CYNTHIA SCOTT & HOUSTON PERSON
Cynthia Scott – vocals
Houston Person – tenor saxophone
Jeb Patton – piano
Russell Hall – bass
Willie Jones III – drums
Cynthia Scott, a soulful, Grammy-nominated vocalist, leads a swinging quintet featuring the legendary tenor saxophonist Houston Person. Scott worked with Ray Charles as a Raelette before launching her successful solo career and subsequently performing with Hank Crawford, David “Fathead” Newman, Wynton Marsalis, Harry Connick Jr., and many others. JazzTimes says Scott blends “the sinewy grit of Gladys Knight and the sophisticated sass of Shirley Horn” with “nods to such idols as Carmen, Ella, Sarah, and Dinah.” The Chicago Tribune called her “a mesmerizing vocalist.” Houston Person is the very special guest with this quintet and All About Jazz says, “Whatever imponderable talent it takes to stay at the top of one’s game for almost six decades, as Person has, he still has it in abundance.”
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BOBBY WATSON QUINTET
“Back Home In Kansas City” Record Release
Bobby Watson – alto saxophone
Wallace Roney Jr – trumpet
Cyrus Chestnut – piano
Curtis Lundy – bass
Victor Jones – drums
Alto saxophonist Bobby Watson, one of the most acclaimed and beloved artists of the last 40+ years, returns to New York City and Smoke to celebrate belatedly the 2022 release of his latest record Back Home in Kansas City with the stellar rhythm section featured on it including pianist Cyrus Chestnut, bassist Curtis Lundy, and drummer Victor Jones with the special addition here of trumpeter Wallace Roney Jr. Audiophile Audition recommends this album for listeners who “love Cannonball Adderley, and the soulfulness of Gene Ammons and Sonny Stitt, and hearing church gospel roots with blues influences.”
LIVESTREAM ~$15.00 + fees
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HERSCHEL MCWILLIAMS TRIO
Herschel McWilliams is a life long resident of the Kansas City area. Born and raised in Kansas City, KS, growing up the son of musicians (father who is a drummer & mother is pianist) he was introduced to many musical influences at an early age. He started learning piano at 8 years old and alto saxophone at 10 years old. He serves on the Board of Directors for Kansas City Jazz Ambassadors as well as running his own jazz website LiveJazzKC.com.
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Daily Dose Of Jazz…
Mahlon Clark was born on March 7, 1923 and raised in Portsmouth, Virginia. He started out in vaudeville as a child, however, as a teenager he became a big band musician playing for the Ray McKinley and Will Bradley bands, among others.
Relocating to California during World War II and after serving in the armed forces, found employment at Paramount Pictures where he performed music on many movie soundtracks.
In 1962 Mahlon was hired by Lawrence Welk to join his orchestra and his television show. For six years he played both the clarinet and saxophone on the weekly show and on stage when the Musical Family went out on tour.
Leaving the Welk organization in 1968, Clark continued to perform on many more movie soundtracks and with numerous artists such as Frank Sinatra and Madonna.
Clarinetist and saxophonist Mahlon Clark transitioned on September 20, 2007 at the age of 84.
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Daily Dose Of Jazz…
Peter Brötzmann was born on March 6, 1941 in Remscheid, North Rhine-Westphalia, Germany. He studied painting in Wuppertal and was involved with the Fluxus movement but grew dissatisfied with art galleries and exhibitions. He experienced his first jazz concert when he saw Sidney Bechet while still in school at Wuppertal, and it made a lasting impression.
He taught himself to play clarinets, then saxophones and finally the tárogató. Among his first musical partnerships was with double bassist Peter Kowald. His debut recording, For Adolphe Sax, released in 1967 featured Kowald and drummer Sven-Åke Johansson. In 1968 Machine Gun, an octet recording, was released and self-produced under his BRO record label which he sold at concerts. Atavistic reissued the album in 2007.
His 1969 album Nipples, wasn’t followed with another recording as a leader until 1976 which was followed by sixty-one more releases through 2020. Brötzmann was a member of Bennink’s Instant Composers Pool, a collective of musicians who released their own records and that grew into a 10-piece orchestra.
The logistics of touring with the ICP tentet or his octet resulted in Peter reducing the group to a trio with Han Bennink and Fred Van Hove. Bennink was a partner in Schwarzwaldfahrt, an album of duets recorded outside in the Black Forest in 1977 with Bennink drumming on trees and other objects found in the woods.
In 1981, Brötzmann made a radio broadcast with saxophonists Frank Wright and Willem Breuker, trumpeter Toshinori Kondo, trombonists Hannes Bauer and Alan Tomlinson, pianist Alexander von Schlippenbach, drums Louis Moholo, and bassist Harry Miller. This was released as the album Alarm.
During the Eighties, Brötzmann flirted with heavy metal and noise rock, recording with Last Exit and the band’s bass guitarist and producer Bill Laswell. His has released over fifty albums as a bandleader and has appeared on dozens more. His Die Like a Dog Quartet (with Toshinori Kondo, William Parker and drummer Hamid Drake) is loosely inspired by saxophonist Albert Ayler, a prime influence on his music. Since 1997, he has toured and recorded regularly with the Peter Brötzmann Chicago Tentet which he disbanded after an ensemble performance in November 2012 in Strasbourg, France.
He has recorded or performed with Cecil Taylor, Keiji Haino, Willem van Manen, Mats Gustafsson, Ken Vandermark, Conny Bauer, Joe McPhee, Paal Nilssen-Love and Brötzmann’s son, Caspar Brötzmann.
Saxophonist and clarinetist Peter Brötzmann, who has not abandoned his art training and has designed most of his album covers, continues to perform and record.
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