Daily Dose Of Jazz…
Dave Wilkins was born on September 25, 1914 in Barbados. He first played in Salvation Army bands in his native country. In 1937, he moved to London, England, where he worked with Ken Snakehips Johnson’s West Indian Swing Band among others.
He recorded with Una Mae Carlisle and Fats Waller in 1938, and continued to work with Johnson until 1941. Following this, he played with English jazz musicians such as Ted Heath, Harry Parry, Joe Daniels and Cab Kaye.
Trumpeter Dave Wilkins, who stopped playing in the 1970s, died on November 26, 1990 in London, England.
</p
More Posts: history,instrumental,jazz,music,trumpet
MARQUIS HILL
Winner of the 2014 Thelonious Monk International Trumpet Competition, Chicago-born trumpeter Marquis Hill has, in a comparatively short time, established his well-deserved reputation as a leading figure among today’s crop of most adventurous jazz musicians. He returns with compositions from his new album and band project, Composers Collective, featuring an all-star ensemble that includes keyboardist Mike King, bassist Junius Paul, vibraphonist Joel Ross, and drummer Makaya McCraven.
A singular artist with a warm, soul-drenched sound and an advanced command of composition, Hill accepted the prestigious Monk honor as an acknowledgment of a major career already in progress rather than the first spark from a neophyte, with four albums as a leader already under his belt, and a distinctive ensemble approach firmly established.
More Posts: adventure,bandleader,genius,history,instrumental,jazz,music,preserving,trumpet
Daily Dose Of Jazz…
Vinnie Cutro was born in New Jersey on September 9, 1953 and received his formal musical training throughout his formative years. He continued his education at New Jersey University, receiving his B.A in Music Education, then got his Masters in Jazz Performance from New York University. He furthered his studies in jazz composition, classical studies, jazz arranging and counterpoint with Dr. Tom Boras and Jim McNeely.
His working education began as a freelance musician in the New York City area. During the past 30 years Vinnie has performed with Horace Silver, Buddy Rich and Lionel Hampton. During his tenure with the latter he performed guest appearances with various American symphonic orchestras.
He has traveled extensively throughout the world appearing at jazz festivals and concerts in Europe, Japan, Africa, Canada, South America and the U.S.A. Cutro’s debut release as a leader, Blues for the Optimist, came in 1995 and featured Bob Mintzer, Jim McNeely, Victor Jones, and Mike Richmond. His sophomore release, Aberration, features guitarist Mike Stern, trombonist Bob Farrel, bassist Martin Wind, Sarah Jane Cion on piano, Victor Jones on drums and pianist Mitch Schechter.
Trumpeter Vinnie Cutro continues to compose, record and perform in the New York City area with his new ensemble New York City Soundscape.
More Posts: bandleader,history,instrumental,jazz,music,trumpet
Requisites
The Final Tour: Copenhagen, March 24, 1960 ~ Miles Davis and John Coltrane | By Eddie Carter
In this morning’s discussion, I’m presenting an album by Miles Davis and John Coltrane from the library for your consideration. The Miles Davis Quintet performed at the distinguished Denmark venue, Tivolis Koncertsal, for the first time as part of The Spring 1960 Jazz at The Philharmonic European Tour. However, changes were on the way, as the album’s title suggests, The Final Tour: Copenhagen, March 24, 1960 (Columbia Legacy 88985498741). It would mark the end of an era as tenor saxophonist John Coltrane was looking to leave and start his group. The rhythm section, Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums, would also leave to become The Wynton Kelly Trio.
Despite the underlying questions facing the trumpeter, the quintet’s three performances for the capacity audience that evening were brilliant and a highlight of the tour. To kick things off, Norman Granz, the master of ceremonies, introduced each man individually, with the crowd’s largest ovations reserved for Paul, John, and Miles. My copy is the 2018 European Mono Limited Edition reissue. With a few snaps of the leader’s fingers, the trio kicks off So What by Miles Davis with a short introduction segueing into Miles’ and John’s infectious melody, a captivating tune that immediately draws you in. Davis ignites the first solo with intense heat. John comes in next to dispense a bit of rhythmic fury, and then Wynton infuses the finale with jubilant enthusiasm ahead of the closing chorus and climax.
The pace slows to mid-tempo as the ensemble begins On Green Dolphin Street by Bronislaw Kaper and Ned Washington from the 1947 film Green Dolphin Street. The first part of this standard opens with the theme unfolding at a leisurely pace and Miles, on the muted horn, leading the way into a delightful opening statement. John soars cheerfully into a captivating, well-behaved performance. Part Two of On Green Dolphin Street starts on the second side, with Wynton cruising at a comfortable speed behind both horns in the following interpretation, as smooth as silk. Paul takes his first opportunity to solo with a brisk footnote on the closing statement that swings masterfully into the theme’s return and finale.
All Blues by Miles Davis affords the leader, John, and Wynton ample solo space. Paul gets things off to a good start with a concise introduction, leading to Miles’s carefree theme back on the muted horn. He removes it to begin the opening statement. John follows him with a relaxing interpretation that is as enjoyable as a day at the beach. Wynton sustains the easygoing pace with a gorgeous performance into the ending theme and soft summation. The closer is an incomplete take of Miles’ The Theme, a deliberate choice that signals the end of the set and album, lasting only thirty seconds until it fades to nothingness. The mastering of The Final Tour: Copenhagen, March 24, 1960, by Mark Wilder is a demonstration class and a great way to show off a mid-level or high-end audio system.
The vinyl is exceptionally quiet until the music starts, and the instruments have outstanding detail. This reveals an incredible soundstage with superbly presented music, thanks to jazz producer George Wein, Danish Radio and the Danish Programming Company, who originally recorded the shows for broadcast. This is my first LP from the We Are Vinyl series from Columbia-Legacy, and judging by its superb sound quality, it won’t be the last. If you’re a fan of either of these giants and are looking for a live jazz album where each musician is at the peak of their creativity. In that case, I enthusiastically invite you to check out The Final Tour: Copenhagen, March 24, 1960, by Miles Davis and John Coltrane. It’s an LP that merits serious consideration for any jazz fan’s library, and I am sure you’ll enjoy it!
~ On Green Dolphin Street – Source: JazzStandards.com
© 2024 by Edward Thomas Carter
More Posts: choice,classic,collectible,collector,history,instrumental,jazz,music,saxophone,trumpet
The Jazz Voyager
Staying on the east coast and heading back down to the city to the lower westside of Greenwich Village to the iconic jazz spote called the Village Vanguard. The 130 seat venue has been around since 1935 and has brought hundreds of legendary musicians to this New York stage. Their 16 musician Vanguard Jazz Orchestra which began as the Thad Jones/Mel Lewis Orchestra in 1966, plays every Monday night.
This week I’ll be having the privilege of hearing Joe Lovano & the Dave Douglas Quintet, who will be inresidence for a week. They have been playing together for some years, and when Lovano brings his tenor saxophone and pairs it with Douglas’ trumpet which creates an exciting performance.
The Village Vanguard is located at 178 7th Avenue S, New York City, NY 10014. For more information visit https://villagevanguard.com.
More Posts: adventure,club,genius,jazz,music,preserving,saxophone,travel,trumpet