
MADISON MCFERRIN
The genre-bending singer/songwriter, known for her understated yet emotionally open mix of a cappella, electronic pop, jazz, and soul, led to Questlove dubbing her early sound “soul-appella.”
Throughout her fruitful independent career, spanning three EPs and multiple collaborations, Madison McFerrin has earned accolades from The New York Times, NPR, The FADER, and Pitchfork. In addition to a stirring performance on the renowned COLORS Studio platform, McFerrin has also shared stages with the likes of De La Soul, Gallant, and The Roots.
She next takes to the Jazz Cafe stage as part of the EFG London Jazz Festival for a highly anticipated live performance.
Standing: £15
Restaurant: Sold Out
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QUIANA PARLER & THE LAVON STEVENS TRIO
As lead vocalist, lyricist, and composer for internationally and critically acclaimed two-time Grammy Award-winning roots music group, Ranky Tanky, Quiana Parler spent weeks at #1 on several Billboard Jazz charts. Quiana has spent over 20 years as the most sought-after vocalist in the Lowcountry. Known locally for years prior, she rose to national prominence after her success on the 2003 season of American Idol. Quiana has worked and collaborated with diverse artists and producers such as Clay Aiken, Kelly Clarkson, Ruben Studdard, Bobby McFerrin, Miranda Lambert, David Foster, Walter Afanasieff and many more.
Her performances have been featured on national broadcasts like The View, NBC’s TODAY, Jimmy Kimmel Live!, The Tonight Show, The Tyra Banks Show, and Saturday Night Live, as well as the Academy of Country Music Awards and the American Music Awards. Lavon Stevens has traveled and performed all over the country including Aspen, Colorado, Atlanta, Georgia and Orlando, Florida. The resort vacation destination of Hilton Head Island, South Carolina has been his home since 1981. He is one of the premier entertainers on Hilton Head Island. He is producing a variety of shows and recording projects including other R&B, Jazz and Gospel artists.
Cover: $10.00 ~ $15.00
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AUDREY SHAKIR QUARTET
Audrey Shakir was born into a musical family in Cleveland, Ohio – her mother was a great pianist, organist and vocal coach, and her father, whose idol was Billy Eckstine, loved to sing. She began her professional career as a pianist in a group that played the tunes of Stevie Wonder, Chaka Khan and others. Eventually, Audrey started leaning towards Herbie Hancock and Chick Corea, all the while adding singing to her playing talents, with the vocal influences of Ella Fitzgerald, Sarah Vaughn, Joe Williams and Jon Hendricks.
After moving to New York, she was introduced to Barry Harris, which led to numerous gigs with him. While playing the New York scene, she became a regular performer at The Village Gate and had numerous dates at Town Hall, the Apollo Theater and Tavern on the Green among many others.
She has toured with Wynton Marsalis and the Jazz At Lincoln Center Orchestra, including sold-out performances in New York at the Rose Theatre in Jazz At Lincoln Center, and played to sold-out audiences at the Center’s famed sister nightspot, Dizzy’s Club Coca-Cola.
Audrey Shakir is a world-class vocalist, affectionately known as “Atlanta’s First Lady of Jazz”. She has performed with many noted jazz artists over the years in numerous clubs and concert halls throughout the United States and internationally during her successful professional career. An accomplished pianist in her own right, she has sung with small groups and with large orchestras in intimate and grand settings.
Most recently, she had a tremendously successful tour of Big Band Holidays, featuring Wynton Marsalis and the Jazz At Lincoln Center Orchestra, including four sold-out shows in New York at the Rose Theatre in Jazz At Lincoln Center, and followed that date up with two evenings of sold-out shows at New York’s famed jazz nitespot, Dizzy’s Club Coca-Cola.
She has entertained at several Jazz Festivals, notably Atlanta and Savannah, and has headlined at clubs and private events in New York and throughout the southeast. Audrey’s CD, If You Could See Me Now, from Hot Shoe Records, has met with great critical acclaim, and she’s heading into the studio soon to record her next CD for Hot Shoe entitled Come Swing With Me, a celebration of the great vocalists of the Big Band Era.
Her Trio: Eric Jones ~ Piano | Marc Chesanow ~ Double Bass | Robert Britton Saunders ~ Drums
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ANAT COHEN & MARCELLO GONÇALVES
The perennial winner of “Clarinetist of the Year” titles from DownBeat, JazzTimes, and the Jazz Journalists Association, Fresh Air’s Terry Gross credits Cohen with “bringing the clarinet to the world” and The New York Times hails her a “Master.”
Acclaimed clarinetist Anat Cohen and 7-string guitarist Marcello Gonçalves team together in a series of intimate, lyrical duets. Breathtaking melodies, Brazilian grooves, and elements of jazz highlight the intricate talents of both Cohen and Gonçalves. In their second duo album, Reconvexo, Brazilian 7-string guitar player Gonçalves and New York-based clarinetist Cohen turn their attention to music from the Música Popular Brasileira (MPB) songbook. Against the backdrop of a country and world turning inward, the duo set out to record an album inspired by the beauty of Brazil and the spirit of its people. The result is at once intimate and virtuosic, mournful and hopeful, soaked with the feeling expressed uniquely in the Portuguese language as saudade – bittersweet, at once deeply happy and sad, and full of emotion.
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Requisites
Peer Pressure ~ Brian Lynch Sextet | By Eddie Carter
This morning’s discussion is about a flugelhorn (track: B2) and trumpet (tracks: A1 to A3, B1, B3) player named Brian Lynch, who I first heard on Chippin’ In by Art Blakey and The Jazz Messengers. Peer Pressure (Criss Cross Jazz 1029) by The Brian Lynch Sextet is Lynch’s debut, and he was born in Urbana, Illinois. He grew up in Milwaukee and got a degree from the Wisconsin School of Music. Brian’s played with quite a few jazz greats and currently is a faculty member of New York University, the North Netherlands Conservatory, and the University of Miami. The other members of the ensemble are Jim Snidero (tracks: A1, A3, B2, B3) on alto sax, Ralph Moore (A1, A3, B1, B2) on tenor sax, Kirk Lightsey on piano, Jay Anderson on bass, and Victor Lewis on drums. My copy is the 1987 Netherlands Stereo release.
Side One starts with the trio’s carefree introduction to Thomasville by Tommy Turrentine. The horns take over to deliver the melody in unison. Jim is up first with a delightfully cheerful solo; then Brian takes a comfortable stroll. Ralph takes care of business next, and Victor concludes with an exchange with each horn ahead of the reprise and ending. Benny Golson’s Park Avenue Petite is a quartet highlight that opens with Lightsey’s introduction, segueing into Lynch’s elegantly touching theme and opening statement. Lightsey follows with a sensuously tender interpretation before Lynch infuses the finale with sentimental warmth, leading to a gentle, nostalgic ending.
The title tune, Peer Pressure by Brian Lynch, takes off at a fast clip from the sextet’s brisk introduction and theme. Brian opens with a lively statement, and then Jim takes a high-spirited romp. Ralph swings with authority next. Kirk follows with an excellent reading and shares the finale with Victor, preceding the ending theme and exit. The Outlaw by Horace Silver begins Side Two with the ensemble easing back the throttle in their introduction and melody. Lynch gets busy on the opening statement. Moore adds a bit of joy in the second interpretation, and Lightsey has a few things to say preceding the theme’s return.
Brian Lynch’s Change of Plan shows off the leader’s softer side and features him on flugelhorn for the sextet’s pretty melody. Brian opens with an eminently disciplined solo. Jim and Ralph share the next statement; then Jay gives a beautiful reading. Kirk has the last word with a tasteful comment into the reprise and soft conclusion. Lynch’s ‘Nother Never closes the album at a breakneck pace from the start of the ensemble’s melody. Snidero tears into the opening solo vigorously; then Lynch moves like a whirlwind in the following statement. Lightsey takes an exhilarating turn next, and Lewis engages in a rapid exchange with the front line before the close.
Gerry Teekens produced Peer Pressure, and Rudy Van Gelder was behind the dials of this digital recording. The sound quality is excellent, with a stunning soundstage throughout the highs, midrange and bass that isn’t thin or harsh. Brian Lynch recorded twenty-one albums as a leader and collaborated with Eddie Palmieri on eleven others. If you’re seeking an album with excellent musicians and enjoyable tunes, I invite you to audition Peer Pressure by The Brian Lynch Sextet on your next record shopping trip. It’s quickly become a favorite of mine and will feel right at home in your library with each listen!
~ Chippin’ In (Timeless SJP 340) – Source: Discogs.com ~ Brian Lynch – Source: Album liner notes by Mike Hennessey, Wikipedia.org © 2023 by Edward Thomas Carter
CD Bonus Track: I Concentrate On YouMore Posts: choice,classic,collectible,collector,history,instrumental,jazz,music,trumpet


