BRANFORD MARSALIS
After four decades in the international spotlight, the achievements of saxophonist Branford Marsalis continue to grow. He is an instrumentalist, composer and bandleader to be reckoned with, crossing stylistic boundaries while maintaining an unwavering creative integrity. With three Grammys and a citation by the National Endowment for the Arts as a Jazz Master, he is an avatar of contemporary artistic excellence.
More Posts: adventure,album,club,festival,genius,jazz,museum,music,preserving,restaurant,saxophone,travel
Daily Dose Of Jazz…
Alfred “Tubby” Hall was born October 12, 1895 in Sellers, Louisiana and his family moved to New Orleans, Louisiana in his childhood. His younger brother Minor “Ram” Hall also became a professional drummer. He played in many marching bands in New Orleans, including with Buddie Petit. His drumming style was forceful and sober, generally maintaining constant tempo on the snare.
By 1917 Hall had moved to Chicago, Illinois where he played with Sugar Johnny Smith. After two years in the United States Army, he returned to playing in Chicago mostly with New Orleans bands, joining Carroll Dickerson’s Orchestra and recording in 1927. He later played with the groups of King Oliver, Jimmie Noone, Tiny Parham, and Johnny Dodds.
He is seen in Armstrong’s Paramount movies of the early 1930s, including the live action and Betty Boop cartoon I’ll Be Glad When You’re Dead, You Rascal You and A Rhapsody in Black and Blue in 1932. Only Armstrong and Hall got closeups in the two films, and both get their faces transposed with those of racially stereotyped jungle natives in the cartoon. Hall morphs from a jazz drummer to a cannibal stirring a cooking pot with two wooden sticks.
Drummer Tubby Hall, considered one of the three greatest jazz drummers of his generation by jazz critic Hugues Panassié, along with Zutty Singleton and Baby Dodds, transitioned in Chicago, Illinois on May 13, 1945.
More Posts: drums,history,instrumental,jazz,music
Three Wishes
While having a conversation with Denis Charles the Baroness brought up the subject of three wishes and asked him if they could be granted what would he wish for and he said:
- “To be able to be playing my instrument regularly, so as to truly express myself.”
- “To be in a better position financially, so as to satisfy some of my personal wants, which I’m sure would make me much more calm inside.”
- “Lastly, to stay healthy and enjoy living.”
More Posts: baroness,drums,history,instrumental,jazz,music,pannonica,three,wishes
SARAH VAUGHAN INTERNATIONAL JAZZ VOCAL COMPETITION
The divine Sarah Vaughan—Newark’s greatest musical gift to the world—got her start as the winner of a talent contest. NJPAC honors her legacy every year with The Sarah Vaughan International Jazz Vocal Competition. Now entering its second decade, “The SASSY Awards” is the only international jazz vocal competition of its kind, open to all genders. At this public performance, you’ll witness the next generation of powerhouse jazz vocalists ready to take their rightful place in the global spotlight. This is the 11th year.
The 5 Finalists: Ekep Nkwelle | Kristin Lash | Allan Harris | Lucía Gutiérrez Rebolloso | Lucy Yeghiazaryan
The 5 Judges: Regina Carter | Christian McBride | T.S. Monk | Pat Prescott | Maria Schneider
More Posts: adventure,album,club,competition,festival,genius,jazz,museum,music,preserving,restaurant,travel
Daily Dose Of Jazz…
Luděk Hulan was born on October 11, 1929 in Prague, Czechoslovakia and started his career as a founder-member of the amateur Hootie Club ensemble in 1948. In the early Fifties he performed in various professional jazz ensembles and helped organize jam sessions in Prague. From 1953 to 1957 he moved to Brno and played double bass with the Gustav Brom Orchestra.
Upon his return to Prague he co-founded Studio 5, which later became a part of The Dance Orchestra of Czechoslovak Radio. Studio 5, one of the country’s most important modern jazz ensembles, disbanded in 1961. Then Hulan founded his next band, The Jazz Studio, which often performed his own short compositions. The late 1960s he still collaborated with the Jazz Orchestra of Czechoslovak Radio and actively participated in Czech musical life.
He was one of the pioneers of the Jazz and Poetry movement which focused on cross-connections between various spheres of the Arts. In his Jazz Studio, Luděk collaborated with many important jazz instrumentalists, among them tenor saxophonist Milan Ulrich and trumpeter Richard Kubernát.
Following the Soviet invasion of Czechoslovakia in 1968 he emigrated to Switzerland, but couldn’t find any work connected with music and soon returned while his wife and daughter remained abroad. Listed as politically undesirable he had to organize night-time jam sessions in the poetic wine bar Viola, founded a new band, Jazz Sanatorium with former colleagues from Jazz Studio, and helped its younger members in their careers.
He also found work – occasional at first – with the Linha Singers ensemble. In 1972 the Traditional Jazz Studio invited him to record with the New Orleans clarinetist Albert Nicholas. He also performed with the American clarinetist Tony Scott, and prepared a TV series, The Jazz Herbarium. He then organized the Jazz Quiz as part of his Jazz Sanatorium, using American films, recordings and literature.
Double bassist Luděk Hulan, an important exponent of Czech jazz in the second half of the 20th century, transitioned in Prague on February 22, 1979 under unhappy circumstances, breaking a rib in a stairway fall which pierced a lung. Unaware of the nature or extent of his injury, he went to bed as usual, not to awaken.
More Posts: bandleader,bass,history,instrumental,jazz,music