GERALD HORNE: HISTORIAN, AUTHOR, EDUCATOR
Jazz and Justice: Racism and the Political Economy of the Music
Gerald Horne assembles a galvanic story depicting what may have been the era’s most virulent economic—and racist—exploitation, as jazz musicians battled organized crime, the Ku Klux Klan, and other variously malignant forces dominating the nightclub scene where jazz became known.
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Three Wishes
Zoot Sims was given the proposition of three wishes by Pannonica that if they could be fulfilled what would they be and he said this to her:
- “Peace of mind.”
- “Woman I could live with.”
- “Piece of ground.”
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REGINA CARTER
Grammy-nominated artist Regina Carter explores the power of music through the voice of the violin in a wide range of genres—including jazz, R&B, Latin, classical, blues, country, pop, and African. Join us for her much-anticipated return to Jazz St. Louis!
Valet Parking ~ $10.00 prepaid
Valet parking is available for all Jazz St. Louis performances. Discounted $10 valet parking may be purchased when ordering your tickets. Please make sure to select the correct date and time when adding parking to your cart with your tickets before purchasing.
Performances:
September 21 ~ 7:30pm
September 22 ~ 11:00am | 7:30pm
September 23 ~ 7:30 | 9:30
September 24 ~ 7:30 | 9:30
September 25 ~ 6:30
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Daily Dose Of Jazz…
Joseph Luke Guy was born in Birmingham, Alabama on September 20, 1920 but much of his early personal life is obscured. He began his professional music career performing in New York City, and joined Fats Waller’s backup band in the late 1930s. Following that, in 1938, he succeeded Dizzy Gillespie in Teddy Hill’s orchestra.
Patterning his playing style after his musical role model, Roy Eldridge, despite his range, speed, and potential, Joe never managed to surpass Eldridge’s abilities, though he was considered a musical talent when taking into account his young age.
In 1940 he became a key soloist in Coleman Hawkins’ short-lived big band. 1941–42 saw Guy as a regular performer as a member of the after-hours band at Minton’s Playhouse alongside Nick Fenton, Kenny Clarke, and Thelonious Monk in jam sessions with early bop music. During this period he was actively involved in numerous recordings by Jerry Newman, and also appeared on songs by Charlie Christian, Hot Lips Page, Roy Eldridge, and Don Byas.
Incorporating Gillespie’s influences into his playing, Joe’s performance on Monk’s 1942 song Epistrophy is arguably the highlight of his recording career. Much of his appearances as an instrumentalist are marked by his enthusiasm and tempo, however, on occasions would over exert himself and consequently sound erratic.
Struggling with a heroin addiction throughout the majority of his brief career, in 1945–46 Guy was involved with Billie Holiday both professionally and intimately. When they were both busted for drug possession, the two cut ties thereafter. Afterwards, sidelined him from further success, he moved back to his hometown and fell into relative obscurity among the music industry.
Trumpeter Joe Guy, who performed locally in his hometown and advised others about the dangers of his addiction, transitioned on June 1, 1962, at the age of 41.
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NICOLE HENRY ~ ONE VOICE, SIX STRINGS
Award-winning jazz vocalist Nicole Henry returns to Arts Garage with guitarist Tim Jago to weave a beautiful tapestry of music and storytelling, traveling through decades of songwriters and multiple genres while highlighting memories of Nicole’s life and 20-year musical career. With songs from the 1930s to present –including Doris Day, Joan Armatrading and even legendary pop icons like George Michael — it will be an intimate night of glorious music, unbridled, loving energy, and unrestrained joy.
Nicole Henry – Vocals
Tim Jago – Guitar
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