The Quarantined Jazz Voyager

This week the ever vigilant Jazz Voyager is watching this new version of the virus creeping back to once again exploit humanity’s complacency relative to the collective health. People are still dying, maybe not at the rate over the past two years but dying. So in the spirit of staying healthy, I am selecting a classic funk~fusion album from the shelves and placing it on the turntable to take a renewed listen. This week it is the album Man-Child by Herbie Hankcock.

It is the fifteenth studio album by the jazz pianist. Recorded between 1974 and 1975, it was released on August 22, 1975 by Columbia Records, it was the final studio album to feature The Headhunters. The album was produced by David Rubinson and Hancock, and was recorded at Wally Heider Studios and Funky Features in San Francisco, California as well as Village Recorders and Crystal Studios in Los Angeles, California.

Departing from the music of his early career, Herbie gives us one of his most funk-influenced albums. Utilizing more funk based rhythms around the hi-hat, and snare drum, the tracks are characterized by short, repeated riffs by both the rhythm section, horns accompaniment, and bass lines. With less improvisation, more repetition of riffs along with brief solos, he re-introduces the electric guitar to this new sound.

The core group of The Headhunters was Paul Jackson, Bill Summers, Harvey Mason, Bennie Maupin, and Mike Clark (who replaced Harvey Mason post-1974). Hancock had toured and recorded with them for the previous three years. This was their final album as a group.

1. Hang Up your Hang Ups (Hancock, Melvin Ragin, Paul Jackson) ~ 7:29
2. Sun Touch ~ 5:12
3. The Traitor (Hancock, Ragin, Louis Johnson, Wayne Shorter) ~ 9:38
4. Bubbles (Hancock, Ragin) ~ 9:03
5. Steppin’ In It ~ 8:42
6. Heartbeat (Hancock, Ragin, Jackson) ~ 5.16

• Herbie Hancock ~ piano, keyboards
• Bud Brisbois ~ trumpet
• Jay DaVersa ~ trumpet
• Garnett Brown ~ trombone
• Dick Hyde ~ trombone, tuba
• Wayne Shorter ~ alto and soprano saxophones
• Bennie Maupin ~ soprano and tenor saxophones, bass clarinet, alto and bass flutes, saxello, percussion
• Jim Horn ~ flute, saxophone
• Ernie Watts ~ flute, saxophone
• Dewayne McKnight, David T. Walker ~ guitar
• Wah Wah Watson ~ synthesizer, voice bag, guitar
• Henry E. Davis ~ bass guitar
• Paul Jackson ~ bass guitar
• Louis Johnson ~ bass guitar
• Mike Clark ~ drums
• James Gadson ~ drums
• Harvey Mason ~ drums
• Stevie Wonder ~ harmonica
• Bill Summers ~ percussion

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The Quarantined Jazz Voyager

Once again the Jazz Voyager selects another rare gem from the stacks in his library and dusting it off places it on the turntable for another listen. This week it is an album by James Moody titled Great Day. The album was recorded on two simultaneous sessions, June 17 -18, 1963 at the Nola Penthouse Studio in New York City, produced by Esmond Edwards and released the same year on the Argo Records label.

The saxophone and flute work from Moody is always reliable and excellent for the avid listener. He has a penchant for switching from soul jazz to hard bop to mainstream, as he plays straight-ahead originals, standards, and ballads.

Benny Golson wrote the liner notes, Don Bronstein designed the cover and Esmond Edwards painted the cover art. The Great Day sessions historical significance is it is the first documented encounter for Thad Jones and Mel Lewis, who would go on to lead the Thad Jones~Mel Lewis Orchestra.

1. Great Day ~ 4:00
2. The Search ~ 4:35
3. Let’s Try ~ 3:22
4. One Never Knows (John Lewis) ~ 5:18
5. Opales’que (Dennis Sandole) ~ 5:01
6. Blues Impromptu (James Moody) ~ 5:30
7. Malice Toward None ~ 5:20

• James Moody ~ alto saxophone, tenor saxophone, flute
• Johnny Coles, Thad Jones ~ trumpet
• Hubert Laws ~ flute
• Hank Jones, Bernie Leighton ~ piano
• Jim Hall ~ guitar
• Richard Davis ~ bass
• Mel Lewis ~ drums
• Tom McIntosh ~ arranger, conductor, composer

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The Quarantined Jazz Voyager

The Jazz Voyager has selected from the shelves in his library and dusted off an album by Art Farmer recorded in 1962 titled Early Art. The album features two sessions recorded in 1954 which was originally released on LP on the New Jazz label in 1962.

The album was produced by Bob Weinstock and recorded at Van Gelder Studio in Hackensack, New Jersey on January 20 (tracks 1-3, 5) and November 9 (tracks 4, 6-10). The cover design and photography was by Don Schlitten and the liner notes were written by Joe Goldberg.

The programming differs from what is listed, with Soft Shoe (which should have been the opener) is actually appearing fifth and the songs listed as appearing second through fifth have moved up to first through fourth. The Jazz Voyager is pleased to present this work by Farmer and is still practicing social distancing and wearing his mask.

1. Confab in Tempo ~ 3:54
2. I’ll Take Romance (Oscar Hammerstein II, Ben Oakland) ~ 4:57
3. Wisteria ~ 4:32
4. Autumn Nocturne (Kim Gannon, Josef Myrow) ~ 4:05
5. Soft Shoe ~ 4:59
6. I’ve Never Been in Love Before (Frank Loesser) ~ 3:49
7. I’ll Walk Alone (Jule Styne, Sammy Cahn) ~ 3:55
8. Gone With the Wind (Herbert Magidson, Allie Wrubel) ~ 4:07
9. Alone Together (Arthur Schwartz, Howard Dietz) ~ 3:59
10. Pre Amp ~ 3:35

• Art Farmer ~ trumpet
• Sonny Rollins ~ tenor saxophone (tracks 1-3,5)
• Horace Silver (tracks 1-3, 5), Wynton Kelly (tracks 4, 6-10) ~ piano
• Percy Heath (tracks 1-3, 5), Addison Farmer (tracks 4, 6-10) ~ bass
• Kenny Clarke (tracks 1-3, 5), Herbie Lovelle (tracks 4, 6-10) ~ drums

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The Quarantined Jazz Voyager

The Jazz Voyager has been combing the stacks of music in his library for the right album and has selected For Swingers Only by vocalist Lorez Alexandria that was released by the Argo label in 1963.

A stylized, disciplined, soulful, and satisfying session, the recording of this album took place over two days on January 2 & 3, 1963 at Ter Mar Recording Studios in Chicago, Illinois. The session was produced by Esmond Edwards.

1. Baltimore Oriole (Hoagy Carmichael, Paul Francis Webster) ~ 3:11
2. Little Girl Blue (Richard Rodgers, Lorenz Hart) ~ 3:34
3. All or Nothing at All (Arthur Altman, Jack Lawrence) ~ 4:55
4. Traveling Down a Lonely Road (Nino Rota, Michele Galdieri, Don Raye) ~ 3:45
5. Mother Earth (Peter Chatman) ~ 3:03
6. Love Look Away (Richard Rodgers, Oscar Hammerstein II) ~ 3:49
7. The End of a Love Affair (Edward C. Redding) ~ 2:49
8. That Old Devil Called Love (Alan Roberts, Doris Fisher) ~ 3:54

• Lorez Alexandria – vocals
• Ronald Wilson – tenor saxophone, flute
• John Young – piano, arranger
• George Eskridge – guitar
• Jimmy Garrison – bass
• Phil Thomas – drums

• Cover Design ~ Don Bronstein
• Cover Photography ~ Roger Marshutz
• Engineer ~ Eddie Rio
• Liner Notes ~ Leonard Feather

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The Quarantined Jazz Voyager

If you don’t know what to do by now to keep yourself and your family safe and healthy, there’s nothing else I can say to change your perspective. So, with that said, this week the Jazz Voyager is pulling from the stacks a 1965 hard bop studio album titled Spunky released by Monty Alexander. The session was produced by Richard Bock and recorded at World Pacific Studios in Los Angeles, California and Plaza Sound Studios in New York the year of its release. It was offered on Pacific Jazz LP record ST-20094 in stereo and PJ-10094 in mono.

• Monty Alexander: piano (all tracks)
• Victor Gaskin: bass (all but 4, 6)
• Bob Cranshaw: bass (tracks 4, 6)
• Paul Humphrey: drums (all but 4, 6)
• Bruno Carr: drums (tracks 4, 6)
• Gene Bertoncini: guitar (tracks 4, 6)
• Scott Turner: guitar (track 9)

• Cover design by Woody Woodward
• Cover Photography by Les McCann
• Back Cover Photography by Eddie Rio
• Liner Notes written by Paul Compton

1. Spunky (Monty Alexander) ~ 2:39
2. Naturally (Nat Adderley) ~ 3:35
3. Jamaica Shake (Monty Alexander) ~ 2:25
4. Heart Strings (Milt Jackson) ~ 3:33
5. Taggie’s Tune (Junior Mance) ~ 4:14
6. Rattlesnake (Monty Alexander) ~ 2:30
7. Whisper Not ( Benny Golson) ~ 3:58
8. I’m An Old Cowhand (Johnny Mercer) ~ 2:32
9. Little Children Of Peru (Scott Turner) ~ 2:50
10. Spirit Of Foo (Monty Alexander) ~ 4:45

• Monty Alexander: piano (all tracks)
• Victor Gaskin: bass (all but 4, 6)
• Bob Cranshaw: bass (tracks 4, 6)
• Paul Humphrey: drums (all but 4, 6)
• Bruno Carr: drums (tracks 4, 6)
• Gene Bertoncini: guitar (tracks 4, 6)
• Scott Turner: guitar (track 9)

• Cover design by Woody Woodward
• Cover Photography by Les McCann
• Back Cover Photography by Eddie Rio
• Liner Notes written by Paul Compton

1. Spunky (Monty Alexander) ~ 2:39
2. Naturally (Nat Adderley) ~ 3:35
3. Jamaica Shake (Monty Alexander) ~ 2:25
4. Heart Strings (Milt Jackson) ~ 3:33
5. Taggie’s Tune (Junior Mance) ~ 4:14
6. Rattlesnake (Monty Alexander) ~ 2:30
7. Whisper Not ( Benny Golson) ~ 3:58
8. I’m An Old Cowhand (Johnny Mercer) ~ 2:32
9. Little Children Of Peru (Scott Turner) ~ 2:50
10. Spirit Of Foo (Monty Alexander) ~ 4:45

• Monty Alexander: piano (all tracks)
• Victor Gaskin: bass (all but 4, 6)
• Bob Cranshaw: bass (tracks 4, 6)
• Paul Humphrey: drums (all but 4, 6)
• Bruno Carr: drums (tracks 4, 6)
• Gene Bertoncini: guitar (tracks 4, 6)
• Scott Turner: guitar (track 9)

• Cover design by Woody Woodward
• Cover Photography by Les McCann
• Back Cover Photography by Eddie Rio
• Liner Notes written by Paul Compton

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