Daily Dose Of Jazz…

Prince Lasha (pronounced “La-shay“) was born William B. Lawsha on September 10, 1929 in Fort Worth, Texas. He came of age studying and performing alongside fellow I.M. Terrell High School students John Carter, Ornette Coleman, King Curtis,  Charles Moffett  and Dewey Redman.

Lasha moved to California during the 1950s. In the 1960s, Prince Lasha was active in the burgeoning free jazz movement, of which his Fort Worth cohort Ornette Coleman was a pioneer. Lasha worked closely with saxophonist  Sonny Simmons , with whom he recorded two albums, The Cry and Firebirds no the Contemporary label, the latter receiving five stars and an AMG Albumpick at Allmusic. Later, he played with Harold Land.

Living to Europe for twenty years beginning in 1965, Lasha worked as a sideman appearing on recordings with  Eric Dolphy, Elvin Jones/Jimmy Garrison Sextet featuring McCoy Tyner, and with Michael White. He also played with Steve Lacy , Paul Bley , Attila Zoller , Gary Peacock , and Barry Altschul. In the 1970s, Lasha and Simmons made additional recordings under the name Firebirds. In 2005, Lasha recorded the album The Mystery of Prince Lasha with the Odean Pope Trio.

From 1965, Lasha lived in Europe for two years, where In the 1970s, he recorded with the sextet of 

Saxophonist, flautist and clarinetist Prince Lasha died on December 12, 2008, in Oakland, California. He left a small legacy of six recordings as a leader marking his place in jazz history.

 

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Daily Dose Of Jazz…

Walter Benton was born September 9, 1930 in Los Angeles, California and first began playing saxophone as in high school. After three years of service in the Army in the early 1950s, he played in 1954 with Kenny Clarke,  Max Roach and Clifford Brown.

From 1954 to 1957 he played Afro-Latin jazz with Pérez Prado, touring Asia with the band. Returning to the States, he went on to work with Quincy Jones in 1957 and Victor Feldman in 1958-59. He led his own group from 1959, recording under his own name in 1960 with Freddie Hubbard , Wynton Kelly , Paul Chambers , and Albert “Tootie” Heath.

That same year he worked again with Max Roach and Julian Priester. In 1961 he recorded with Abbey Lincoln, Roach once more, Eric Dolphy and Slide Hampton. By the late 1960s he was working with Gerald Wilson and John Anderson.

As so often happens with great players, in the late 60’s Benton became discouraged with the state of jazz and the overall music business, disappeared from the scene, sank into poverty never re-discovered. He stopped playing and lived the rest of his days in cheap rooming houses and collected a pittance of social assistance.

On August 14, 2000, West Coast tenor saxophonist Walter Benton, who played cool and bluesy, ventured into free and wild before returning to his roots with his beautiful dark and somewhat diffused sound coupled with his own ideas and phrasing, passed away in total obscurity in Los Angeles at the age of 69.

 

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TIA FULLER & LIL’ JOHN ROBERTS

Grammy-nominated saxophonist and composer Tia Fuller has established herself as one of the most compelling voices in modern jazz. Equally at home on the concert stage, in the recording studio, and in the classroom, Fuller is celebrated for her commanding tone, inventive compositions, and electrifying performances. A former member of Beyoncé’s all-female touring band, she has also performed and recorded with jazz luminaries including Esperanza Spalding, Terri Lyne Carrington, Nancy Wilson, and Ralph Peterson. Her critically acclaimed recordings, including the Grammy-nominated Diamond Cut, have solidified her reputation as an artist who effortlessly bridges artistic sophistication and broad audience appeal.

Joining Fuller is world-renowned drummer Lil’ John Roberts, one of the most sought-after drummers in contemporary music. Known for his explosive energy, impeccable groove, and remarkable versatility, Roberts has toured and recorded with an extraordinary roster of artists including Janet Jackson, Stevie Wonder, George Duke, Herbie Hancock, Chaka Khan, and The Crusaders. Together, Fuller and Roberts create a musical chemistry that is both powerful and deeply engaging, blending virtuosity, soul, and spontaneity in every performance.

Cover: $49.00

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ANTONIO HART QUINTET

When Antonio Hart was in ninth grade, the music and art programs were cut out of the public schools. Antonio was devastated because the one thing that made school interesting was taken away from him. Having a friend that attended the then new Baltimore School for the Performing Arts, somehow got Antonio an audition. He did the best he could because he really could not read the level of music he was trying to play. He prayed everyday, but he did not think he would get in. One week to the day, he received a transfer letter in the mail; he had been accepted! Hart considers this the beginning of his life as a young man and musician.

Hart’s real study of Jazz began at the Berklee College of Music in Boston. There, he studied with Bill Pierce, Andy McGhee, and Joe Viola. The three teachers gave him the foundation he needed to develop into a professional musician. Hart spent many hours in the library listening to all his favorite musicians, and practicing and playing as much as he could. There were also many late hours in the practice room. Because of the lessons learned at the School for the Arts, he really thought it was important to have a balance between music and academia, so in his sophomore year he became a Music Education Major. The most important friendship at Berklee was with Roy Hargrove. They spent three years touring the world and recording Hargrove’s first three records. Hart considers Hargrove to be his brother in life and music. He even used Hargrove on his first recording ‘For the First Time.’

His 1997 release, ‘Here I Stand’ Impulse records, earned Hart a 1997 Grammy nomination for ‘Best Jazz Instrumental Solo.’ He has also been in much demand as a guest on over 80 recordings. Since then, Hart has recorded seven CDs as a leader. Hart balances his time as a full-time Professor at The Aaron Copland school of Music, Queens College, as well as, traveling on the road with his band, The Dave Holland Big band, and The Dizzy Gillespie Big band.

The Quintet
Antonio Hart ~ Alto Sax
Mejedi Owusu ~ Trumpet
Richard Johnson ~ Piano
Alex “Apolo” Ayala ~ Bass
Jerome Jennings ~ Drums

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FRANK LACY

Trombonist Frank Lacy brings his talent to the stage at Smalls. He has spent over two decades as a member of the Mingus Big Band. An alumni of Texas Southern University and Berklee College of Music in Boston, studying trombone and composition. His classmates included Branford Marsalis, Greg Osby, and Marvin Smith.

He played with Illinois Jacquet’s big band, and a couple years later he was musical director for Art Blakey. He released his first album as a band leader in 1991 with his father on guitar.[3] He has also worked with Lester Bowie, Marty Ehrlich, Michael Formanek, Slide Hampton, Roy Hargrove, Rufus Reid, Henry Threadgill, Steve Turre, McCoy Tyner, and Bobby Watson.

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