Daily Dose Of Jazz…
Bill Trujillo was born on July 7, 1930 in Los Angeles, California and started clarinet lessons at the age of four, then switched to tenor saxophone after seeing Lester Young perform with Count Basie in Los Angeles. His mother, a dance teacher at the famous Palomar Ballroom, regularly took him and his older brother to hear big bands when they were in residence at the Palomar, the Paramount, and other popular LA show places.
Learning to read music before he could read words and after Lincoln High School, where his friend and classmate was Lennie Niehaus played, Trujillo started his long professional career at the age of 16 with the West Coast based Glenn Henry Band. The band also boasted a young trombone player named Jimmy Knepper. During the ’40s, Bill played with Alvino Rey and other West Coast groups. In 1953, he joined Woody Herman with whom he remained until the following year when Bill Russo beckoned he joined the quintet but then playing in Chicago. Eventually finding the Windy City too cold, he returned to L.A. where he played in the orchestras of Charlie Barnet and Jerry Gray, and gigged with small groups.
At the behest of his longtime friend Lennie Niehaus, Trujillo joined Stan Kenton band in 1958, however, road trips often lasting a year or more put too much of a strain on his young family. Moving to Las Vegas, Nevada in 1960 he played with Nat Brandywynne and he has been there ever since. He became a mainstay in show orchestras at the Tropicana, Flamingo, Thunderbird and the Dunes playing behind Frank Sinatra, Ella Fitzgerald, Peggy Lee and many other. After a labor dispute in 1989 dried up this source of work, he returned to playing in big bands and small groups throughout the country.
In 1999 he led his debut album It’s Tru followed by his 2006 It’s Still Tru with Carl Fontana on the TNC label. As an educator, saxophonist Bill Trujillo teaches clarinet, flute, and all saxophones while continuing to perform in Las Vegas.
#preserving genius
The Jazz Voyager
The Jazz Voyager is back in the States in Philadelphia, Pennsylvania to experience the ambience and music of the Paris Bistro & Jazz Café. Located in the Wyndmoor section of the city at 8229 Germantown Avenue in the 19118 zip code. The venue’s décor of black and white tiled floors, tin city, red leather and velvet upholstery, and custom metal work will transport me and the other initiates back to the 1930s.
The upstairs bar allows for a classic bistro menu, camaraderie and the opportunity to imbibed your favorite beverage at the seated bar. Downstairs in the 52 seat lounge where I’ll be listening to some outstanding jazz. This jazz spot also offers on stage performances of gypsy jazz, Latin jazz, the Great American Songbook, jazz-era music, and traditional jazz Thursday through Sunday with a cover charge between $5 – $10.
Reservations are recommended to accommodate parties of two to six and can be made by calling (215) 242-6200. Larger parties require a minimum, so call for pricing. #jazzvoyager#wannabewhereyouare
Sponsored By
Voices From The Community
#preserving genius
More Posts: adventure,club,genius,jazz,music,preserving,restaurant,travel,voyager
Daily Dose Of Jazz…
Chris White was born Christopher Wesley White on July 6, 1936 in Harlem, New York and grew up in Brooklyn. He graduated in 1956 from City College of New York, and in 1968 from the Manhattan School of Music. In 1974, earning his Master of Education from the University of Massachusetts. In 1994, he did postgraduate Advanced Computer Study at Berklee College Of Music.
An occasional member of Cecil Taylor’s band in the 1950s, he is credited on the 1959 Love for Sale album. From 1960 to 1961 White accompanied Nina Simone and subsequently he joined Dizzy Gillespie’s ensemble until 1966.
He later founded the band The Jazz Survivors and was a member of the band Prism. He would go on to collaborate with Billy Taylor, Eubie Blake, Earl Hines, Chick Corea, Teddy Wilson, Kenny Barron, Mary Lou Williams, Duke Ellington, Sarah Vaughan, Carmen McRae and Billy Cobham, among others.
He recorded on album as a leader titled the Chris White Project with Cassandra Wilson, Marvin Horne, Jimmy Ponder, Grachan Moncur III, Michael Raye, Steve Nelson, Keith Copeland and Steve Kroon. He also co-led a session with Lou Caputo in 2010 on the Interface label. As a sideman he recorded with Kenny Barron, Ramsey Lewis, James Moody, Dave Pike, Lalo Schifrin and Quincy Jones.
As an educator he was a part of the creative arts and technology faculty at Bloomfield College in New Jersey. Bassist, arranger, producer Chris White, who won the Downbeat and Playboy Readers Polls among other awards, passed away on December 2, 2014.
More Posts: bass
Daily Dose Of Jazz…
Ray Biondi was born Remo Biondi on July 5, 1905 in Cicero, Illinois. As a child he started with violin and his early training was classical under the supervision of several teachers from the American Conservatory of Chicago. Mandolin followed at age 12 and it became his gateway into the world of string bands, and added guitar and then trumpet into his musical arsenal.
In 1926 he began playing professionally with the Blanche Jaros Orchestra, based out of Cicero, and the next year he started an eight-year period of heavy freelancing in Chicago, enjoying new contacts such as trumpeter Wingy Manone, reedman Bud Freeman, and Earl Burtnett put Biondi in his lineup as a violin and trumpet double. This band took him on a series of tours Kansas City, Cincinnati and New York. this led to a gig with clarinetist and saxophonist Joe Marsala and playing guitar whenever Eddie Condon double booked himself.
In 1938, Gene Krupa hired Ray solely as a guitarist except on an orchestra project where he double as a violinist. A year later he left the band and formed a series of small groups as a leader and one band had a long residency at Chicago’s 606 Club. He then opened a short-lived club himself, and Krupa took him back on the road in the early ’50s. He then began to get session guitar and mandolin work in some genres outside of straight jazz. With Pat Boone and the Crew Cuts as doo wop became a new musical style.
By 1961, he had begun a serious shift to teaching all of his instruments except the trumpet, but continued gigging with groups both large and small, including the orchestra of Dick Schory in the former case and stride pianist Art Hodes in the latter. Violinist Ray Biondi passed away on January 28, 1981 in Chicago, Illinois.
Sponsored By
#preserving genius
Daily Dose Of Jazz…
Carolyn Breuer was born on July 4, 1969 in Munich, Germany, the daughter of jazz musician Hermann Breuer. When she was 19 years old, she studied saxophone as a member of the Bundes Jazz Orchestra at the Konservatorium in Hilversum under Ferdinand Povel. After graduation, she moved to New York City where she took private lessons with George Coleman and Branford Marsalis.
She has worked with Coleman, Fee Claassen and Ingrid Jensen before starting her own label, NotNowMom!-Records. Breuer’s Serenade release won her the “Heidelberger Künstlerpreis” which is Heidelberg’s prize for artists in Amsterdam, Netherlands. She is the first jazz musician to receive this award, previously only given to classical musicians.
Breuer has toured internationally and and performed with WDR’s Big Band, the Berlin Jazz Festival and the North Sea Jazz Festival. Her album, Fate Smiles On Those Who Stay Cool, became so popular in the Netherlands that politician Klaas De Vries began a speech in parliament with exactly those words.
Alto and soprano saxophonist Carolyn Breuer has recorded six albums as a leader, two with her father and one with Fee Classen. She continues to perform, record and tour.
#preserving genius
More Posts: saxophone