ANTONIO PARKER & FRIENDS

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Daily Dose Of Jazz…

Melissa Aldana was born on December 3, 1988 in Santiago, Chile and began playing the saxophone when she was six under the influence and tuition of her father Marcos Aldana, also a professional saxophonist. She began with alto, influenced by Charlie Parker, Cannonball Adderley and Michael Brecker. However, upon first hearing the music of Sonny Rollins, she switched to tenor, picking up her grandfather’s Selmer Mark VI.

Performing around hometown jazz clubs while in her early teens, in 2005 she was invited by pianist Danilo Pérez to play at the Panama Jazz Festival as well as auditions at music schools in the USA. This resulted in Melissa attending the Berklee College of Music in Boston, Massachusetts studying under Joe Lovano, George Garzone, Frank Tiberi, Greg Osby, Hal Crook, Bill Pierce, and Ralph Peterson. After graduating she relocated to New York City to study with George Coleman.

Aldana recorded her debut album, Free Fall, released in 2010 on Greg Osby’s Inner Circle Music label. Two years later she released her sophomore project, Second Cycle, and by age 24, she was the first female and South American musician to win the Thelonious Monk International Jazz Saxophone Competition, in which her father had been a semi-finalist in 1991. The prize was a $25,000 scholarship, and a recording contract with Concord Jazz.

Aldana has been awarded the Altazor National Arts Award of Chile, and the Lincoln Center’s Martin E. Segal Award. She has played concerts alongside artists such as Peter Bernstein, Kevin Hays, Christian McBride, Jeff “Tain” Watts, Jimmy Heath and Wynton Marsalis.

She has formed the group, Melissa Aldana & Crash Trio, with Cuban drummer Francisco Mela and Chilean bassist Pablo Menares, and in addition her most recent configuration in 2017, the Melissa Aldana Quartet includes Aldana on tenor saxophone, pianist Sam Harris or guitarist Lage Lund, bassist Pablo Menares and drummer Kush Abadey.

Tenor saxophonist Melissa Aldana continues to explore and expand her vocabulary as she performs and records.

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Daily Dose Of Jazz…

Charlie Ventura was born Charles Venturo on December 2, 1916 in Philadelphia, Pennsylvania. During the 1940s, he played saxophone for the Gene Krupa and Teddy Powell bands. In 1945 he was named best tenor saxophonist by DownBeat magazine.

During the Forties he led big bands and led a band which included Conte Candoli, Bennie Green, Boots Mussulli, Ed Shaughnessy, Jackie Cain, and Roy Kral. By the 1950s he formed the Big Four with Buddy Rich, Marty Napoleon, and Chubby Jackson. He was a sideman with Krupa through the 1960s, then worked in Las Vegas with comedian Jackie Gleason. By the 1980s he slowed down until finally retiring from music.

Tenor saxophonist and bandleader Charlie Ventura transitioned from lung cancer on January 17, 1992 in Pleasantville, New Jersey at age 75.  was an American from

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Daily Dose Of Jazz…

Jesper Thilo was born on November 28, 1941 in Copenhagen, Denmark to a pianist-actress mother and architect father. He started to play clarinet at age 11 and from 1955 to 1960 he played clarinet and trombone in various amateur Dixieland jazz bands with the occasional paid jobs as a musician. Early he knew that he wanted to become a professional jazz musician but to get an education he chose to study classical clarinet at the Royal Danish Academy of Music.

While at the Academy, Thilo joined Arnved Meyer’s orchestra from 1960 to 1964 and again from 1967 to 1974 and it was Meyer who convinced him to shift to saxophone. He would go on to play with Ben Webster, Benny Carter, Harry Edison, Roy Eldridge and Coleman Hawkins. During this part of his career his virile swing style was chiefly inspired by Webster and Hawkins and his own quintet which he put together in 1965 and co-lead with Torolf Mølgaard and Bjarne Rostvold.

From 1966 to 1989, he was a member of the DR Big Band under bandleaders Palle Mikkelborg and Thad Jones. He mainly played alto saxophone but occasionally also tenor saxophone, soprano saxophone, baritone saxophone, concert flute, clarinet or bass clarinet. Through the Eighties, Jesper played in Ernie Wilkins’ Almost Big Band. Other collaborators have included Wild Bill Davison and Niels Jørgen Steen.

By 1989, leaving the DR Big Band and Ernie Wilkins’s orchestra he led his own bands with Søren Kristiansen, Olivier Antunes, Hugo Rasmussen og Svend-Erik Nørregaard. He first recorded as a leader for Storyville Records in 1973 and in the 1980s on Storyville his sidemen at various times included Kenny Drew, Clark Terry and Harry “Sweets” Edison, and appeared on the Miles Davis album Aura.

Considered to be one of the top European straight-ahead jazz musicians of the post-1970 period, tenor saxophonist, alto saxophonist, clarinetist and flutist Jesper Thilo continues to perform and record.

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Requisites

Cannonball Adderley Live! | By Eddie Carter

Alto saxophonist Cannonball Adderley steps into the spotlight of this morning’s discussion with his first live album after leaving Riverside. Cannonball Adderley Live! (Capitol Records T 2399/ST 2399) is a live date highlighting his sextet’s performances over three nights at Shelly’s Manne Hole in 1964! It hit the stores a year later and he’s joined on stage by brother Nat Adderley on cornet, Charles Lloyd on flute and tenor sax, Joe Zawinul on piano, Sam Jones on bass, and Louis Hayes on drums. Lloyd joined Cannonball’s group after Yusef Lateef left, and this is the only album I’m aware of that he recorded with the sextet. My copy used in this report is the original US Stereo release.

Cannonball introduces the set’s first tune, Little Boy With The Sad Eyes by Nat Adderley. Charles sets the introduction for the sextet’s collective theme on flute with a tender interlude by Joe. Nat paves the way for the others with a vivacious statement. Cannonball plants some firm roots on the second reading, next Charles adds an abundance of swinging ideas preceding leading the ensemble into a soft summation. Up next is Nat’s contemporary jazz classic, Work Song. Cannonball begins this tune with a concise introduction anchored by the group ahead of their feisty melody. The altoist is up first with a mesmerizing interpretation. Nat responds with a spirited solo leading to the ending theme and the leader’s remarks.

Sweet Georgia Bright, the first of two tunes by Charles Lloyd begins Side Two at a frenzied pace as the sextet rips into the torrid theme furiously. Charles has the first say and wails like the Road Runner traveling at breakneck speed. Nat moves with the fury of a violent whirlwind preceding the ensemble’s swift reprise and abrupt exit. The Song My Lady Sings is a very pretty ballad that could fit perfectly in a love story soundtrack. Cannonball and the rhythm section open the song tenderly. Nat and Charles add their haunting horns to complete the melody. Cannonball caresses each note of the first solo delicately. Nat enters next using the mute to build a warm, moving reading, next Joe delivers a luxuriously rich four-minute performance ahead of Cannonball’s postscript and gentle ending.

The Theme aka Unit 7 by Sam Jones allows Cannonball to address the audience and acknowledge his bandmates who end the set on an upbeat note. Cannonball Adderley Live! was produced by David Axelrod. It’s unknown who the recording engineer was, but the sound quality is quite good, placing the listener in the audience each night. A decade after this album was released, Cannonball suffered a stroke from a cerebral hemorrhage. He passed away at age forty-six on August 8, 1975. He also recorded for Blue Note, EmArcy, Fantasy, Mercury, and Riverside over his two-decade career and his legacy is an extensive discography including some albums as a leader and sideman that have stood the test of time. If you’re in the mood for some good live jazz, I invite you to check out Cannonball Adderley Live! It’s an underappreciated and overlooked gem deserving of a wider audience and a title I recommend for your library!

~ Cannonball Adderley – Source: Wikipedia.org ~ © 2022 by Edward Thomas Carter

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