Daily Dose Of Jazz…
Clarence Holiday was born Clarence Halliday on July 23, 1898 in Baltimore, Maryland and attended a boys’ school with the banjo player Elmer Snowden. Both of them played banjo with various local jazz bands, including the Eubie Blake band. At the age of 16, he became the unmarried father of Billie Holiday, who was born to 19-year-old Sarah Fagan, but rarely visited them. He moved to Philadelphia, Pennsylvania when he was 21 years old.
Holiday played rhythm guitar and banjo as a member of the Fletcher Henderson Orchestra from 1928 to 1933. He went on to record the following year with Benny Carter, then Bob Howard in 1935 and worked with Charlie Turner, Louis Metcalf, and the Don Redman Big Band between 193 and 1937.
Exposed to mustard gas while serving in World War I, he later fell ill with a lung disorder while on tour in Texas. Refused treatment at a local hospital when he finally managed to see a doctor, Clarence was only allowed in the Jim Crow ward of the Veterans Hospital. By then pneumonia had set in and without antibiotics, the illness was fatal.
Guitarist and banjoist Clarence Holiday died in Dallas, Texas on March 1, 1937.
On The Bookshelf
Duke Ellington: Music Is My Mistress
My favorite tune? The next one. The one I’m writing tonight or tomorrow, the new baby is always the favorite. The author of these words has created some of the best loved music in the world: Mood Indigo, Sophisticated Lady, Caravan, Take The A Train, Solitude.
Music is my mistress, and she plays second fiddle to no one.” This is the story of Duke Ellington, the story of Jazz itself. Told in his own way, in his own words, a symphony written by the King of Jazz and published by Doubleday & Company, Inc. His story spans and defines a half-century of modern music. This man who created over 1500 compositions was as much at home in Harlem’s Cotton Club in the 1920s as he was at a White House birthday celebration in his honor in the 1960s.
For Duke knew everyone and savored them all. Passionate about his music and the people who made music, he counted as his friends hundreds of the musicians who changed the face of music throughout the world: Bechet, Basie, Armstrong, Lena Horne, Ella Fitzgerald, Sinatra, to name a few of them.
In this 522 page volume are 100 photographs to give us an intimate view of Duke’s world, his family, his friends, his associates. What emerges most strongly in his commitment to music, the mistress for whom he saves the fullest intensity of his passion.
”Lovers have come and gone, but only my mistress stays,” he says. He composed not only songs that all the world has sung, but also suites, sacred works, music for stage and screen and symphonies. This rich book, the embodiment of the life and works of the Duke, is replete with appendices listing singers, arrangers, lyricists and the symphony orchestras with whom the Duke played. There is a book to own and cherish by all who love jazz and the contributions made to it by the Duke.
Daily Dose Of Jazz…
Wendell “Cassino” Simpson was born on July 22, 1909. He may have studied piano under Zinky Cohn. His first recording was in 1923 with Bernie Young, then recorded with the Moulin Rouge Orchestra in 1925. Following this he joined Arthur Sims’s orchestra, recording with them in 1926. With Sims dying soon after Bernie Young took over as bandleader and Simpson remained in the ensemble until 1930.
He simultaneously recorded with Jabbo Smith’s Rhythm Aces on his 1929 Brunswick Records releases. From 1931 to 1933 he played with Erskine Tate, though he never recorded with him. Cass recorded as a leader under various names, with Jabbo Smith and Milt Hinton as sidemen. In 1933 he cut a few sides with Half Pint Jaxon, a female impersonator.
Soon after his recordings with Jaxon, Simpson apparently became mentally disturbed, and was institutionalized in 1935 in Elgin, Illinois. While there, he continued to play piano and vibraphone in a hospital dance band, and played bass drum in the hospital’s marching band.
He recorded solo piano numbers on the grounds of the hospital in the middle of the 1940s. Pianist Cass Simpson, who was best known for his associations on the Chicago, Illinois jazz scene and was never released from the hospital, died on March 27, 1952.
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Daily Dose Of Jazz…
Peter Perfido‘was born on July 21, 1956 in Hartford, Connecticut. He started his drumming musical journey in the early Sixties being influenced by the British Wave of the Beatles, the Kinks, the Animals, and the Who. By the mid 70’s Peter had begun to discover jazz and improvised music. While predominantly self-taught, he studied privately with Kit McDermott, Bob Moses and Jerry Granelli. His career has involved playing jazz, improvised music, rock and blues with scores of lauded musicians from diverse styles and backgrounds.
Peter has performed and/or recorded with Chet Baker, Gary Peacock, Lee Konitz, Jimmy Woode, Bill Barron, Art Lande, Julian Priester, David Friedman, Tomasz Stanko, Sal Nistico, Kent Carter, Rasul Siddik, Bob Degen, Heinz Sauer, Bob Mover, Ed Schuller, Anthony Braxton, Joe Lee Wilson, Lou Bennett, Bobby Few, Barney Wilen, Bobby Few, Liz McComb, Michelle Hendricks, Ferenc Snetberger, Rinde Eckert, Lonnie Plaxico , Stephen Haynes, Michel Pilz, Lonnie Plaxico, and the list goes on.
He has toured across the USA, Western Canada, Europe, Asia, the USSR and the Pacific islands. Currently living in Hohrod, Alsace, France, drummer Peter Perfido performs mostly in Europe these days with groups spanning a wide spectrum of influences from mainstream modern jazz to open ended explorations with free improvisation, as well as shuffling and rocking the blues.
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BUSTER WILLIAMS
A beloved fixture of the New York jazz scene, bassist and composer Buster Williams brings his rich tone, infectious swing, and joyful spirit to the stage. He’s played alongside greats like Herbie Hancock, Art Blakey, and Betty Carter, and now leads his dynamic group Something More. Get ready for a night of deep grooves, soulful melodies, and the kind of musical chemistry that makes live jazz unforgettable.
Performers: Buster Williams, bass | Steve Wilson, saxophone | Brandon McCune, piano (7/31 and 8/1) | Steve Nelson, vibes (8/2) | Lenny White, drums
Cover: $25.00 ~ $65.00
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