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Bruz Freeman was born Eldridge Freeman on August 11, 1921 in Chicago, Illinois. Also known as “Buzz” Freeman with his brothers, guitarist George Freeman and tenor saxophonist Von Freeman, he played for several years in the house band at the Pershing Hotel.
In 1950, he was a member of John Young’s trio with bassist LeRoy Jackson and recorded with Young’s orchestra backing vocalist Lurlean Hunter.
By the mid-1950s, Bruz became a member of the Hampton Hawes Quartet, with Red Mitchell and Jim Hall, and with line-ups led by Herb Geller. In 1950, with his brothers George and Von, LeRoy Jackson, and Chris Anderson, he played with Charlie Parker shortly before his death. This jam session was recorded at Bird’s apartment and was later released in 1960 by Savoy Records.
He went on to record with Clora Bryant in the late Fifties and John Carter, Bobby Bradford, Bob Thiele in the Sixties. Fro 1977-1978 he joined a short-lived band based in California led by Kenny Mann and with Britt Woodman on trombone. Drummer Bruz Freeman never recorded as a leader and passed away on November 21, 2005 at age 84 in Boulder City, Nevada.
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Daily Dose Of Jazz…
Nat Towles was born on August 10, 1905 in New Orleans, Louisiana the son of string bassist Phil “Charlie” Towles. Starting his musical career as a guitarist and violinist at the age of 11, he switched to the bass at the age of 13. Performing in New Orleans through his teenage years with Gus Metcalf’s Melody Jazz Band, he eventually played with a number of bands, including those of Buddie Petit, Henry “Red” Allen, Jack Carey, and the Original Tuxedo Jazz Orchestra.
In 1923 he formed The Nat Towles’ Creole Harmony Kings and this jazz band became one of the prominent territory bands in Texas, Oklahoma, Kansas, and Nebraska. By 1925 he was playing bass for Fate Marable, and the following year reformed his own band. 1934 saw him organizing a band of young musicians studying music at Wiley College in Austin, Texas.
Nat worked a club circuit in Dallas during this period, reportedly for a gangster who owned 26 nightclubs throughout the city. During this period T-Bone Walker and Buddy Tate worked for him. During the 1930s he transformed his band into The Nat Towles Dance Orchestra, signed with the National Orchestra Service, and focused on swing music through the 1930s and 1940s.
In 1934 Towles took up residence in North Omaha, Nebraska, where his band was stationed for the next 25 years. With this outfit he dueled with Lloyd Hunter for dominance over the much-contested Near North Side in North Omaha, where he was held over at the Dreamland Ballroom for several weeks. In 1936 and 1937 his band held residence at Omaha’s Krug Park.
In 1943 he also held a three-month stint at the Rhumboogie Club in Chicago, and later that year took up residency again with Billy Mitchell in tow in Omaha’s Dreamland Ballroom. He went on to play extensively throughout New York City, playing with trombonist Buster Cooper, saxophonists Red Holloway, Buster Bennett and Preston Love.
As their bandleader, Towles is credited with influencing a variety of musicians including Sir Charles Thompson and Neal Hefti, as well as superior saxophonists Jimmy Heath, Oliver Nelson and Paul Quinichette. As an educator he influenced many younger musicians such as pianist Duke Groner and trombonist Buddy McLewis, aka Joe McLewis.
Continuing to lead bands throughout the 1950s, in 1959 he retired to California and opened a bar. Bassist, guitarist and violinist Nat Towles, who feared the limelight would steal away his best players thus never sought national recognition and leaving no known recordings, passed away in January of 1963 in Berkeley, California of a heart attack.
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Kat Gang was born on August 9, 1980 in Boston, Massachusetts. She developed a passion for jazz at Berklee School of Music in her hometown and while matriculating received the Berklee College of Music Judges’ Choice Award and the Outstanding Vocalist Award. Honing her skills further at New York University, she earned a Bachelor’s degree while majoring in drama and voice.
A singer/songwriter, Kat takes on the traditional standards but is no stranger to interpretations of Joni Mitchell, Rickie Lee Jones, Arctic Monkeys or Oasis as she works as a duo with jazz guitar or piano. She is also known to work with many of Europe’s leading musicians in big bands, nonets, or as part of an eight piece Ella Fitzgerald tribute.
Currently with her own trio and quartet, vocalist Kat Gang stays in constant demand to perform in theaters, clubs, restaurants and even bateaux on London’s River Thames.
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Knocky Parker was born John William Parker, II on August 8, 1918 in Palmer, Ellis County, Texas. By the Thirties he was playing in Western Swing bands such as The Wanderers and the Light Crust Doughboys through the end of the decade before serving in the military during World War II.
After the war Parker worked with Zutty Singleton and Albert Nicholas, then earned a Ph.D in English and taught at Kentucky Wesleyan College and the University of South Florida. While fulfilling his teaching responsibilities he worked with Doc Evans, Omer Simeon, and Tony Parenti, among others, as well as working as a solo artist.
In the early 1960s he recorded every Scott Joplin rag, one of the first to do so. In addition, he recorded the complete works of Jelly Roll Morton. Knocky recorded extensively, for the labels Texstar, Paradox, GHB, London, Audiophile, Jazzology, and Euphonic.
Pianist Knocky Parker, who played primarily ragtime and Dixieland jazz passed away on September 3, 1986 in Los Angeles, California.
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Howard Lewis Johnson was born August 7, 1941 in Montgomery, Alabama. In the 1960s he worked with Charles Mingus, Hank Crawford, Rahsaan Roland Kirk, Archie Shepp, and Hank Mobley on the album A Slice of the Top.
He began a long association with Gil Evans in 1966, arranger of a horn section that backed Taj Mahal on Mahal’s 1971 live album, The Real Thing, which featured three other tubists/multi-instrumentalists, Bob Stewart, Joseph Daley and Earl McIntyre. Howard played with The Band on their Rock of Ages live album, The Last Waltz and into the late 2000s with The Band drummer, Levon Helm’s Band. During the 1970s, he was the band conductor of the Saturday Night Live Band; he can be seen in several musical numbers, including playing bass saxophone in the King Tut sketch.
He has also led three tuba bands, collaborated with Tomasz Stanko, Substructure, Tuba Libre and GRAVITY, perhaps his best-known band. In 1981 he performed at the Woodstock Jazz Festival, held in celebration of the tenth anniversary of the Creative Music Studio.
He had a minor role in the 1983 film, Eddie and the Cruisers as Wendell’s replacement and also appeared in episodes of Matlock and Hill Street Blues. Johnson famously accompanied James Taylor in a performance of Jelly Man Kelly on Sesame Street in 1983, and also on tin whistle when Taylor sings to Oscar The Grouch.
Tubist, baritone saxophonist, arranger, conductor and bandleader Howard Johnson, who also plays bass clarinet, trumpet and other reed instruments, continues to perform, record and tour.
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