.
To date Monty Alexander has recorded over 75 albums as a leader. Shortly before his 80th birthday this upcoming June, Monty and his trio bring the 49th International Jazzfestival Bern to a close – on a high note!
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ROBERT GAMBARINI
The Band: Roberta Gambarini, vocal | Bill Easley, saxophone | Cyrus Chestnut, piano | Ameen Saleem, bass | Lewis Nash, drums
Roberta Gambarini began singing and performing at the age of 17 in jazz clubs around Northern Italy. In 1997 she worked with French Hammond organ player Emmanuel Bex touring jazz clubs throughout Italy. Shortly after she moved to New York City, and has since been performing with musicians like Jimmy Heath, Richard Wyands, Curtis Fuller, Hank Jones, Thelonious Monk, Jr., Roy Hargrove, Benny Bailey, Ben Riley, Phil Woods, Ron Carter, Larry Willis, Howard Johnson, Russell Malone, Christian McBride, Jeff Hamilton, Jesse Davis, Ronnie Mathews, Alvin Queen and many more.
Born in 1963, Cyrus Chestnut started his musical career at the age of six. He worked as a sideman with some of the leading players in the music including Wynton Marsalis, Freddie Hubbard, Branford Marsalis, Frank Morgan, Lauryn Hill, Chick Corea, Dizzy Gillespie, Jon Hendricks, Joe Williams, Betty Carter, Freddy Cole, Bette Midler, Jimmy Scott, Isaac Hayes and Kevin Mahogany. As a leader, Cyrus has released 24 albums.
Bill Easley has had a diversified career as a professional musician and started playing professionally with his parents at the age of thirteen. He has played with George Benson, Isaac Hayes, Ruth Brown, Jimmy McGriff, Louie Bellson, Wynton Marsalis, Illinois Jacquet, Ron Carter, Frank Foster, Mercer Ellington, Warren Vache and many more. Bill has released seven recording as a leader.
Ameen Saleem is an allround artist. A native of Washington DC, since the start of his career his great compositional and technical skills have been instantly recognized. Although mainly grounded in jazz, Saleem’s music cannot be strictly defined as pertaining to a particular genre but, rather, as a uniquely personal style that spans a vast musical geography.
Universally recognized as one of the great drummers in jazz history, Lewis Nash’ illustrious career now spans over four decades. Nash is one of jazz’s most recorded musicians, appearing on over 500 recordings including 10 Grammy winners and numerous Grammy nominees. Nash toured, recorded and performed with many of jazz’s most celebrated icons, and his resume reads like a “who’s who” of jazz royalty.
Seating is limited. It is highly recommended buying your ticket in advance.
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Daily Dose Of Jazz…
Eric Ross was born on May 14, 1948 in Carbondale, Pennsylvania and began studying piano at the age of seven under Jean Krantz-Thomas. Ten years later he started to write his own compositions and in the late 1960s and early 1970s he studied guitar and attended the electronic music composition course with Charles Dodge at Columbia University.
1972 saw him finishing college and beginning his career as a musician by playing and working in recording studios. Three years later Eric began playing the theremin and the following year he played his music exclusively, allowing him to develop it as a voice in his compositions. In 1982 he released his first album, Songs for Synthesized Soprano, and performed in concert at the Lincoln Center in New York.
He has performed throughout the United States and toured Europe, in addition to performing on radio, television and film. For over twenty years Eric’s ensemble featured John Abercrombie, Larry Coryell, Andrew Cyrille, Oliver Lake, Leroy Jenkins, Youseff Yancy, Lydia Kavina, and Robert Dick, among others.
Along with his wife Mary, the couple created memorable multimedia performances that intertwined music with images, video projections, and dance. As an educator he has lectured on the theremin, piano, guitar, and electronic music at colleges, universities and schools in the USA and Europe.
Pianist and guitarist Eric Ross, who also plays synthesizers and is a master of the theremin, continues to blend classical, jazz, serial and avant-garde in his performances.
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Daily Dose Of Jazz…
Jim Douglas was born Robert James Elliot Douglas on May 13, 1942 in Gifford, East Lothian, Scotland. He played drums in his youth before switching to guitar and in his teens he accompanied clarinettist Pete Kerr.
As part of a Dixieland band, he performed in Germany in 1960 and soon after Jim began playing with Alex Welsh. In 1971 he appeared on the album Freddy Randall and His Famous Jazz Band. Other than Kerr and Welsh, he worked with Alan Elsdon, Lennie Hastings, Ed Polcer, and Keith Smith.
Douglas wrote and self-published a semi-autobiographical book, Tunes, Tours and Travel-itis – Eighteen Years of Facts, Faces and Fun with the Alex Welsh Band. He followed this up three years later with Teenage to Travel-itis – Growing Up in a World of Jazz. The sequel chronicles his adventures in the Jazz world before and after his time with the Alex Welsh Band.
Guitarist, banjoist, and author Jim Douglas, who played with Red Allen, Earl Hines, and Ruby Braff from 1962 until 1981 while in the Welsh band, continues to perform.
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Requisites
My Favorite Things ~ John Coltrane
My Favorite Things was the seventh studio album by jazz musician John Coltrane, recorded on October 21, 24, 26, 1960. Released in 1961 on Atlantic Records, it was the first album to feature him playing soprano saxophone, a gift from Miles Davis while they were on tour in Europe. An edited version of the title track became a hit single that gained popularity in 1961 via radio airplay, thus helping the record become a major commercial success. In 1998, the album received the Grammy Hall of Fame award. Fifty-eight years after its release, in 2018 the album attained gold record status, having sold 500,000 copies.
The title track is a modal rendition of the Rodgers and Hammerstein song My Favorite Things from The Sound of Music. The melody is heard numerous times throughout, but instead of playing solos over the written chord changes, both Tyner and Coltrane take extended solos over vamps of the two tonic chords, E minor and E major played in waltz time. This use of modal jazz is evident throughout the album.
The album consists of four songs with Cole Porter’s Ev’rytime We Say Goodbye following the title track on Side 1, then two from the brothers Gershwin, George and Ira, with Summertime and But Not For Me on Side 2. The length of the album is a mere 40:25 but is well worth the listen and a valued addition to any music library that one desires to build.
In the documentary The World According to John Coltrane, narrator Ed Wheeler remarks on the impact that this song’s popularity had on Coltrane’s career: The recording was a hit and became Coltrane’s most requested tune, and a bridge to his broad public acceptance.
The band features John Coltrane playing soprano saxophone on Side 1 and tenor on Side 2, McCoy Tyner on piano, Steve Davis on the double bass, and rounding out the quartet is drummer Elvin Jones.
The production team was Nesuhi Ertegün ~ producer, Tom Dowd, Phil Iehle ~ engineers, Lee Friedlander ~ photography, Loring Eutemey ~ cover design and Bill Coss wrote the liner notes.
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