GERALD ALBRIGHT, KANDACE SPRINGS, THE DANGERFIELD NEWBIES
MABRA LAW and 91.9 JAZZ WCLK present The WCLK JazzFest featuring saxophonist Gerald Albright, Kandace Springs and the Dangerfield Newbies for one spectacular night of music.
Gerald Albright is a Los Angeles, California born saxophonist and bass guitarist who has been a central figure in contemporary jazz since the 1980s. He’s known for his R&B instrumentals and has played with artists like Anita Baker, Whitney Houston, and The Temptations. Albright’s solo career began in 1987 with Just Between Us and has included 19 albums, chart-topping hits, and Grammy nominations. He’s also toured with Phil Collins and Summer Horns.
Kandace Springs is a Nashville-based singer and pianist who blends jazz, soul, and pop with contemporary influences. Her smoky voice and piano mastery have led to performances at the Afropunk and Bonnaroo festivals, as well as a sold-out Royal Albert Hall concert. Springs cites Norah Jones, Roberta Flack, and Nina Simone as her biggest influences. Her father, Scat Springs, sang backup for artists like Aretha Franklin and exposed her to a wide range of music.
The Dangerfeel Newbies are Jamal Ahmad, Darren “DJ” Wagner and Mark Angel. Inspired by the story of Dangerfield Newby, one of five African-Americans in the John Brown party, this Atlanta-based trio delivers a set that is deeply rooted in blues, jazz, soul, funk, hip-hop & house.
Tickets: $45.00
Bring your own food and libations. Food trucks on hand to purchase favorites.
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The Jazz Voyager
Getting out of Philadelphia the Jazz Voyager is on his way to Andy’s Jazz Club in a much warmer Chi-Town this month. Originally a lounge oasis for the newspaper personnel in the 1950s, by the late Seventies it changed hands and became a destination for jazz. Offering first Jazz at Noon, the club expanded to Jazz at Five and Jazz at Nine.
Having never seen the soul jazz, hard bop, post bop and modal group Sabertooth, this jazz voyager is anticipating a fervent showing of talent. Headed by saxophonists Cameron Pfiffner and Pat Mallinger, who put the group together thirty-five years ago, they play the classics by the likes of Horace Silver, Wayne Shorter, Lester Young, John Coltrane, covers by the Beatles, Grateful Dead, Bob Dylan, and Bob Marley as well as their original compositions.
Showtimes: 6:00pm-7:15pm & 8:15pm-9:30pm
Cover: $15.00
Andy’s Jazz Club is located at 11 E. Hubbard Street, Chicago, Illinois 60611. For more information contact the venue at https://andysjazzclub.com.
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SABERTOOTH
Founded around 1990, Sabertooth is led by two saxophonists: Cameron Pfiffner & Pat Mallinger. The band started out with the unique pairing of its two lead reedmen at an old musicians hang called Jazz Bulls in Lincoln Park West neighborhood of Chicago. From that night’s collaboration the idea of Sabertooth began to take shape with a driving force behind the widely varied stylings best summed up as, just groove it.
The group has often ventured beyond soul-jazz and hard bop and moved into post-bop and modal territory with John Coltrane’s modal recordings of the early to mid-’60s influencing the groups sound. Sabertoothis both a post-bop group and a soul-jazz/hard bop group with a highly diverse repertoire that includes many original compositions and jazz classics by Duke Ellington, Horace Silver, Wayne Shorter, Lester Young, John Coltrane, as well as covers by the Beatles, Grateful Dead, Bob Dylan, Allman Brothers, Lynyrd Skynyrd, and Bob Marley.
Special invited guests who have performed with the group have included Harry Connick Jr., Kurt Elling, Joe Lovano, Roy Hargrove, Wynton Marsalis Band, Jack McDuff, Joey DeFrancesco, Umphrey’s Mcgee Band, and many others.
Showtimes: 6:00pm-7:15pm & 8:15pm-9:30pm
Cover: $15.00
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Daily Dose Of Jazz…
John Troy was born on June 3, 1989 in Buffalo, New York. He began playing the saxophone at age twelve. After showing exceptional ability in the classical realm throughout middle school, with the tutelage of William Eicher, his attention gradually turned toward the study of Jazz Saxophone. He honed his skills with lead alto saxophone for Concert and Jazz All-County Ensembles, and New York All-State Bands as well.
John played both lead alto and tenor in the Fredonia Jazz Ensemble, student big band. He can be heard on the 2009 release of the FJE’s, Still Kickin’ and his debut album All Ahead Flank. He led his own small groups, Jazz Quintessential, and an organ trio, the JT Trio both with significant success.
He has performed and/or studied with the likes of Eric Alexander, Grant Stewart, Ralph Lalama, Todd Coolman, Tim Armacost, Chris Potter, Tom Harrell, Stacy Dillard, Hal Galper, Arturo O’ Farrell, and Pete Malinverni, among others.
Tenor saxophonist John Troy continues to find his musical way through performance and recording in the hard bop genre..
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Daily Dose Of Jazz…
Benjamin David Goodman was born on May 30, 1909 in Chicago, Illinois and was the ninth of twelve children born to poor Jewish emigrants from the Russian Empire. Growing up in the slums of the Maxwell Street neighborhood, his father would take him to free band concerts in a nearby park. When he was ten his father enrolled him and two of brothers in free music lessons at the synagogue, in addition he received lessons from clarinetist Franz Schoepp of the Chicago Symphony Orchestra. He went on to join a boy’s club band and by the time he turned thirteen he got his first union card,
He made his professional debut in 1921 at the Central Park Theater on the West Side of Chicago. He entered Harrison Technical High School in Chicago in 1922 and with card in tow Benny worked in a band featuring Bix Beiderbecke. Two years later, in 1926, he joined the Ben Pollack Orchestra and made his first recordings. Moving to New York City he became a session musician for radio, Broadway musicals, and in studios. In addition to clarinet, he sometimes played alto and baritone saxophones.
The Thirties saw him charting for the first time with He’s Not Worth Your Tears. He would go on to have top ten hits and from 1936 until the mid-1940s, with arrangements written during the Depression by Fletcher Henderson. Goodman hired Henderson’s musicians to teach his musicians how to play the music. He went on to lead one of the most popular swing big bands in the United States. His bands started the careers of many jazz musicians. During an era of racial segregation, he led one of the first integrated jazz groups, his trio and quartet.
Clarinetist Benny Goodman, while pursuing an interest in classical music, continued performing until the end of his life on June 13, 1986 in New York City.
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