Requisites

The Griffith Park Collection ~ Stanley Clarke, Chick Corea, Joe Henderson, Freddie Hubbard, Lenny White | By Eddie Carter

This morning’s record from the library unveils a unique jazz collaboration. The Griffith Park Collection (Elektra Musician E1-60025) is the second of two studio albums recorded over four days with an all-star ensemble: Freddie Hubbard on flugelhorn (tracks: A3, B3) and trumpet (A1, A2, B1), Joe Henderson on tenor sax (A1 to A3, B1, B3), Chick Corea on piano, Stanley Clarke on upright bass, and Lenny White on drums. Their first record was Echoes of An Era, an album of jazz standards with Chaka Khan. This was a rare reunion for Corea, Clarke, and White, who had not played together since they were members of Return to Forever. My copy is the 1982 U.S. Stereo release.

The opener is L’s Bop by Lenny White. The quintet’s lively theme takes off at a brisk pace, leading to Joe’s swinging opening solo. Freddie maintains the vigorous intensity in the second reading; then Chick skillfully navigates the third statement into a short exchange with Lenny until the theme’s reprise and fade out. The pace slows down slightly for Why Wait by Stanley Clarke, a medium-tempo blues that opens with the ensemble’s theme. Joe gets this grooving affair going in the first solo. Freddie answers him with an exceptional performance; then Chick provides the exclamation point preceding the group’s return for the closing chorus and exit.

October Ballade by Chick Corea begins with the pianist’s soothing introduction ahead of Freddie’s tender melody. Joe has the first solo and builds each chorus gently with deep emotion until Chick takes over for a brief, lovely interpretation. The quintet wraps up things with a poignantly touching reprise and finale. Side Two gets underway with Happy Times by Freddie Hubbard, a cheerful tune that the group takes to heart in the theme. Joe greets the opening statement joyfully, and then Freddie comes in for a bright and bubbly solo. Chick adds to the festive atmosphere in the second interpretation. Lenny delivers a finale that is quite enjoyable before the close.

Remember, by Steve Swallow is a beautiful waltz that opens with the trio’s thoughtfully polite introduction and theme. Chick carefully cultivates the lead solo with delicate notes. Stanley’s reply is an affectionately warm interpretation as Lenny’s drums softly compliment him until the ensemble’s theme restatement. Guernica by Lenny White is a musical portrait of Pablo Picasso’s Spanish Civil War painting. It is a haunting song and the album’s most adventurous tune with a melancholy theme. Joe begins the opening solo with an airy, nostalgic tone. Freddie emerges next with a breathtaking reading; then Chick delivers an enthusiastic statement preceding the group’s return for the climax.

Lenny White produced The Griffith Park Collection and Bernie Kirsh was the recording engineer. The album’s sound quality is good, with a softer soundstage in the highs, midrange, and bass. At just under forty minutes, it is a hidden gem that flows with a beat and does not disappoint. If you are in the mood for an excellent album with remarkable chemistry and exceptional performances. In that case, I invite you to check out The Griffith Park Collection by Stanley Clarke, Chick Corea, Joe Henderson, Freddie Hubbard, and Lenny White on your next record shopping trip. It is a wonderful album that I highly recommend for your library, and I am sure it will reward your purchase for years to come!

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OMAR SOSA & QUARTETO AMERICANOS

Cuban piano maestro Omar Sosa, a longtime Healdsburg favorite, returns to town with his Quarteto Americanos featuring Cuban bassist Ernesto Mazar Kindelán, Berkeley drummer Josh Jones, and Oakland multi-reed player Sheldon Brown, who’s spent much of the past two years touring with the Grateful Dead’s Bob Weir. Though long based in Barcelona, Sosa gained fame while living in Oakland, and his musical journey from Camagüey and Havana to Ecuador and eventually the East Bay is detailed in the new documentary Omar Sosa’s 88 Well-Tuned Drums, which screens as part of this program. An omnivorously creative figure whose music encompasses Afro-Cuban folkloric chants and European Romanticism, post-bop and hip hop, West African grooves and ambient moods, he’s released more than three dozen albums documenting collaborations with an international cast of fellow sound explorers.

5:00 PM | Documentary Screening

7:30 PM | Concert

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The Jazz Voyager

From Chi-town, the Jazz Voyager is making tracks south to Hotlanta once again to sit in the ambience of the environs of City Winery at Ponce City Market. A laid back atmosphere welcomes the audience to settle in and enjoy an evening of music, food and wine, for which this venue is noted.

This Thursday I will be a member of one of his sold out audiences to witness the talents of Robert Glasper. He is the leader of a new sonic paradigm with a career that bridges musical and artistic genres. He has 5 Grammy awards, 11 nominations across 11 categories, an Emmy Award for his song for Ava Duvernay’s critically hailed documentary “13th” with Common and Karriem Riggins, and a Peabody Award for his Composition of “Mr. Soul!”.

The venue is located at 650 North Avenue NE, Atlanta, GA 30308. For tickets and more information visit  https://notoriousjazz.com/event/robert-glasper.

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Daily Dose Of Jazz…

Paul Lovens was born on June 6, 1949 in Aachen, Germany. In the early 1970s, he was part of a trio with pianist Alexander von Schlippenbach. He went on to work with Cecil Taylor, Harri Sjöström, Günther Christmann, Eugene Chadbourne, Peter Brötzmann, Teppo Hauta-Aho, Mats Gustafsson, Thomas Lehn, Phil Wachsmann, Rajesh Mehta and Joëlle Léandre.

He also played with Florian Schneider and Ebehard Kranemann in an early incarnation of Kraftwerk. Since 1967, Lovens has run the record label Po Torch with Paul Lytton

Drummer Paul Lovens, who also plays percussion, singing saw, and cymbals, has performed with the Aardvark Jazz Orchestra and Berlin Contemporary Jazz Orchestra, and continues his musical endeavors.

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ROBERT GLASPER

Robert Glasper is the leader of a new sonic paradigm with a career that bridges musical and artistic genres. To date, he boasts 5 Grammy wins and 11 nominations across 11 categories, an Emmy Award for his song for Ava Duvernay’s critically hailed documentary “13th” with Common and Karriem Riggins, and a Peabody Award for his Composition of “Mr. Soul!”. His work and accolades bridge all aspects of the music business, from live touring to film scoring, composing and producing.

The ongoing Black Radio series has since become Glasper’s calling card, upholding a place at the heart of a trailblazing community: from long-time sonic brothers Mos Def and Bilal, to legends including Ledisi, Lupe Fiasco, Jill Scott, and Erykah Badu. Glasper is an artist at the heart of a moment – and a movement – to champion Black music, Black people, and the possibility of a better future.

Unfortunately, for those of you who didn’t get tickets early, all of his performances are sold out, however you can add your name to the waiting list, just in case someone cancels.

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