Daily Dose Of Jazz…
Terrence Mitchell Riley was born in Colfax, California on June 24, 1935 and grew up in Redding, California. In the 1950s, he began performing as a solo pianist and studied composition at San Francisco State University, the San Francisco Conservatory, and the University of California Berkeley, studying with Seymour Shifrin and Robert Erickson.
Befriending minimalist omposer La Monte Young, together they performed Riley’s improvisatory composition Concert for Two Pianists and Tape Recorders in 1959–60. Riley later became involved in the experimental San Francisco Tape Music Center, working with Morton Subotnick, Steve Reich, Pauline Oliveros, and Ramon Sender. Throughout the 1960s, he also traveled frequently in Europe, taking in musical influences and supporting himself by playing in piano bars. He also performed briefly with the Theatre of Eternal Music in New York in 1965-1966.
His most influential teacher was Pandit Pran Nath, a master of Indian classical voice who also taught La Monte Young, Marian Zazeela, and Michael Harrison. Riley made numerous trips to India over the course of their association to study and accompany him on tabla, tambura, and voice. In 1971 he joined the Mills College faculty to teach Indian classical music. Riley also cites John Cage and “the really great chamber music groups of John Coltrane and Miles Davis, Charles Mingus, Bill Evans, and Gil Evans as influences on his work.
His long-lasting association with the Kronos Quartet began around 1980 and throughout his career Terry composed 13 string quartets for the ensemble. in addition
Organist, pianist, saxophonist and tamburist Terry Riley, who teaches both as an Indian raga vocalist and as a solo pianist, continues to perform live.
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Daily Dose Of Jazz…
Ronnie Foster was born in Buffalo, New York on May 12, 1950. Attracted to music at the age of four, he attended Public School 8, Woodlawn Jr. High for a year, McKinley Vocational High School for two years, and then spent his final year at Lafayette High School. The only formal musical instruction he received was a month of accordion lessons. Taking music more seriously from his early teens, he had his first professional gig aged fifteen, playing in a strip club.
He initially performed with other local musicians. Moving to New York City with his own band, he acquired a publishing company. Foster performed as a sideman with a wide range of musicians, frequently working with guitarist George Benson, including playing on the guitarist’s album Breezin’.
Ronnie has played organ with Grant Green, Grover Washington, Jr., Stanley Turrentine, Roberta Flack, Earl Klugh, Harvey Mason, Jimmy Smith, and Stevie Wonder.
He is also a record producer and his song Mystic Brew was sampled in Electric Relaxation by A Tribe Called Quest and in J. Cole’s song Forbidden Fruit, where it was reversed, pitched, and slowed down in the song Neighbors as well as the instrumental of Forbidden Fruit.
Funk and soul jazz organist Ronnie Foster continues to perform, record, tour and produce.
Daily Dose Of Jazz…
Tony Vella was born on April 4, 1937 in Terrasini, a Sicily commune in the metropolitan city of Palermo, Itlay. In 1957 he gained immense experience working with big and small configurations. In Italyhe was the main arranger, for numerous important record houses.
From 1972 he dedicated his efforts to cultural activities and the formation of young talents holding theory courses, and practical instrumental and ensemble music applied to jazz music. By 1975 Tony participated in the Pescara the Jazz Festival with the New Jazz Society of Palermo, the only Italian group invited to perform along with the Zoot Sims Quartet, Antony Braxton, Elvin Jones Quintet, Red Norvo Trio, Chet Baker Quartet, Charles Mingus Group, Roland Kirk Quintet and Don Cherry Organic Music Theatre.
Three years later he formed and directed L’Orchestra in collaboration with the Reinhardt Center for their concert season. Organized by the Associazione Siciliana Amici della Musica and introduced to Auditorium SS. Salvatore of Palermo.
In the Eighties Vella was a partr of the Messina Jazz Meeting with the Brass Group Big Band, as orchestra director and arranger. With the band he has collaborated with international musicians Archie Shepp, Hernie Wilkins, Mel Lewis, Sam Rivers, Toshiko Akiyoshi, Paolo Lepore, Franco Cerri, and Danilo Terenzi.
The next decade he established The Tony Vella Fusion Jazz Band entirely composed from young Sicialian musicians. A big band, modeled on some of the great American orchestras like Quincy Jones. The Fusion Jazz Band presented remarkable arrangements of a repertoire that includes Brazilian and popular jazz. They accompanied singers Beppe Vella, Gaetano Riccobono, and Tony Piscopo, as well as numerous musicians such asCalderone Ignazio, Aldo Oliveri, Benedetto Modica, Giovanni Mazzarino, Sergio Munafò, Aldo Messina, and Sebastiano Alioto, among others.
Pianist, organist, composer, arranger and orchestra director Tony Vella continues to perform, conduct and record.
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The Jazz Voyager
Heading back up to the Big Apple, this time motoring up the highway on 95 North. I’ll get in early and will be catching the sights and sounds of the city until it’s time to make my way to Columbus Circle. There it will be my fortune to be in the house that Wynton Marsalis helped build, as an audience member in Dizzy’s Club. Overlooking the New York skyline, the lights of the night will only enhance the performance.
This week this jazz voyager will be taking a very talented organist, pianist and composer, Akiko Tsuruga. Landing in New York City from Osaka, Japan she quickly immersed herself into the jazz scene. Sitting in and playing gigs, she eventually recorded with Frank Wess, Jimmy Cobb, Grady Tate and other top NY musicians. In 2006 she joined Lou Donaldson’s quartet.
Performance Lineup:
Akiko Tsuruga, organ Joe Magnarelli, trumpet Myron Walden, tenor & baritone, saxophone, flute Byron Landham, drums Charlie Sigler, guitar
Tickets: $20.00 ~$50.00
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Daily Dose Of Jazz…
Zue (C. Alvin) Robertson was born on March 7, 1891 in New Orleans, Louisiana. His first instrument was the piano, and switched to playing the trombone at the age of 13. He performed in circus bands and traveling revues, including Kit Carson’s Wild West Show. He was part of the Olympia Band around 1914 and was a trombonist for Manuel Perez, Richard M. Jones, and John Robichaux.
Robertson was an early influence on Kid Ory, giving him lessons, and the two practised together. After moving to Chicago, Illinois in 1917 he played at the De Luxe Café, and by the mid-1920s he was playing with leaders of the stature of Jelly Roll Morton, with whom he recorded Some Day Sweetheart/London Blues in 1923, and King Oliver in 1924.
He recorded two sides with the Levee Serenaders in 1928 and plus the two from 1923, are his only recordings. After moving to New York City in 1929, Robertson concentrated on playing the organ and the piano, and stopped playing the trombone the following year. A few years later he moved to California, where he played piano and added the bass during the years he spent in the 1930s.
Trombonist Zue Robertson, who also played piano, organ, and bass, died in 1943 in Los Angeles, California.
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