Daily Dose Of Jazz
Keith John Smith was born on March 19, 1940 in Isleworth, Middlesex, England. Originally intent on pursuing studies in engineering, he began playing trumpet at the age of 15. Soon after he began playing in local amateur ensembles, including Norrie Cox’s band and the New Teao Brass Band, the latter including Chris Barber and Ken Colyer.
His first professional gig came in 1960 as a member of Mickey Ashman’s Ragtime Jazz Band. In 1962, he started the Climax Jazz Band and began recording. In 1964, Smith visited New Orleans for the first time, where he played with George Lewis. Intending to move to the U.S. permanently, he worked briefly in New Orleans, Louisiana before spending time in California and New York. In 1966, he organized an all-star band to tour Canada and Europe, which included Pops Foster, Jimmy Archey, and Alvin Alcorn.
Moving to Denmark in 1972 he remained there until 1975, playing with Papa Bue in his Viking Jazz Band. Afterwards he returned to England, where he founded a new band, Hefty Jazz. This group lasted over a decade, toured internationally and over the years featured George Chisholm, Mick Pyne, Peanuts Hucko, Nat Pierce, Johnny Mince, and Barrett Deems. Concurrently, he was named leader of the Louis Armstrong All-Stars in 1981, and in 1984 served as producer for Stardust Road, a televised film made as a tribute to Hoagy Carmichael. Late in his life he lived in Germany, still active as a performer.
Trumpeter Keith Smith, principally active on the trad jazz and Dixieland revival scenes, transitioned on January 4, 2008 in London, England from a heart attack at the age of 67.
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LIZZIE THOMAS
New York-based vocalist Lizzie Thomas presents her career-defining fifth album, DUO Encounters. The inventive jazz singer – gifted with an inviting voice and a swinging style – teams up with a dozen of her favorite artists to perform a set of intimate and adventurous duets. Over the course of twelve tracks, Thomas digs deep into the lyrics, and uplifts each song with her individualistic approach. Turning away from the conventional, these interpretations of carefully curated tunes are fun and adventurous. The result is a memorable set of superbly sung, and often surprising music and it’s Lizzie Thomas’ most rewarding recording to date.
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Daily Dose Of Jazz…
Alfred Wesley Hall was born on March 18, 1915 and grew up in Philadelphia, Pennsylvania. He played cello and tuba early in life before settling on bass at the age of 17. Moving to New York in 1936, Al played at different times through and into the Forties with Billy Hicks, Skeets Tolbert, and Teddy Wilson in both big band and small ensemble format.
Following time with Ellis Larkins and Mary Lou Williams, Hall took a job as a staff musician at CBS, working in Paul Baron’s orchestra on the Mildred Bailey Show. He also worked in Broadway theater pit orchestras for the next several decades. In 1946, he founded his own label, Wax Records, which was bought by Atlantic Records in 1949. He led five numbers on his own label in the mid Forties and four on Columbia Records Europe in 1959.
Hall had an extended partnership with Erroll Garner, playing with him intermittently from 1945 to 1963. He also played later in life with Benny Goodman in 1966, Hazel Scott, Tiny Grimes, and Alberta Hunter from 1977 to 1978, and Doc Cheatham. He recorded with Helen Merrill, Paul Quinichette, Duke Ellington, Harold Ashby, Eddie Condon, Della Reese, Teddy Wilson and numerous others.
Double bassist Al Hall, who recorded thirty albums as a sideman but none as a leader, transitioned on January 18, 1988.
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AARON LESSARD GROUP
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SUPERBLUE: KURT ELLING & CHARLIE HUNTER WITH SPECIAL GUEST SCOTT MULVAHILL
Renowned for his singular combination of robust swing and poetic insight, two-time GRAMMY winner Kurt Elling has secured his place among the world’s foremost jazz vocalists. The New York Times proclaimed Elling, “the standout male vocalist of our time”. Over a twenty-five year career of touring and recording, Elling has won three Prix du Jazz Vocal (France), two German Echo Awards, two Dutch Edison Awards, and has been nominated for a GRAMMY award fifteen times. He has had a 14-year run atop the DownBeat Critics and Readers polls, and has won twelve Jazz Journalists Awards for “Male Vocalist of the Year”.
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