ROY HARGROVE BIRTHDAY TRIBUTE

CELEBRATING THE CO-FOUNDER OF THE JAZZ GALLERY

Jaleel Shaw ~ saxophones
Giveton Gelin – trumpet
Orrin Evans -piano
Mimi Jones -bass
Johnathan Blake –drums

With Special Guests
Renee Neufville -vocals
Tadataka Unno -piano
Justin Robinson –saxophone

Guest MC: Lezlie Harrison

Sets at 7.30pm + 9.30pm ET
$30/$10 members; cabaret seating: $40/$20 members; LIVESTREAM: $20/$5 members

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Daily Dose Of Jazz…

Jack Patrick Fallon was born on October 13, 1915 in London, Ontario, Canada and played violin and studied with London Symphony Orchestra founder Bruce Sharpe. In 1935 when he was 20 years old he made double bass his primary instrument.

During World War II he played in a dance band in the Royal Canadian Air Force, and settled in Britain after his discharge. Fallon joined Ted Heath’s band in 1946, and played bebop in London, England clubs in his spare time. In 1947 he played with Ronnie Scott and Tommy Whittle at the Melody Maker/Columbia Jazz Rally. Following this through the late Forties he worked with Jack Jackson, George Shearing, Duke Ellington, and Django Reinhardt.

He went on to play in a Count Basie ensemble which also included Malcolm Mitchell and Tony Crombie. Jack played with both of them after leaving Basie, working together with Hoagy Carmichael and Maxine Sullivan and touring in Sweden together with Reinhardt and Stéphane Grappelli.

Fallon worked in the 1950s as an accompanist to Mary Lou Williams, Sarah Vaughan, and Lena Horne. He served as a sideman in the ensembles of Humphrey Lyttelton, Kenny Baker, and Ralph Sharon and was the house bassist at Lansdowne Studios.

Outside of jazz he worked with blues musicians such as Big Bill Broonzy, Josh White and played with Johnny Duncan’s Blue Grass Boys. As the bass guitar became more popular, Jack became a champion of its use, and played both instruments in the latter part of his career.

Fallon was also involved in the industry as a booker/promoter, having established the booking agency Cana Variety in 1952. He booked primarily jazz artists in its early stages but expanded to rock acts in the 1960s, including The Beatles and The Rolling Stones. Because of this connection, Fallon was asked by the Beatles to play violin fiddle style on the song Don’t Pass Me By in 1968.

He continued to play jazz locally in London and in the studios into the 1990s but retired from performing in 1998 due to ill health. In 2002, he was awarded the Freedom of the City of London and published a memoir titled From the Top in 2005.

Double bassist Jack Fallon transitioned on May 22, 2006 at age 90. He was posthumously inducted into the London Music Hall of Fame in his hometown.

BRONZE LENS

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KENDRICK SCOTT | UNEARTHED

Kendrick Scott, composer/drums
Deborah D.E.E.P. Mouton, poet, Poet Laureate Emeritus of Houston
Robert Hodge, visual artist
Harlem String Quartet ((Ilmar Gavilán, violin; Melissa White, violin; Jaime Amador, viola; Felix Umansky, cello)
Gerald Clayton, piano; Walter Smith III, saxophone; Joe Sanders, bass

A new DACAMERA production memorializing the Sugar Land 95, bringing together original music, poetry and visuals

Unearthed pays tribute to the tragic history behind the recent discovery of the remains of 95 Black people (94 men, 1 woman) in unmarked graves in Sugar Land, Texas. They were convict laborers, swept back into “slavery by another name” in the post-Civil War era, arrested for petty crimes like vagrancy and forced into back-breaking and often fatal labor in the sugar fields of Texas.

Now, Houston native jazz artist Kendrick Scott explores this untold story in a new production, teaming up with outstanding Houston-based creative team including the former Houston poet laureate Deborah D.E.E.P. Mouton and performed by the acclaimed Harlem String Quartet and a trio of first-call jazz musicians.

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CHRISTIAN MCBRIDE’S NEW JAWN

Eight-time Grammy Award-winning jazz bassist Christian McBride is a force of nature, fusing the fire and fury of a virtuoso with the depth and grounding of a seasoned journeyman. Powered by a relentless energy and a boundless love of swing, McBride’s path has described a continuous positive arc since his arrival on the scene. With a career now blazing into its third decade, the Philadelphia native has become one of the most requested, most recorded, and most respected figures in the music world today. Drawing from the lexicon of his hometown, Philadelphia, McBride calls his pianoless quartet The New Jawn.

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CÉCILE MCLORIN SALVANT

In just under a decade, Cécile McLorin Salvant has emerged as one of the most prescient and fearless voices in music today, evolving from a competition winner and favorite of jazz critics, to a three-time Grammy Award winner and MacArthur fellow. Her recording The Window topped best of the year lists everywhere from Jazzwise magazine and Rolling Stone to the NPR Music Jazz Critics Poll and The New York Times and her latest recording Ghost Song is sure to follow a similar path. Be there for her triumphant return to the DACAMERA stage, where she debuted early in her career in 2014.

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