Requisites

Blues For Harvey ~ Johnny Griffin | By Eddie Carter

It’s been a while since I listened to one of my favorite tenor saxophonists, Johnny Griffin, so I chose an album that became the inspiration for this morning’s discussion. Blues For Harvey (SteepleChase Records SCS-1004) is an excellent 1973 live date, and Johnny’s working with a stellar supporting cast: Kenny Drew on piano, Mads Vinding on bass, and Ed Thigpen on drums. My copy is the 1976 U.S. Stereo reissue (Inner City IC 2004). Johnny began his career in the forties playing the alto sax. He changed to tenor after joining Lionel Hampton’s Orchestra, and he’s played with Art Blakey, Eddie “Lockjaw” Davis, Kenny Clarke-Francy Boland Big Band and Thelonious Monk, to name a few.

The quartet begins the set with a trip to That Party Upstairs, the first of four by Johnny Griffin. The ensemble’s melody begins at an easy swing before stepping aside for Johnny’s lengthy opening statement. Kenny takes an interesting turn next; then Mads finishes with a carefree stroll ahead of the foursome’s theme restatement and close. Alone Again is a pretty ballad that Kenny introduces gently segueing into Johnny’s delicately tasteful theme and opening chorus. The pianist follows with an elegantly stylish interpretation; then, Mads makes a few intimate remarks preceding Griff’s return for a touching theme reprise and finale.

Side Two starts with Soft and Furry. Griff and Mads open with a dialogue over Ed’s soft supplement into the quartet’s haunting theme. Johnny opens the solos with an exceptionally rich tone. Kenny takes an exquisite performance next, and then Mads gives a tender interpretation before the tenor and bass reappear to lead the foursome to a beautiful climax. Blues For Harvey is dedicated to the Montmartre bartender, Harvey Sand. Griff sets the tone in the introduction and the quartet’s melody. Johnny takes the lead in an incredibly fleet interpretation. Kenny adds a bit of fire and drive in the second reading, and Ed has a vigorous exchange with the leader, leading to the ensemble’s brisk conclusion.

Rhythm-A-Ning by Thelonious Monk starts with the foursome’s quirky theme before Johnny takes flight with a speedy interpretation that seamlessly switches to The Theme before the song ends with Griff’s introduction of the quartet. Johnny Griffin and Nils Winther produced Blues For Harvey, and Nils also did double duty behind the dials of the recording. The album’s sound quality is good for a seventies live date, placing the listener in the Montmartre audience, and the quartet’s performance is enjoyable throughout. If you’re a fan of Griff’s playing or in the mood for hard bop, I offer for your consideration, Blues For Harvey by Johnny Griffin. It’s a little-known release in his extensive discography deserving of greater recognition and worthy of checking out for a spot in your library!

© 2024 by Edward Thomas Carter



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THE MUSIC OF BENNY GOLSON

Eddie Henderson – trumpet | Ralph Moore – tenor saxophone | Steve Davis – trombone | Mike LeDonne – piano | Buster Williams – bass | Carl Allen – drums

“Among jazz’s greatest living composers.” – The Washington Post The music of jazz legend Benny Golson is celebrated and performed by the New Jazztet featuring trumpeter Eddie Henderson, trombonist Steve Davis, pianist Mike LeDonne, bassist Buster Williams, and drummer Carl Allen with special guest Ralph Moore on tenor saxophone. This group recorded together under Golson’s leadership in 2008, which resulted in the acclaimed album, New Time, New ’Tet. Golson is one of the most important contributors to jazz history as a player and the jazz canon as composer writing such enduring classics as “Killer Joe,” “I Remember Clifford,” “Along Came Betty,” “Stablemates,” “Whisper Not,” “Blues March,” “Five Spot After Dark,” and “Are you Real?” among quite a few others. He also was a major influence on the tenor saxophone playing in the bands of Benny Goodman, Dizzy Gillespie, Lionel Hampton, Earl Bostic, and Art Blakey. The full impact of his career on American culture is hard to summarize but Downbeat called him “a defining voice of modern jazz.”

***PLEASE NOTE: All 7PM and 9PM shows at Smoke are Dinner Shows | Fees Apply To All Tickets

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CHARLES MCPHERSON

Reverence | Record Release

Charles McPherson – alto saxophone | Terell Stafford – trumpet | Jeb Patton – piano | Peter Washington – bass | Billy Drummond – drums

“No jazz musician of the past 60 years has more palpably channeled the sound of Charlie Parker than alto saxophonist Charles McPherson.” – Jazziz

Alto saxophonist and bebop legend Charles McPherson celebrates the release of his new Smoke Sessions album, Reverence, with his quintet featuring trumpeter Terell Stafford, pianist Jeb Patton, bassist Peter Washington, and drummer Billy Drummond. One of the most acclaimed and beloved voices in jazz, McPherson’s rich musical style is rooted in the blues and bebop and has influenced and inspired generations of musicians and listeners for over six decades. He has performed at concerts and festivals around the world with jazz greats like Barry Harris, Billy Eckstine, Nat Adderley, Jay McShann, Phil Woods, Wynton Marsalis, James Moody, Dizzy Gillespie, and others. In a recent review, Downbeat states, “As a still-vibrant jazz veteran with ties to innovators like Charles Mingus and Lionel Hampton, McPherson’s writing carries on the traditional weight of bebop and swing, buoyed with an inventive, contemporary spark.”

***PLEASE NOTE: All 7PM and 9PM shows at Smoke are Dinner Shows | Fees Apply To All Tickets

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ODE FOR JOE: CELEBRATING THE MUSIC OF JOE HENDERSON

Nicholas Payton – trumpet | Walter Smith III – tenor saxophone (Wed – Fri, 4/17 – 4/19) | Melissa Aldana – tenor saxophone (Sat – Sun, 4/20 – 4/21) | Renee Rosnes – piano | Peter Washington – bass | Al Foster – drums

An all-star group performs the music of Joe Henderson, one of the most distinctive and admired artists in jazz history. Henderson was a prolific composer who wrote numerous jazz standards and was a transcendent soloist who left a discography of classic albums. The Guardian called him “a giant of the jazz saxophone.” The New York Times added, “Mr. Henderson was unmistakably modern,” and quoted the great Benny Golson, “Joe had one foot in the present, the other in the future, and he was just a step away from immortality.” Pianist Renee Rosnes and drummer Al Foster each spent significant parts of their careers working alongside Henderson. They celebrate Henderson’s April 24th birthday.

***PLEASE NOTE: All 7PM and 9PM shows at Smoke are Dinner Shows | Fees apply to all tickets

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PAQUITO D’RIVERA QUINTET

Paquito D’Rivera is a living monument of Latin jazz. Born in Havana in 1948, he was introduced to music at an early age by his father, who is a classical saxophonist but also with a clear passion for listening to jazz. During his studies at the Havana Conservatory of Music he met Chucho Valdés with whom in 1967 he created the Orquesta Cubana de Música Moderna. But it was in 1973 that the two laid the foundations for their legend: they founded the group Irakere, mixing jazz, rock, classical and Cuban music. A mix with Western music certainly not too pleasing to the Cuban regime: it was precisely the continuous interference of the communist government that pushed D’Rivera to ask for political asylum from the United States in 1980.

Even in his new homeland he soon emerged as a beacon of Latin jazz . He collaborates with McCoy Tyner, George Coleman, Chick Corea, Tito Puente, Astor Piazzolla, while in his formations he welcomes young musicians, projecting them towards international fame (Michel Camilo, Danilo Pérez, Hilton Ruiz, Claudio Roditi). In 1989 he joined one of the most amazing Afro-Latin orchestras that have ever graced the stage, the United Nation Orchestra created by Dizzy Gillespie, of which he himself became director after Gillespie’s death.

He is the only artist who can boast of having won the Grammy Award for both jazz, Latin and classical music. And D’Rivera has won quite a few awards: the last two at the 2023 Latin Grammys for the best Latin jazz/jazz album ( I Missed You Too!, with Chucho Valdés) and for the best contemporary classical composition (the Concerto Venezolano , recorded by trumpeter Pacho Flores..

The Band:

Paquito D’Rivera: clarinet/saxophone | Jose Rivero: piano | Gaston Joya: double bass | Sebastian Laverde: vibraphone | Mauricio Zottarelli: drums

 

***Website requires translation

 

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