Daily Dose Of Jazz…
Hank Marr was born January 30, 1927 in Columbus, Ohio. He and tenor saxophonist Rusty Bryant co-led a group that toured for several years, beginning in 1958. During the early 1960s Hank worked with guitarist Freddie King and recorded and worked with Wilbert Longmire for a couple of years starting in 1963.
The late 1960s saw Marr performing in a duo with guitarist Floyd Smith in Atlantic City, New Jersey and a duo album with Frank Foster. He had two minor U.S. hit singles, The Greasy Spoon which hit No. 101 in 1964 and Silver Spoon #134 in 1965.
He recorded eight albums as a leader, and 19 singles for Wingate, King and Federal record labels. Hammond B-3 organist Hank Marr died at age 77 on March 16, 2004.
Get a dose of the musicians and vocalists who were members of a global society integral in the making and preservation of jazz for over a hundred and twenty-five years…
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The Jazz Voyager
New York is beckoning the Jazz Voyager to leave the cold of the Midwest to experience the familiar cold of the Big Apple for two new events. The first is a visit to a fresh old fashioned haunt that’s tucked away in Lefferts Garden called Bar Bayeux. Though it may be familiar, I’m desirous of warmer southern temperatures but the jazz and new adventures never stop.
The second event has me in the company of international recording pianist, organist, and accordionist Gary Versace who is one of the busiest and most versatile musicians on the international jazz scene. Leading this quartet date, he has been featured in bands of John Scofield, Maria Schneider, John Abercrombie, Anat Cohen, Al Foster, Regina Carter, Kurt Elling, Madeleine Peyroux, Matt Wilson, Ingrid Jensen and many others.
Bar Bayeux is located at 1066 Nostrand Avenue, Brooklyn, NY 11225. For more information visit https://www.barbayeux.com. No cover, one drink minimum but tips for musicians are encouraged.
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FROM NEW YORK: NICK HEMPTON QUARTET CD RELEASE
In the summer of 2024, Hempton made one of his regular visits to Vancouver to reunite with his very soulful co-conspirators Jesse Cahill and Nick Peck for a weekend at Frankie’s, the city’s legendary jazz club. After some cajoling, Van City tenor legend Cory Weeds agreed to join on stage to form a two-horn quartet. Mics were set up, favourite tunes were chosen, cocktails were consumed; and with the Frankie’s crowd in fine fettle, urging us on with stomps and hollers, we laid down a set of hard-driving soul jazz.
In between shows, to balance the live feel, the cats descended into the murky shadows of a grungy basement studio, the carpeted walls dripping with years of accumulated funk. In keeping with the free blowing feel of the club gig, the studio session took place live, with no isolation and no safety net; and in the subterranean twilight the quartet knocked out a set of swingers in a couple of hours, each tune needing only one or two takes.
Weeds and Hempton are long-time friends and mutual admirers, and it was a gas to engage in a little sporting, good-natured combat, tipping their hats to the great two-tenor matchups of the past: Dexter Gordon and Herschel Evans, Gene Ammons and Sonny Stitt, Johnny Griffin and Lockjaw Davis. And while they were wailing, Peck & Cahill were getting down to serious business, lighting the fire and keeping it burning until the last note faded.
Celebrate the release of their new cd Horns Locked!
The Band: Nick Hempton~tenor sax, Cory Weeds~tenor sax, Nick Peck~organ and Jesse Cahill~drums
Cover: Sold Out | Both Shows
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Daily Dose Of Jazz…
Theodore Salvatore Fiorito, known professionally as Ted Fio Rito, was born December 20, 1900 in Newark, New Jersey into an Italian immigrant couple. His mother had sung light opera in Italy. He attended Barringer High School in Newark.
He was still in his teens when he landed a job in 1919 as a pianist at Columbia’s New York City recording studio, working with the Harry Yerkes bands: the Yerkes Novelty Five, Yerkes’ Jazarimba Orchestra and The Happy Six.
His earliest compositions were recorded by the Yerkes groups and Art Highman’s band. Fio Rito had numerous hit recordings, notably his two number one hits, My Little Grass Shack in Kealakekua, Hawaii and I’ll String Along with You. Over the course of his life he composed more than 100 songs, collaborating with such lyricists as Ernie Erdman, Gus Kahn, Sam Lewis, Cecil Mack, Albert Von Tilzer, and Joe Young.
Moving to Chicago, Illinois in 1921 he joined the Dan Russo band and the following year became the co-leader of Russo and Fio Rito’s Oriole Orchestra and opened at Detroit, Michigan’s Oriole Terrace, with a rebranding as the Oriole Terrace Orchestra. Returning to Chicago they did their first radio remote broadcast in 1924. Throughout the 1920s the orchestra played Chicago, St. Louis, Kansas City, Cincinnati and San Francisco.
The Fio Rito Orchestra’s vocalists included Jimmy Baxter, Candy Candido, the Debutantes, Betty Grable, June Haver, the Mahoney Sisters, Muzzy Marcellino, Joy Lane, Billy Murray, Maureen O’Connor, Patti Palmer, Kay and Ward Swingle.
During the 1940s, the band’s popularity diminished, but Fio Rito continued to perform in Chicago and Arizona. He played in Las Vegas, Nevada during the 1960s. In his last years, he led a small combo at venues throughout California and Nevada until his death.
Composer, orchestra leader, and keyboardist Ted Fio Rito, who was popular on national radio broadcasts in the 1920s and 1930s, died from a heart attack on July 22, 1971 in Scottsdale, Arizona.
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MEL BROWN’S B3 ORGAN GROUP
In fact, this true all-star band (all four members are Oregon Music Hall Of Fame inductees) has been a sensation going back to 1997, when they began a 20-year run on Thursday evenings at Portland’s legendary “Jimmy Mak’s” (The Oregonian dubbed them “Jimmy Mak’s signature group”). They’ve continued their Thursday night tradition at the Jack London Revue for the past 6 years. With a collective resume that reads like a “Who’s Who” of NW jazz, blues, and soul, this group has the talent and confidence to be completely spontaneous–from their blistering solos to their improvised arrangements and segues. No wonder they’ve thrilled audiences wherever they’ve played.
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