Daily Dose Of Jazz…

Theodor Christian Frølich Bergh, better known as Totti Bergh was born December 5, 1935 in Oslo, Norway. He began playing clarinet, and started learning to play the saxophone in 1952. By the time he turned 21 in 1956, he became a professional musician, becoming a regular member of Kjell Karlsen Sextet for three years, in addition to collaborating sporadically with Rowland Greenberg and other musicians on the Norwegian jazz scene.

He joined the Norwegian America Ships house orchestra on the voyage to New York City. In 1960 Totti succeeded Harald Bergersen as tenor saxophonist in Karlsen’s new big band and in the summer of 1961 he met his future wife Laila Dalseth, who joined the band.

He would go on to play with the bands of Einar Schanke, Rowland Greenberg, Per Borthen and in Dalseth’s orchestra. During the Nineties he played tenor  and soprano saxophone with Christiania Jazzband and with Christiania 12.

Saxophonist Totti Bergh, who released several albums as a leader and whose music is reminiscent of Lester Young and Dexter Gordon, died January 4, 2012 in his home city.

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Daily Dose Of Jazz…

Connee Boswell was born Constance Foore Boswell on December 3, 1907 in Kansas City, Missouri but raised in New Orleans, Louisiana. With sisters Martha and Helvetia “Vet”, she performed in the 1920s and 1930s as the trio The Boswell Sisters. They came to be well known locally while still in their early teens, making appearances in New Orleans theaters and on radio. The girls started their career as instrumentalists but became a highly influential singing group via their recordings and film and television appearances.

They made their first recordings for Victor Records in 1925, which featured Connee singing in the style of her early influence, Mamie Smith. The sisters became stage professionals that year when they were tapped to fill in for an act at New Orleans’ Orpheum Theatre. This led to a gig in Chicago, Illinois and then on to San Francisco, California. The desk clerk at the recommended hotel was Harry Leedy was part owner of Decca Records, became their manager on a handshake and later Connee’s husband.

The next stop was Los Angeles, California where they performed on local radio and “side-miked” for the soundies. National attention came with a move to New York City in 1930 and the making of national radio broadcasts. After a few recordings with Okeh Records, they recorded for Brunswick Records from 1931 to 1935.

Connee recorded as a solo artist and had several successful singles. In 1935, the sisters had a No. 1 hit with The Object of My Affection, and the group signed to Decca Records, but after just three releases two sisters called it quits in 1936. Connee, however, continued to have a successful solo career as a singer for Decca but also later recorded for the new Apollo label, RCA Victor, and Decca subsidiary, Design.

During the Forties she was a co-star on NBC Radio’s Kraft Music Hall, starred in her own radio show on the NBC Blue Network, The Connee Boswell Show, and featured on CBS Radio’s Tonight On Broadway, among numerous other radio appearances and films. She was a favorite duet partner of Bing Crosby, and they frequently sang together on radio, as well as recording several hit records as a duo in the 1930s and 1940s.

Vocalist Connee Boswell, who recorded ten albums as a leader and had fifteen hits reach the top 12 on the Billboard list, died on October 11, 1976 from stomach cancer at Mount Sinai Hospital in New York City at age 68.

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Daily Dose Of Jazz

George Robert Swope was born December 2, 1926 in Washington, D.C. By 1947 he was playing with Buddy Rich, recording with Jerry Wald, and followed with a two year stint with Chubby Jackson in 1948. He closed out the decade working with Gene Krupa in 1949-50, then with Elliot Lawrence in 1950-51.

He led his own trio in the D.C. area in the early Fifties, and also was a member of The Orchestra, the band which accompanied Charlie Parker in 1953 and Dizzy Gillespie in 1955. Spending time in New York City in the latter half of the decade, he played alongside Larry Sonn, Boyd Raeburn, Claude Thornhill, Jimmy Dorsey, and Louie Bellson.

In the 1960s he worked in Washington, D.C. often as a leader. On January 9, 1967 trombonist Rob Swope, the younger brother to trombonist Earl, died in his hometown.

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ROBERT HURST

A Detroit Native, Robert Hursts boasts a distinguished 30+ year career as a composer, bassist, educator, and entrepreneur. Renowned for his work with icons like Sir Paul McCartney, Wynton Marsalis, Branford Marsalis, Diana Krall, Terence Blanchard, Nicholas Payton, Ravi Coltrane, Kris Davis, and the legendary Pharaoh Sanders, Hurst’s talent shines on over 250 recordings, earning him seven GRAMMY® Awards and numerous RIAA® certifications. Notably, he was the inaugural bassist for The Tonight Show with Jay Leno, garnering four EMMY® Awards from his performing, directing, acting, arranging, and composing on the NBC program. Hurst’s musical prowess extends to 30+ major motion picture scores for hits like The Wood, Good Night and Good Luck, and Ocean’s Eleven series.

Currently an Associate Professor of Music at the University of Michigan, Hurst received an NEA Grant for groundbreaking programming at The Charles H. Wright Museum of African American History. In 2024, he continues to shape the music landscape through curated performances, acclaimed releases, and global tours. Recognized in Detroit’s jazz legacy film, “The Best of the Best: Jazz from Detroit,” Hurst remains an integral figure in contemporary music and cultural movements.

JEFF “TAIN” WATTS:

Jeff “Tain” Watts is one of the most in demand jazz drummers in the world today. Jeff Watts majored in classical percussion at Pittsburgh’s Duquesne University, where he was primarily a timpanist, followed by enrollment at the Berklee School of Music, where he pursued jazz studies alongside such talented players as Branford Marsalis, Kevin Eubanks, Greg Osby, Aimee Mann, Steve Vai and Marvin “Smitty” Smith. Jeff joined the Wynton Marsalis Quartet in 1981 and proceeded to win three Grammy Awards with the ensemble. Watts left Wynton Marsalis in 1988. After working with George Benson, Harry Connick. Jr. and McCoy Tyner, he joined the Branford Marsalis Quartet in 1989. Jeff has worked in the film and television industry as both a musician on the Tonight Show with Jay Leno and as an actor, Rhythm Jones in Spike Lee’s “Mo Better Blues”. Jeff joined Kenny Garrett’s band after returning to New York in 1995 after three years in LA on the Tonight Show. Watts also continued to record and tour with Branford Marsalis as well as Danilo Perez, Michael Brecker, Betty Carter, Kenny Kirkland, Courtney Pine, Geri Allen, Alice Coltrane, Greg Osby, Steve Coleman, Gonzalo Rubalcaba, and Ravi Coltrane.

ORRIN EVANS:

During his kaleidoscopic quarter-century as a professional jazz musician, pianist Orrin Evans has become the model of a fiercely independent artist  who pushes the envelope in all directions. Never supported by a major label, Evans has ascended to top-of-the-pyramid stature on his instrument, as affirmed by his #1-ranking as “Rising Star Pianist” in the 2018  DownBeat Critics Poll. Grammy nominations for the Smoke Sessions albums The Intangible Between and Presence, by Evans’ raucous, risk-friendly Captain Black Big Band, stamp his bona fides as a bandleader and composer. In addition to CBBB, Evans’ multifarious leader and collaborative projects include the Eubanks Evans Experience (a duo with eminent guitarist Kevin Eubanks); the Brazilian unit Terreno Comum; Evans’ working trio with bassist Luques Curtis and drummer Mark Whitfield, Jr.; and Tar Baby (a collective trio of 20 years standing with bassist Eric Revis and drummer Nasheet Waits). One of Tar Baby’s two 2022 releases will be released on Evans’ imprint, Imani Records, which he founded in 2001 and relaunched in 2018.

The Band: Robert Hurst – Bass | Jeff “Tain” Watts – Drums | Orrin Evans – Piano

Tickets: $95.00 Dinner & Show

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