Daily Dose Of Jazz…
Tex Beneke was born Gordon Lee Beneke on February 12, 1914 in Fort Worth, Texas. He started playing saxophone when he was nine, going from soprano to alto and settling on the tenor saxophone. His first professional work was with bandleader Ben Young in 1935, but it was after a Gene Krupa recommendation when he joined the Glenn Miller Orchestra three years later that his career hit its stride.
Miller immediately made Beneke his primary tenor saxophone soloist and he played all but a few of the tenor solos on all of the records and personal appearances made by the Miller band until it disbanded in 1942. He appeared with Miller and his band in the films Sun Valley Serenade in 1941 and Orchestra Wives in 1942, and both film solos helped propel the singer/saxophonist to the top of the Metronome polls. He went on to perform with the 1941 Metronome All-Star Band led by Benny Goodman. In 1942, Glenn Miller’s orchestra won the first Gold Record ever awarded for Chattanooga Choo Choo.
With the orchestra disbanded due to Miller’s enlistment, Tex briefly joined Horace Heidt before joining the Navy himself, leading a Navy band in Oklahoma. He led two bands in the navy and kept in touch with Miller while they were both serving in the military. By 1945, he felt ready to lead his own orchestra. When Glenn went missing in 1944 he took over the band, shaping it as a ghost band per the desires of the Miller estate, however by 1950, he and the estate parted ways.
Post Miller, Beneke led his own groups but as swing faded from the mainstream so did opportunities. There was a small revival in the late Seventies but he was limited to small labels and competition from Miller alumni and other imitators. He would make the television circuit making appearances on The Tonight Show and Merv Griffin. 1990 saw him have a stroke which sidelined his saxophone playing but he continued to conduct and sing.
On May 30, 2000 saxophonist, vocalist and bandleader Tex Beneke, who received a star on the Hollywood Walk of Fame, transitioned from respiratory failure at a nursing home in Costa Mesa, California, aged 86. His saxophone is currently used by the Arizona Opry.
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PAUL BOLLENBACK | HARLEM JAZZ SESSION
Paul Bollenback – guitar, Pat Bianchi – organ, Anthony Pinciotti – drums
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PETER BRAININ & FRIENDS | HARLEM JAZZ SESSION
The Harlem Jazz Session is a weekly concert & jam session hosted by 3x Grammy and Latin Grammy winning saxophonist/composer, Peter Brainin, featuring the hottest and most innovative musicians from around the world and around the corner!
Weekly roster includes all star musicians: Paul Bollenback, Cecilia Coleman, Gary Versace, Mike Karn, Anthony Pinciotti and MORE!
Peter Brainin is a 3x Grammy and Latin Grammy winning saxophonist, composer and educator who has toured internationally with Mongo Santamaría, Valery Ponomorev, Hilton Ruiz, Bebo Valdez, Chico O’Farrill, Bobby Sanabria, Arturo O’Farrill & the Afro Latin Jazz Orchestra (with whom he’s featured on 2 Grammy winning CD’s), Joris Teepe, Willie Colon & Legal Alien, Samuel Torres, the Mambo Legends Orchestra and John DiMartino as well as with his own quartet and as a guest artist and clinician. In the U.S. he has performed and/or recorded with Wynton Marsalis, Benny Golson, Randy Weston, Harold Mabern, Idris Muhammad, Jerry Gonzalez, Paquito D’Rivera, Israel “Cachao” López, Sheila E., Eddie Palmieri and many other Jazz and Latin Jazz legends. Peter has appeared on over 200 albums including his own as co-leader with Steve Johns (which also feature contributions by Conrad Herwig, George Cables and Ben Monder) and with the quartet Native Soul. A native of the Bronx, he twice received the BRIO (Bronx Recognizes its Own) award for music composition from Bronx Council on the Arts.
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JOHNATHAN BLAKE
Johnathan Blake, one of the most accomplished drummers of his generation, has also proven himself a complete and endlessly versatile musician. Blake’s gift for composition and band leading reflects years of live and studio experience across the aesthetic spectrum. Heralded by NPR Music as “the ultimate modernist,” he has collaborated with Pharoah Sanders, Ravi Coltrane, Tom Harrell, Hans Glawischnig, Avishai Cohen, Donny McCaslin, Linda May Han Oh, Jaleel Shaw, Chris Potter, Maria Schneider, Alex Sipiagin, Kris Davis and countless other distinctive voices. DownBeat once wrote, “It’s a testament to Blake’s abilities that he makes his presence felt in any context.” A frequent presence on Blue Note records over the past several years, Blake has contributed his strong, limber pulse and airy precision to multiple leader releases from Blue Note artists including Dr. Lonnie Smith’s Breathe (2021), All in My Mind (2018) and Evolution (2016) and Kenny Barron’s Concentric Circles (2018), the latter whose trio Blake has been a vital member for nearly 15 years.
Born in Philadelphia in 1976, Blake is the son of renowned jazz violinist John Blake, Jr. — himself a stylistic chameleon and an important ongoing influence. After beginning on drums at age 10, Johnathan gained his first performing experience with the Lovett Hines Youth Ensemble, led by the renowned Philly jazz educator. It was during this period, at Hines’s urging, that Blake began to compose his own music. Later he worked with saxophonist Robert Landham in a youth jazz ensemble at Settlement Music School. Blake graduated from George Washington High School and went on to attend the highly respected jazz program at William Paterson University, where he studied with Rufus Reid, John Riley, Steve Wilson and Horace Arnold. At this time Blake also began working professionally with the Oliver Lake Big Band, Roy Hargrove and David Sanchez. In 2006 he was recognized with an ASCAP Young Jazz Composers Award, and in 2007 he earned his Masters from Rutgers University, focusing on composition. He studied with the likes of Ralph Bowen, Conrad Herwig and Stanley Cowell. Deeply aware of Philadelphia’s role as a historical nerve center of American music, Blake has immersed himself in the city’s storied legacy — not just jazz but also soul, R&B and hip-hop. In many ways he’s an heir to Philadelphia drum masters such as Philly Joe Jones, Bobby Durham, Mickey Roker and Edgar Bateman, not to mention younger mentors including Byron Landham, Leon Jordan and Ralph Peterson, Jr..
Fridays at 7pm & 8:30pm – Running time for each set is 90 minutes
Reserved Seating – $20
All Access Ticket – $35
Premium Reserved Velvet Couch/Chair – $38
Blue Velvet Loveseat for 2 – $50
Dinner & A Show – $55 – updated prix fixe menu here
$15 food and beverage minimum – Full menu can be found here!
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Daily Dose Of Jazz…
Robert Hanley Casey was born in Johnson County, Illinois on February 11, 1909 and learned to play banjo and guitar as a child, playing both in regional ensembles in the Midwest. He didn’t pick up the bass until he was twenty and continued as a guitarist for some time after.
The mid-1930s saw him playing in NBC radio ensembles and working with Wingy Manone. In 1939 Bob joined Muggsy Spanier’s Ragtimers band but the group soon split, after which he played with Charlie Spivak, Brad Gowans, Eddie Condon, Miff Mole, and Joe Marsala. He played extensively on radio with several of these ensembles.
Casey was also a prolific session bassist, recording with Wild Bill Davison, Bobby Hackett, Cliff Jackson, Max Kaminsky, Eddie Edwards, Bud Freeman, Pee Wee Russell, Georg Brunis, George Wettling, Ralph Sutton, Joe Sullivan, and Boyce Brown in the 1940s and 1950s.
Relocating to Florida in 1957, he played with the Dukes of Dixieland. By the 1970s he was playing only occasionally. Double bassist Bob Casey transitioned on April 9, 1986, in Marion, Illinois.
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