The Quarantined Jazz Voyager
Contrary to the announcement that the pandemic is over and the unmasking the country has clearly exhibited, a variant is still present and this Jazz Voyager is getting out remains distant from crowds and enclosed spaces. So we will continue to listen to great music.
My selection this week is the Complete Studio Recordings, a two compact disc set whose songs were recorded between 1956 and 1958 by the Curtis Counce Quintet composed of Counce, Jack Sheldon, Harold Land, Carl Perkins and Frank Butler went into the studio of Contemporary Records and recorded twenty-four songs. Though the group was short~lived, their impact produced a powerhouse two-disc set of music comprising the main recordings on the Contemporary label.
The group’s expressed purpose was to develop a West Coast answer to the soulful, hard-bop East Coast sound. Each of the musicians was among the most gifted on his instrument, yet the focus was always on a collaborative result that would reflect undiscovered possibilities within a familiar post-bop idiom. Seldom does a group of musicians come together and play so seamlessly that they sound like one voice speaking. The contribution of each of the five principals, therefore, invites close scrutiny.
The beauty of the recorded disc is that it is a lasting tribute to the musicians who performed on this recording. Lester Koenig at Contemporary Records was known for extremely high audio standards and turned out some of the best-sounding records of the day thanks to the expertise of engineer Roy DuNann. The audio on these Contemporary dates is rich in depth and detailing, allowing the listener to pick out each of the subordinate motifs and subtle moving harmonies. The engineering created a naturally ambient soundscape inviting the listener to partake of the worthy.
The caveat is that this music appeared on previously released albums by Curtis Counce and this is an opportunity to pick up the excellence of 24 tracks of music in a one~stop shop. This represents African-American indigenous art of the highest order. Released by Gambit Records in 2007 and definitely one for the collector.
Track Listing | 150:00+
Disc 1- Landslide (Harold Land) ~ 8:37
- Time After Time (Sammy Cahn/Jule Styne) ~ 6:32
- Mia (Carl Perkins) ~ 4:55
- Sarah (Jack Sheldon) ~ 11:38
- Fifth For Frank (Gerald Wiggins/Cal Tjader) ~ 7:14
- Big Foot (Charlie Parker) ~ 9:07
- Sonar (Kenny Clarke/Gerald Wiggins) ~ 7:28
- Stranger In Paradise (Robert Wright/George Forrest) ~ 7:04
- Woody’n You (Dizzy Gillespie) ~ 6:18
- Pink Lady (Jack Sheldon) ~ 4:41
- Councelation (Curtis Counce) ~ 6:05
- Love Walked In (George Gershwin/Ira Gershwin) ~ 4:56
- Too Close For Comfort (Larry Holofcener) ~ 5:38
- How Deep Is The Ocean (Irving Berlin) ~ 6:37
- Complete (Curtis Counce) ~ 5:52
- Nica’s Dream (Horace Silver) ~ 8:00
- How Long Has This Been Going On (George Gershwin/Ira Gerswin) ~ 3:18
- Mean To Me (Fred E. Ahlert/Roy Turk) ~ 4:31
- I Can’t Get Started (Vernon Duke/Ira Gershwin) ~ 8:01
- Larue (Clifford Brown) ~ 5:04
- Carl’s Blues (Carl Perkins) ~ 5:54
- Night In Tunisia (Dizzy Gillespie/Frank Paparelli) ~ 8:17
- Love Walked In (George Gershwin/Ira Gershwin) ~ 2:55
- Sophisticated Lady (Duke Ellington) ~ 4:10
- Fifth For Frank (Gerald Wiggins/Cal Tjader) ~ 1:56
- The Butler Did It (Frank Butler) ~ 4:39
Personnel
- Jack Sheldon ~ trumpet
- Harold Land ~ tenor saxophone
- Carl Perkins ~ piano
- Curtis Counce ~ bass
- Frank Butler ~ drums
- Gerald Wilson ~ trumpet (replaces Sheldon on three tracks of disc 2)
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The Quarantined Jazz Voyager
The Jazz Voyager is still practicing social distancing and masking at unknown vac gatherings because the airlines have extended my eCredit another year. The news is talking about another variant and this voyager is vigilant in remaining safe.
This week I am pulling from the library Phineas Newborn Jr. Plays Harold Arlen’s Music from Jamaica. It is an album by the pianist, produced by A. K. Salim, and recorded on September 7, 8 & 9, 1957 in New York City and released on the RCA Victor label. The album features his interpretations of compositions from the Broadway musical Jamaica.
Track List | 38:00 All compositions by Harold Arlen and Yip Harburg
- Savannah ~ 4:10
- Little Biscuit ~ 3:03
- Cocoanut Sweet ~ 4:23
- Push De Button ~ 4:23
- Napoleon ~ 4:20
- Hooray For De Yankee Dollar ~ 3:31
- For Every Fish ~ 3:47
- Take It Slow, Joe ~ 4:20
- Pity the Sunset ~ 4:07
- Pretty to Walk With ~ 2:52
- Phineas Newborn Jr. ~ piano
- Ernie Royal (tracks 2, 4 & 6-9), Nick Ferrante (tracks 1, 3, 5 & 10) ~ trumpet
- Jimmy Cleveland ~ trombone
- Jerome Richardson ~ tenor saxophone, flute
- Sahib Shihab ~ baritone saxophone, alto saxophone, clarinet, bass clarinet
- Les Spann ~ guitar
- George Duvivier ~ bass
- Osie Johnson ~ drums
- Francisco Pozo, Willie Rodriguez ~ congas, bongos, timbale
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The Quarantined Jazz Voyager
As we begin to explore more outings, the Jazz Voyager is still practicing social distancing and mask wearing at gatherings. That said, this week as we continue to see and gather information as to which venues have survived the pandemic, I am pulling from the library the 1981 recording of The Jamfs Are Coming by tenor saxophonist Johnny Griffin.
Recorded at a pair of sessions at a small nightclub in Wihelmshaven, Germany, The Blue Note in Pumpwerk provided the settings for these live performances. His explosive original blues, The Jamfs Are Coming, JAMF being an acronym for a well-known but unprintable expression, is a powerful opener recorded in October 1977.
Following an unaccompanied coda, Griffin rapidly shifts gears into a brief up-tempo rendition of Wee Dot, which unfortunately was faded out. The one-minute chorus of the December 1975 Wee is a complete performance that evidently closed a 1975 set. The LP wraps with an inspired December 1977 take of All the Things You Are, in which Griffin dodges the head initially then squeezes in a lick or two from Happy Birthday and a series of other humorous quotes throughout this frenzied 20-minute workout.
The artwork was by Don Diesveld, photography by AnkoWieringa and Hanz Harzheim and was produced by Wim Wigt Productions.
Track List | 38:15- The Jamfs Are Coming (Johnny Griffin) ~ 17:15
- Wee (Denzil Best) ~ 1:00
- All The Things You Are (Oscar Hammerstein II, Jerome Kern) ~ 20:00
- Johnny Griffin ~ Tenor Saxophone
- Rein de Graaff ~ Piano
- Koos Serierse, Henk Haverhoek ~ Bass
- Art Taylor ~ Drums
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The Jazz Voyager
Two years ago the Jazz Voyager commenced lockdown against a very serious pandemic that was taking lives without discretion. Though I am beginning to get out and experience life outside with talks, films and music in open air spaces, the airlines has sent another important message by extending my eCredit another year until December 2023. Still aware that the pandemic is not over, I remain vigilant with mask wearing and social distancing in enclosed spaces such as markets, doctor’s offices. It is our duty to keep others safe as well by doing our individual part.
This week we are traveling musically back and taking down off the shelves to listen to We Three, the 1958 recording led by Roy Haynes by a trio of players who made their mark on the genre. Though the group was short-lived, the trio made the best of the time they spent together and delivered this album.
The album was recorded on November 14, 1958 at the Van Gelder Studio in Hackensack, New Jersey, produced by Esmond Edwards, and was released in May the following year on the New Jazz record label.
Track List | 39:29- Reflection (Ray Bryant) ~ 4:24
- Sugar Ray (Phineas Newborn, Jr.) ~ 6:25
- Solitaire (King Guion, Carl Nutter, Renee Borek) ~ 8:54
- After Hours (Avery Parrish) ~ 11:21
- Sneakin’ Around (Bryant) ~ 4:24
- Our Delight (Tadd Dameron) ~ 4:01
- Roy Haynes – drums
- Phineas Newborn Jr. ~ piano
- Paul Chambers ~ bass
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The Quarantined Jazz Voyager
As the Jazz Voyager continue to remain masked and socially distant, I have ventured out to a couple of events. I am, however, not surprised by the number of people who are unmasked and congregating as if the pandemic is over. This virus keeps mutating and though you may only get mildly ill, you will be ill and it will take a toll on your body, so protect yourself and others.
This week I am pulling out a classic album that shows this vocalist at her best delivering twelve compositions that were recorded on two separate occasions, December 5 & 16, 1957 in Los Angeles, California titled Carmen for Cool Ones. Released in 1958 by Carmen McRae on the Decca Records label, the sessions were arranged and directed by cellist Fred Katz.
The liner notes were scribed by Benny Golson and Burt Korall, and the photographs were taken by Wendy Hilty.
Track Listing | 36:15
- All the Things You Are (Oscar Hammerstein II, Jerome Kern) ~ 2:26
- A Shoulder to Cry On (Chuck Darwin, Paulette Girard) ~ 3:53
- Any Old Time (Artie Shaw) ~ 3:10
- Weak for the Man (Jeanne Burns) ~ 4:08
- What’s New? (Johnny Burke, Bob Haggart) ~ 2:29
- I Get a Kick Out of You (Cole Porter) ~ 2:15
- What Can I Say After I Say I’m Sorry? (Walter Donaldson, Abe Lyman) ~ 1:47
- Without a Word of Warning (Mack Gordon, Harry Revel) ~ 3:20
- You Are Mine (Ted Snyder, Sam Lewis, Joe Young) ~ 1:55
- If I Were a Bell” (Frank Loesser) ~ 3:27
- The Night We Called It a Day (Tom Adair, Matt Dennis) ~ 4:27
- I Remember Clifford (Benny Golson, Jon Hendricks) ~ 2:58
- Carmen McRae ~ vocals
- Fred Katz ~ arranger, conductor, cello
- Ike Isaacs ~ double bass (except track 6)
- Specs Wright ~ drums (exc. track 6)
- Harry Klee ~ flute solo
- George W. Smith ~ clarinet
- Justin Gordon, Mahlon Clark ~ bass clarinet
- Buddy Collette ~ flute, alto saxophone
- George W. Smith ~ clarinet
- Justin Gordon ~ bass clarinet
- Warren Webb oboe
- Joe Marino ~ piano
- Joseph R. Gibbons ~ guitar
- Thirteen unknown string players
- Joe Marino, John T. Williams ~ piano, celeste
- Larry Bunker, Frank Flynn ~ vibraphone, marimba
- Pete Candoli, Ray Linn ~ trumpet
- Vincent DeRosa ~ French horn
- Bob Enevoldsen, Milt Bernhart ~ trombone
- Tommy Johnson ~ tuba
- Calvin Jackson ~ piano
- Billy Bean ~ guitar
- Red Mitchell ~ double bass
- Larry Bunker ~ drums
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