The Quarantined Jazz Voyager
The Jazz Voyager is still practicing social distancing and masking at unknown vac gatherings because the airlines have extended my eCredit another year. The news is talking about another variant and this voyager is vigilant in remaining safe.
This week I am pulling from the library Phineas Newborn Jr. Plays Harold Arlen’s Music from Jamaica. It is an album by the pianist, produced by A. K. Salim, and recorded on September 7, 8 & 9, 1957 in New York City and released on the RCA Victor label. The album features his interpretations of compositions from the Broadway musical Jamaica.
Track List | 38:00 All compositions by Harold Arlen and Yip Harburg
- Savannah ~ 4:10
- Little Biscuit ~ 3:03
- Cocoanut Sweet ~ 4:23
- Push De Button ~ 4:23
- Napoleon ~ 4:20
- Hooray For De Yankee Dollar ~ 3:31
- For Every Fish ~ 3:47
- Take It Slow, Joe ~ 4:20
- Pity the Sunset ~ 4:07
- Pretty to Walk With ~ 2:52
- Phineas Newborn Jr. ~ piano
- Ernie Royal (tracks 2, 4 & 6-9), Nick Ferrante (tracks 1, 3, 5 & 10) ~ trumpet
- Jimmy Cleveland ~ trombone
- Jerome Richardson ~ tenor saxophone, flute
- Sahib Shihab ~ baritone saxophone, alto saxophone, clarinet, bass clarinet
- Les Spann ~ guitar
- George Duvivier ~ bass
- Osie Johnson ~ drums
- Francisco Pozo, Willie Rodriguez ~ congas, bongos, timbale
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The Quarantined Jazz Voyager
As we begin to explore more outings, the Jazz Voyager is still practicing social distancing and mask wearing at gatherings. That said, this week as we continue to see and gather information as to which venues have survived the pandemic, I am pulling from the library the 1981 recording of The Jamfs Are Coming by tenor saxophonist Johnny Griffin.
Recorded at a pair of sessions at a small nightclub in Wihelmshaven, Germany, The Blue Note in Pumpwerk provided the settings for these live performances. His explosive original blues, The Jamfs Are Coming, JAMF being an acronym for a well-known but unprintable expression, is a powerful opener recorded in October 1977.
Following an unaccompanied coda, Griffin rapidly shifts gears into a brief up-tempo rendition of Wee Dot, which unfortunately was faded out. The one-minute chorus of the December 1975 Wee is a complete performance that evidently closed a 1975 set. The LP wraps with an inspired December 1977 take of All the Things You Are, in which Griffin dodges the head initially then squeezes in a lick or two from Happy Birthday and a series of other humorous quotes throughout this frenzied 20-minute workout.
The artwork was by Don Diesveld, photography by AnkoWieringa and Hanz Harzheim and was produced by Wim Wigt Productions.
Track List | 38:15- The Jamfs Are Coming (Johnny Griffin) ~ 17:15
- Wee (Denzil Best) ~ 1:00
- All The Things You Are (Oscar Hammerstein II, Jerome Kern) ~ 20:00
- Johnny Griffin ~ Tenor Saxophone
- Rein de Graaff ~ Piano
- Koos Serierse, Henk Haverhoek ~ Bass
- Art Taylor ~ Drums
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The Jazz Voyager
Two years ago the Jazz Voyager commenced lockdown against a very serious pandemic that was taking lives without discretion. Though I am beginning to get out and experience life outside with talks, films and music in open air spaces, the airlines has sent another important message by extending my eCredit another year until December 2023. Still aware that the pandemic is not over, I remain vigilant with mask wearing and social distancing in enclosed spaces such as markets, doctor’s offices. It is our duty to keep others safe as well by doing our individual part.
This week we are traveling musically back and taking down off the shelves to listen to We Three, the 1958 recording led by Roy Haynes by a trio of players who made their mark on the genre. Though the group was short-lived, the trio made the best of the time they spent together and delivered this album.
The album was recorded on November 14, 1958 at the Van Gelder Studio in Hackensack, New Jersey, produced by Esmond Edwards, and was released in May the following year on the New Jazz record label.
Track List | 39:29- Reflection (Ray Bryant) ~ 4:24
- Sugar Ray (Phineas Newborn, Jr.) ~ 6:25
- Solitaire (King Guion, Carl Nutter, Renee Borek) ~ 8:54
- After Hours (Avery Parrish) ~ 11:21
- Sneakin’ Around (Bryant) ~ 4:24
- Our Delight (Tadd Dameron) ~ 4:01
- Roy Haynes – drums
- Phineas Newborn Jr. ~ piano
- Paul Chambers ~ bass
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The Quarantined Jazz Voyager
As the Jazz Voyager continue to remain masked and socially distant, I have ventured out to a couple of events. I am, however, not surprised by the number of people who are unmasked and congregating as if the pandemic is over. This virus keeps mutating and though you may only get mildly ill, you will be ill and it will take a toll on your body, so protect yourself and others.
This week I am pulling out a classic album that shows this vocalist at her best delivering twelve compositions that were recorded on two separate occasions, December 5 & 16, 1957 in Los Angeles, California titled Carmen for Cool Ones. Released in 1958 by Carmen McRae on the Decca Records label, the sessions were arranged and directed by cellist Fred Katz.
The liner notes were scribed by Benny Golson and Burt Korall, and the photographs were taken by Wendy Hilty.
Track Listing | 36:15
- All the Things You Are (Oscar Hammerstein II, Jerome Kern) ~ 2:26
- A Shoulder to Cry On (Chuck Darwin, Paulette Girard) ~ 3:53
- Any Old Time (Artie Shaw) ~ 3:10
- Weak for the Man (Jeanne Burns) ~ 4:08
- What’s New? (Johnny Burke, Bob Haggart) ~ 2:29
- I Get a Kick Out of You (Cole Porter) ~ 2:15
- What Can I Say After I Say I’m Sorry? (Walter Donaldson, Abe Lyman) ~ 1:47
- Without a Word of Warning (Mack Gordon, Harry Revel) ~ 3:20
- You Are Mine (Ted Snyder, Sam Lewis, Joe Young) ~ 1:55
- If I Were a Bell” (Frank Loesser) ~ 3:27
- The Night We Called It a Day (Tom Adair, Matt Dennis) ~ 4:27
- I Remember Clifford (Benny Golson, Jon Hendricks) ~ 2:58
- Carmen McRae ~ vocals
- Fred Katz ~ arranger, conductor, cello
- Ike Isaacs ~ double bass (except track 6)
- Specs Wright ~ drums (exc. track 6)
- Harry Klee ~ flute solo
- George W. Smith ~ clarinet
- Justin Gordon, Mahlon Clark ~ bass clarinet
- Buddy Collette ~ flute, alto saxophone
- George W. Smith ~ clarinet
- Justin Gordon ~ bass clarinet
- Warren Webb oboe
- Joe Marino ~ piano
- Joseph R. Gibbons ~ guitar
- Thirteen unknown string players
- Joe Marino, John T. Williams ~ piano, celeste
- Larry Bunker, Frank Flynn ~ vibraphone, marimba
- Pete Candoli, Ray Linn ~ trumpet
- Vincent DeRosa ~ French horn
- Bob Enevoldsen, Milt Bernhart ~ trombone
- Tommy Johnson ~ tuba
- Calvin Jackson ~ piano
- Billy Bean ~ guitar
- Red Mitchell ~ double bass
- Larry Bunker ~ drums
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The Quarantined Jazz Voyager
Not belaboring the point, with all that is going on in the world, I am continuing to remain ever vigilant relative to the pandemic which is ever present in our lives. I can only hope you are doing the same.
My latest offering for those who enjoy good music comes from Moon Beams, a 1962 album by pianist Bill Evans. It is the first trio album recorded by Evans after the death of Scott LaFaro.
Bassist Chuck Israels replaced LaFaro and Evans recorded several songs on May 17, 1962 (#5,9), May 29, 1962 (#1, 8), June 2, 1962 (#2-4, 6-7) and June 5, 1962 (#10-11) at Sound Makers Studio, New York City. The album was released in December 1962 on the Riverside label and is a collection of ballads recorded during this period.
The recording sessions were produced by Orrin Keepnews, the woman on the album cover is Nico, who would later achieve recognition as a musical artist herself, the photographer was Peter Sahula and the cover design was by Ken Deardorff.
Track Listing: 39:00- Re: Person I Knew (Bill Evans) ~ 5:44
- Polka Dots and Moonbeams (Johnny Burke, Jimmy Van Heusen) ~ 5:01
- I Fall in Love Too Easily (Sammy Cahn, Jule Styne) ~ 2:42
- Stairway to the Stars (Matty Malneck, Mitchell Parish) ~ 4:53
- If You Could See Me Now (Tadd Dameron) ~ 4:29
- It Might as Well Be Spring (Richard Rodgers, Oscar Hammerstein II) ~ 6:05
- In Love in Vain (Leo Robin, Jerome Kern) ~ 5:00
- Very Early (Bill Evans) ~ 5:06
- Bill Evans – piano
- Chuck Israels – bass
- Paul Motian – drums
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