Daily Dose Of Jazz…

Robert William Troup Jr. was born on October 18, 1918 in Harrisburg, Pennsylvania. Graduating from The Hill School in 1937, he went on to graduate Phi Beta Kappa from the Wharton School at the University of Pennsylvania with a degree in economics. His earliest musical success came in 1941 with the song Daddy and Sammy Kaye and His Orchestra recorded it sending it to #1 for eight weeks on the Billboard chart and #5 record of 1941.

After graduating from college in 1941, he enlisted in the United States Marine Corps, completed officer training, and was assigned to recruit the first Black Marines at Montford Point. While there, he organized the first Negro band of U.S. Marines. During this time he composed Take Me Away From Jacksonville, which became an anthem of sorts for the Marines at Montford Point and other areas of Camp Lejeune. In 1942, his song Snootie Little Cutie was recorded by Frank Sinatra and Connie Haines with the Tommy Dorsey Orchestra and the Pied Pipers.

In 1946, Nat King Cole had a hit with Troup’s most popular song, Route 66. Troup’s fifteen albums in the 1950s and 1960s were not commercially successful, recording for Liberty and Capitol. He composed the music for the instrumental version of his song The Meaning of the Blues that appeared on the Miles Davis album Miles Ahead.

While relying on songwriting royalties, Bobby worked as an actor, appearing in Bop Girl Goes Calypso, The High Cost of Loving, The Five Pennies, and playing musician Tommy Dorsey in the film The Gene Krupa Story. He also appeared on several television shows in the Sixties. It was during this time that he met Julie London, encouraged her to pursue her singing career, and in 1955 produced her million-selling hit record Cry Me a River. Four years later, London married Troup. On February 7, 1999, pianist, singer, songwriter and actor Bobby Troup passed away of a heart attack in the Los Angeles, California neighborhood of Sherman Oaks.

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Daily Dose Of Jazz…

Luiz Floriano Bonfá was born on October 17, 1922 in Rio de Janeiro, Brazil. He studied with Uruguayan classical guitarist Isaías Sávio from the age of 11 and these weekly lessons entailed a long, harsh commute by train, 2 1/2 hours one way and on foot from his family home in Santa Cruz. Given his extraordinary dedication and talent for the guitar, Sávio excused the youngster’s inability to pay for his lessons.

He first gained widespread exposure in Brazil in 1947 when he was featured on Rio’s Rádio Nacional, then an important showcase for up-and-coming talent. In the late 1940s Bonfá was a member of the vocal group Quitandinha Serenaders. Some of his earliest compositions such as Ranchinho de Palha, O Vento Não Sabe, were recorded and performed by Brazilian crooner Dick Farney in the 1950s and his first hit song was De Cigarro em Cigarro recorded by Nora Ney in 1957.

Farney introduced Luiz to Antônio Carlos Jobim and Vinicius de Moraes, the leading songwriting team behind the worldwide explosion of Bossa Nova. He collaborated with them on de Moraes’ anthological play Orfeu da Conceição, which several years later gave origin to Marcel Camus’ film Black Orpheus. For the film he wrote Samba de Orfeu and Manhã de Carnaval, the latter of which Carl Sigman wrote English lyrics and titled the song A Day in the Life of a Fool, which has been among the top ten standards played worldwide, according to The Guinness Book of World Records.

As a composer and performer, Bonfá was at heart an exponent of the bold, lyrical, lushly orchestrated, and emotionally charged samba-canção style that became a highly visible ambassador of Brazilian music in the United States beginning with the famous November 1962 Bossa Nova concert at New York’s Carnegie Hall.

Bonfá worked with American musicians such as Quincy Jones, George Benson, Stan Getz, and Frank Sinatra, recording several albums while in U.S. Also of note is his “The Gentle Rain”, with lyrics by Matt Dubey, and “Sambolero”.

Composer and guitarist Luiz Bonfá, who recorded some five dozen albums, passed away from prostate cancer at 78 in Rio de Janeiro on January 12, 2001.

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Daily Dose Of Jazz…

Mark Walker was born on October 16, 1961 in Chicago, Illinois and began playing drums at age ten. He played his first professional club, concert, and recording gigs barely out of high school. After studying with Roy C. Knapp, he gained valuable experience performing a wide range of styles in the Chicago, area and later became a first-call session drummer and percussionist, playing on film scores, jingles, and record dates.

Moving to New York in 1995, he easily entered the jazz culture and performed and recorded extensively with Michel Camilo, Dave Samuels, Andy Narell, WDR Big Band, NDR Big Band, Grace Kelly, Eliane Elias, Lyle Mays, Dave Liebman, Regina Carter, Joao Bosco, Dianne Reeves, Cesar Camargo Mariano, and Rosa Passos, among numerous others. He has been earned several Grammy nominations and in 2008 he was nominated for a Grammy for Best Instrumental Composition.

Walker has worked on Grammy~winning albums with Oregon, Donato Poveda, Paquito D’Rivera, the Caribbean Jazz Project and has also earned Indy and Jazz awards. He appeared on Late Night with David Letterman, The Rosie O’Donnell Show, PBS Presents, BET On Jazz, and with Paquito D’Rivera in Fernando Trueba’s Latin jazz documentary Calle 54.

As an educator, Mark is a professor in the Percussion Department at Berklee College of Music where he has taught drummers, percussionists, and ensembles since 2001. He has served on the faculty at New York City’s Drummers Collective and has conducted master classes, clinics, and workshops in South America, North America, and Europe. He has published two books, World Jazz Drumming and Killer Grooves, an instructional drum set book.

Grammy Award-winning drummer, percussionist, author, and educator Mark Walker continues to tour with Oregon and Paquito D’Rivera. He writes for and leads Rhythm of the Américas, a jazz octet incorporating Caribbean and South American rhythms.

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Conversations About Jazz & Other Distractions

Conversations About Jazz 

Spotlights The Young Guns on October 15 

Hammonds House Digital invites you to join us for Conversations about Jazz & Other Distractions hosted by former jazz radio host and founder of Notorious Jazz, Carl Anthony. Every other Thursday, Carl takes audiences on a unique journey through the world of jazz music with artist talks, workshops, and listening sessions. 

On October 15 at 7:30 pm (EST), Conversations about Jazz features some of today’s Young Guns. Carl’s guests will be bassist Endea Owens; and multi-instrumentalist, producer, composer, and engineer Morgan Guerin. This program is for the jazz novice and jazz head alike. It is free and will stream live on Hammonds House Museum’s Facebook and YouTube.

Lincoln Center’s Emerging Artist of 2019, recent graduate of the Julliard School, and Detroit native Endea Owens, is a vibrant up and coming bassist. She has been mentored by the likes of Marcus Belgrave, Rodney Whitaker, and Ron Carter. She has toured and performed with Jennifer Holliday, Rhonda and Diana Ross, Jazzmeia Horn, Dee Dee Bridgewater, Steve Turre, and Lea DeLaria from the Netflix Original Series “Orange is The New Black.’  Endea has performed around the globe including from Europe to India and Australia. She is the house bassist for The Late Show with Stephen Colbert.

New York City-based and New Orleans native multi-instrumentalist, producer, composer, and engineer Morgan Guerin has achieved much in his young, burgeoning career. Dubbed a “wunderkind saxophonist and multi-instrumentalist” by The New York Times, Guerin is skilled in bass, saxophones, electronic wind instrument (EWI), drums, and keys. In 2016, the Huffington Post named his debut album, “The Saga,” one of the best Jazz albums of the year. In 2017, Stereogum highlighted his sophomore album, “The Saga II,” as one of the best new albums. He was featured on Terri Lyne Carrington & Social Science’s award-winning album, “Waiting Game.” He was a songwriter and co-producer of Esperanza Spalding’s 2019 Grammy-winning record, “12 Little Spells.”  His third album, “The Saga III,” was released on September 18, 2020.

Hammonds House Museum is generously supported by the Fulton County Board of Commissioners, Fulton County Arts and Culture, the City of Atlanta Mayor’s Office of Cultural Affairs, AT&T and WarnerMedia.

Hammonds House Museum’s mission is to celebrate and share the cultural diversity and important legacy of artists of African descent. The museum is the former residence of the late Dr. Otis Thrash Hammonds, a prominent Atlanta physician and a passionate arts patron. A 501(c)3 organization which opened in 1988, Hammonds House Museum boasts a permanent collection of more than 450 works including art by Romare Bearden, Robert S. Duncanson, Benny Andrews, Elizabeth Catlett, Jacob Lawrence, Hale Woodruff, Amalia Amaki, Radcliffe Bailey and Kojo Griffin. In addition to featuring art from their collection, the museum offers new exhibitions, artist talks, workshops, concerts, poetry readings, arts education programs, and other cultural events throughout the year. 

Located in a beautiful Victorian home in Atlanta’s historic West End, Hammonds House Museum is a cultural treasure and a unique venue. During the COVID-19 pandemic, they continue to observe CDC guidelines, but look forward to welcoming in-person visitors soon!  For more information about upcoming virtual events, and to see how you can support their mission, visit their website: hammondshouse.org.
MEDIA: For more information, contact Karen Hatchett at Hatchett PR, karen@hatchettpr.com

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The Quarantined Jazz Voyager

We have not yet recognized when or how we will emerge from this pandemic, but as we collectively continue to navigate our way maintaining social distancing it is the perfect time to put on some headphones, earbuds, or just turn up the volume and listen to some big band. So today, this Quarantined Jazz Voyager is not going to the big band standards of yesteryear, nor is he choosing to feature one of the many led by men but is selecting the perfect album released this year by vocalist Lenora Zenzalai Helm & Tribe Jazz Orchestra. It is titled For The Love Of Big Band.

The album was recorded over a two day period in March 26th ~ 27th in front of a live audience and employed 20 musicians, a dozen music and music business professionals, four generations of renowned veteran musicians, as well as emerging and student musicians. It has been released under the Zenzalai Music label.

1. Blues For Mama (N. Simone) ~ 4:42
2. Bebop (d. Gillespie/D. Brown) ~ 6:22
3. Chega de Saudade/No More Blues (A. Jobim, J. Cavanaugh, V. de Moraes, J. Hendricks) ~ 6:39
4. It Could Happen To You (J. Van Huesen, J. Burke) ~ 5:26
5. Soul Eyes (M. Waldron) ~ 5:24
6. Everything But You (D. Ellington, H. James) ~ 4:30
7. I Didn’t Know About You (D. Ellington, B. Russell) ~ 5:50
8. Sandu (C. Brown, D. Townsend) – 9:00
9. But Not For Me (G. Gershwin, I. Gershwin) ~ 5:26
10. A Conversation With God (Dear Lord) (J. Coltrane, L. Helm, M. Myers) ~ 7:25
11. Mississippi Goddam (N. Simone) ~ 6:06
12. Stella By Starlight (V. Young, N. Washington) ~ 8:23

• Lenora Zenzalai Helm ~ Voice
• Ernest Turner, Lydia Salett Dudley, Ed Paolantonio ~ Piano
• Baron Tymas ~ Guitar
• Ginnae Koon ~ Bass
• Thoma Taylor, Dorien Dotson,  ~ Drums
• James “Saxmo” Gates, Sam King, Brian Miller, Matt York, Ariel Kopelove, Shaena Ryan Martin ~ Reeds
• Lynn Grissett, Al Strong, Zoe Smith, Tyler Perske ~ Trumpets
• Robert Trowers, Isrea Butler, Tenay Harrell, Reggie Greenlee, Cameron MacManus ~ Trombones
• Brian Horton ~ Conductor, Composer, Arranger, Saxophone

• Lenora Zenzalai Helm ~ Conductor, Voice
• Ed Paolantonio ~ Piano
• Baron Tymas ~ Guitar
• Timothy Holley ~ Cello
• Salome Serena Wiley ~ Tenor Saxophone
• Lance E. Scott, Jr. ~ Acoustic Bass
• Thoma Taylor ~ Drums
• NCCU Vocal Jazz Ensemble ~ Guest Artist

• Joey Calderazzo ~ Piano
• Ameen Saleem ~ Acoustic Bass
• Maurice Myers ~ Special Guest Vocal Soloist | A Conversation With God

As you listen and enjoy this wonderful addition to the jazz catalog, continue to social distance and stay healthy. During this sabbatical from flying and investigating jazz around the globe, enjoy the listen and know that the world and I will be back.

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