The Quarantined Jazz Voyager

For those of us who foresaw that we would still be social distancing that we would be listening to great music in the safety of our homes. This week I’ve taken the liberty of enjoying listening to Sonny Rollins and Coleman Hawkins on their 1963 album titled Sonny Meets Hawk! Released on RCA Victor. Recorded in the RCA Victor Studio B in New York City on July 15 & 18 1963, the album features some of Sonny’s most avant-garde playing.

The album was produced by George Avakian and marked the first time the two saxophonists recorded studio together, although they had appeared on stage together briefly that same year at the Newport Jazz Festival.

Track List | 41:21
  1. Yesterdays (Jerome Kern, Otto Harbach) ~ 5:13
  2. All the Things You Are (Jerome Kern, Oscar Hammerstein II) ~ 9:33
  3. Summertime (DuBose Heyward, George Gershwin, Ira Gershwin) ~ 5:58
  4. Just Friends (John Klenner, Sam M. Lewis) ~ 4:40
  5. Lover Man (Oh Where Can You Be?)  (Jimmy Davis, Roger “Ram” Ramirez, James Sherman) ~ 8:54
  6. At McKies’ (Rollins) ~ 7:03
Personnel
  • Sonny Rollins – tenor saxophone
  • Coleman Hawkins – tenor saxophone
  • Paul Bley – piano
  • Roy McCurdy – drums
  • Bob Cranshaw – bass (tracks 1, 2, and 5) – recorded July 15
  • Henry Grimes – bass (tracks 3, 4, and 6) – recorded July 18

CALIFORNIA JAZZ FOUNDATION

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Daily Dose Of Jazz…

Oliver Edward Mitchell  was born April 8, 1927 in Los Angeles, California. He was the son of Harold Mitchell, lead trumpeter for MGM Studios, who taught him to play the trumpet.

Mitchell would go on to play in big bands for Harry James, Buddy Rich and Pérez Prado, among others, as well as the NBC Symphony Orchestra. In the 1960s, he joined The Wrecking Crew, a group of studio and session musicians who played anonymously on many records for popular singers of the time, as well as theme songs for television, film scores, and advertising jingles.

Mitchell was an original member of Herb Alpert’s Tijuana Brass. He would go on to have his own bands, Ollie Mitchell’s Sunday Band, and the Olliephonic Horns

Moving to Puako, Hawaii in 1995 he founded the Horns. In 2010, he published his memoir, Lost, But Making Good Time: A View from the Back Row of the Band. He stopped playing the trumpet toward the end of his life, due to macular degeneration and hand problems from an automobile accident.

Trumpeter Ollie Mitchell, who recorded with Chet Baker, Harry James, Stan Kenton, Irene Kral, Shorty Rogers, Pete Rugolo, Dan terry and Gerry Wilson among others,  suffered from cancer and passed away on May 11, 2013.

ROBYN B. NASH

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Daily Dose Of Jazz…

Pat La Barbera, born Pascel Emmanuel LaBarbera on April 7, 1944 in Mt. Morris, New York. He moved to Toronto, Ontario, Canada in 1974, and is a member of the faculty at Humber College.

La Barbera began working with Elvin Jones in 1975, touring Europe with him in 1979. While working with Buddy Rich, he also worked in groups led by Woody Herman and Louie Bellson.

Playing with Carlos Santana, Pat has played a major role in the development of a generation of Canadian saxophonists. In 2000, he won a Juno Award for Best Traditional Instrumental Jazz Album for Deep in a Dream.

Tenor, alto and soprano saxophonist, clarinetist, and flautist Pat LaBarbera, most notable for his work as a soloist in Buddy Rich bands from 1967 to 1973, continues to perform and educate.

ROBYN B. NASH

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Three Wishes

The Baroness asked Billy James if he was given three wishes what would they be:

  1. “That I could be with my family.”
  2. “That Art Blakey should live forever.”
  3. “For the world to be full of people like you.”

*Excerpt from Three Wishes: An Intimate Look at Jazz Greats ~ Compiled and Photographed by Pannonica de Koenigswarter

SUITE TABU 200

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Daily Dose Of Jazz…

William Franklin Hardman, Jr. was born on April 6, 1933 in Cleveland, Ohio and growing up there worked with local players including Bobby Few and Bob Cunningham. While in high school he played with Tadd Dameron, and after graduation he joined Tiny Bradshaw’s band.

Hardman’s first recording was with Jackie McLean in 1956 and following this he played with Charles Mingus, Art Blakey and the Jazz Messengers, Horace Silver, and Lou Donaldson. He led a group with Junior Cook and as a leader recorded Saying Something on the Savoy label, receiving critical acclaim in jazz circles, but was little known to the general public.

He had three periods in as many decades with Art Blakey’s Jazz Messengers, however, his misfortune was not to be with him during their popular Blue Note recording years. Bill would go on to record three albums for Muse and one for Steeplechase record labels. He recorded forty-three albums as a sideman between 1956 and 1987 working with among others Hank Mobley, Charles Earland, Walter Bishop Jr., Curtis Fuller, Eddie Jefferson and Benny Golson.

On December 5, 1990 hard bop trumpeter and flugelhornist Bill Hardman, whose most prolific recording period as a sideman was with Blakey, passed away of a brain hemorrhage in Paris, France at the age of 57.

ROBYN B. NASH

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