Daily Dose Of Jazz…
Charles Burchell was born in London, England on October 30, 1925 and began learning the ukulele, then guitar. Then he heard an Artie Shaw record that inspired him to take up the clarinet and play jazz. Switching to alto saxophone, he started his own quintet in 1943, then tried tenor saxophone before he was drafted into the Royal Air Force. Transferred to the army in 1944, he played in Greece with the British Divisional Band.
Following his discharge in 1947 Charles worked in London with the Toni Antone Big Band. By 1949 he had given up full-time musicianship for work in a factory in order to not perform music he did not like in order to make a living.
A disciple of Lennie Tristano and a devoted admirer of Warne Marsh, he continued to play part-time, leading his own quintet for more than 20 years. Burchell has guested with Clark Terry, Emily Remler and Nathan Davis, and recording for Peter Ind’s Wave label. He played with Ind in the group that supported Tristano on his only UK concert, at Harrogate in 1968.
Saxophonist Charles Burchell, who went by Chas and has been touted as one of the great unsung heroes of British jazz, transitioned from a heart attack on June 3, 1986.
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Daily Dose Of Jazz…
Edward Bennett Coles was born October 29, 1910 in Montgomery, Alabama and was the second oldest of ten children and the oldest son. He studied both piano and bass from a young age and formed his first band at age 17. Three years later at age 20, he joined Noble Sissle’s band the Sizzling Syncopators, stayed there six years and performed with greats such as Sidney Bechet and Clarence Brereton.
After a tour of Europe in 1936, Cole left Sissle’s band to join his brother Nat’s group, the Rogues of Rhythm. He appeared in the TV show Bourbon Street Beat in 1959 and later appeared on The Law and Mr. Jones and The Jack Benny Program.
Retiring in the 1960s, bassist, pianist and vocalist Eddie Cole, who was a member of the Cole dynasty of Nat, Freddy and Ike, transitioned on June 18, 1970 at the age of 59 in Los Angeles, California.
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Daily Dose Of Jazz…
Ollie “Dink” Johnson was born in Biloxi, Mississippi on October 28, 1892. He was the younger brother of double bassist William Manuel “Bill” Johnson. He worked around Mississippi and New Orleans before moving to the western United States in the early 1910s. He played around Nevada and California, often with his older brother. He played with the Original Creole Orchestra, mostly on drums.
He made his first recordings in 1922 on clarinet with Kid Ory’s Band. He made more recordings in the 1940s and 1950s, mostly on piano, although Johnson recorded some one-man band sessions, playing all three of his instruments by over-dubbing.
His piano style was influenced by his brother-in-law Jelly Roll Morton, and his clarinet playing by Larry Shields. The tunes he wrote included The Krooked Blues, recorded by King Oliver and So Different Blues.
Pianist, clarinetist, and drummer Dink Johnson, who played in the Dixieland genre, transitioned in Portland, Oregon on November 29, 1954.
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The Jazz Voyager
Taking to the friendly skies to once again masked and safely flying into Lambert International to catch some jazz in The Lou. Looking forward to catching up with a friend, meet new ones and enjoying an incredible evening of music at Jazz St. Louis. Three amazing musicians, Tia Fuller, Mimi Jones and Matt Wilson top off their residency of workshops, clinics, masterclasses and jam sessions with students to give the public a taste of their talent. Two nights, two sets each evening at 7:30 and 9:30 pm
Of course while I’m in this city I’ll take in the Gateway Arch, sit by the mighty Mississippi River, visit the Griot Museum, walk through the Botanical Gardens, and spend an afternoon at the George B. Vashon Museum that was built in 1879 on the city’s historic Millionaire’s Row. This museum hosts 250 years of 10,000 artifacts and treasures chronicling Black history in St. Louis.
There is no mention of a cover or reservations required. I guess I’ll be dropping in a little before showtime. The address for Jazz St. Louis is 3536 Washington Avenue, St. Louis, Missouri 63103. For more information, the number is 314-571-6000 or jazzstl.org.
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Daily Dose Of Jazz…
Barre Phillips was born October 27, 1934, in San Francisco, California. He studied briefly in 1959 with S. Charles Siani, Assistant Principal Bassist with the San Francisco Symphony. In 1962 he moved to New York City in 1962 and during the Sixties he recorded with, among others, Eric Dolphy, Jimmy Giuffre, Archie Shepp, Peter Nero, Attila Zoller, Lee Konitz and Marion Brown.
Moving to Europe in 1967, Phillips’ 1968 recording of solo bass improvisations was issued under three different titles as Journal Violone in the US, Unaccompanied Barre in England, and Basse Barre in France on Futura Records, is generally credited as the first solo bass record.
A 1971 record with Dave Holland, Music from Two Basses, was probably the first record of improvised double bass duets. Since 1972 he has been based in southern France and in the 1970s, he was a member of the well-regarded and influential group The Trio, with saxophonist John Surman and drummer Stu Martin.
The 1980s and 1990s saw Barre playing regularly with the London Jazz Composers Orchestra, led by fellow bassist Barry Guy. He worked on soundtracks of the motion pictures Merry-Go-Round, Naked Lunch together with Ornette Coleman, and Alles was baumelt, bringt Glück!. He has also worked with numerous bassists, guitarists, clarinetists, saxophonists, and pianists.
At 87, double bassist Barre Phillips continues to be active on the jazz scene.
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